Earlier this year, I published an article listing five “Jewish books” scheduled for publication in 2014 that I was already especially eager to read. Molly Antopol‘s The UnAmericans was one of those titles. As I wrote at the time: “I’m not the only one with high expectations for this debut collection of short stories. Anointed by the National Book Foundation as one of its ’5 Under 35′ honorees, Antopol and her book (which W.W. Norton will release in February) have received plenty of pre-publication buzz. “My stories move from McCarthy-era Los Angeles to modern-day Jerusalem to communist Prague,” Antopol has said in an interview, adding that many of the stories were inspired by her family history.
Well, I purchased a copy for my Kindle and began reading. And I was just as impressed as I expected to be. Molly and I connected online, and I asked her if she’d be willing to answer a few questions for My Machberet.Continue reading ›
Speaking of poetry–you know how director Darren Aronofsky has a new movie out about Noah and the flood? Well, thanks to The Forward, we can also read a poem Aronofsky wrote about that story back in seventh grade.
A few days ago, the Yom Kippur 5774 sermon delivered by Rabbi Joshua M. Davidson (Temple Emanu-El of New York City) was brought to my attention. It’s stellar. I can’t choose just a few words to excerpt. You must read “Standing on Our Own Doorstep” in its entirety.
“The driving question for the [Mad Men] series is, Who are we? When we talk about ‘we,’ who is that? In the pilot, Pete Campbell has this line, ‘Adding money and education doesn’t take the rude edge out of people.’ Sophisticated anti-Semitism. I overheard that line when I was a schoolteacher. The person, of course, didn’t know they were in the presence of a Jew. I was a ghost. Certain male artists like to show that they’re feminists as a way to get girls. That’s always seemed pimpy to me. I sympathize with feminism the same way I identify with gay people and with people of color, because I know what it’s like to look over the side of the fence and then to climb over the fence and to feel like you don’t belong, or be reminded at the worst moment that you don’t belong.”
Erika Dreifus is the author of Quiet Americans: Stories (Last Light Studio), which is an ALA Sophie Brody Medal Honor Title for outstanding Jewish literature. Quiet Americans was also named a Notable Book (The Jewish Journal) and a Top Small-Press Book (Shelf Unbound). Erika is a contributing editor for Fiction Writers Review and an advisory board member for J Journal: New Writing on Justice, and she wrote the section on “Choosing a Low-Residency MFA Program in Creative Writing” for the second edition of Tom Kealey’s Creative Writing MFA Handbook (Continuum, 2008). Erika is also the editor/publisher of The Practicing Writer, a free (and popular) e-newsletter featuring advice, opportunities, and resources on the craft and business of writing for fictionists, poets, and writers of creative nonfiction.
A high-ranking Nazi’s wife and a Jewish doctor in prewar Berlin. A Jewish immigrant soldier and the German POWs he is assigned to supervise. A refugee returning to Europe for the first time just as terrorists massacre Israeli athletes at the 1972 Munich Olympics. A son of survivors and the family secrets modern technology may reveal. These are some of the characters and conflicts that emerge in Quiet Americans, in stories that reframe familiar questions about what is right and wrong, remembered and repressed, resolved and unending. Portions of the proceeds from sales of Quiet Americans are being donated to The Blue Card. Quiet Americans has been named a 2012 Sophie Brody Medal Honor Title (American Library Association) and recognized as a “Notable Book” (The Jewish Journal) and “Top Book” (Shelf Unbound).
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