Words of the Week

“Israelis can listen to the views of dissenters. They are used to it. But they also want to trust that their dissenters are still a part of the family.”
Shmuel Rosner, “Who Killed the Israeli Left?” (The New York Times)

“The presumption that Jews must choose between liberalism and Zionism—and always had to—turns each into a kind of historical cartoon. Zionism is not just tribal primacy, and liberalism is not just an empathy for history’s dispossessed.”
Bernard Avishai, “Is Liberal Zionism Impossible?” (The New Yorker)

“Something feels different now.”
Marjorie Ingall, “Anxiously Sending Little Jews to School” (Tablet) (more…)

Pre-Shabbat Jewish Literary Links

Photo Credit: Reut Miryam Cohen
Photo Credit: Reut Miryam Cohen
Every Friday morning My Machberet presents an assortment of Jewish-interest links, primarily of the literary variety.

  • Coming in 2016: a new book by Jeffrey Goldberg, on “the Middle East through the prism of President Obama’s years in power.”
  • On my more immediate TBR list: Stuart Rojstaczer’s The Mathematician’s Shiva. According to this Jewlicious post, it’s a novel that “mixes Jewish family life, comedy, academia, mystery, greed, chaos shiva, lust and math.”
  • Matthue Roth on Heinrich Heine’s “love song to cholent.”
  • On the Moment blog, Linda Tucker reviews Rabbi David Wolpe’s new book on the biblical David.
  • If you still don’t have enough books on your own TBR list, you’ll find a few more in Sandee Brawarsky’s fall books preview for The Jewish Week. (Coming soon: a similar overview piece by yours truly, elsewhere. Stay tuned!)
  • Shabbat shalom.

    Wednesday’s WiP: Book Reviewing on the Brain (Again)

    18166873Book reviews were something of a big topic among the Twitterati this past week. I’m thinking mainly of the reaction to a review published (and subsequently withdrawn) by The Economist. But I saw some lively, if not especially incisive, commentary about another review, of a novel, in another well-known publication (summary: some people seemed to think the reviewer was too harsh).

    But the book review that most caught my attention over the last week was one included in The New Yorker‘s “Briefly Noted” section. I’ll give you a moment to click over and read it (it’s the second one, on Frederick Brown’s The Embrace of Unreason).

    You’ll see why I’m so dissatisfied by the anonymous New Yorker reviewer’s take when you read my own review of the same book, commissioned for a publication-that-shall-not-be-named, but eventually “killed.” I’ve been told that the review’s “death” resulted not from any specific problem with the piece; in fact, what you’re seeing here is the “final” version that incorporates revisions requested and approved by my editor.

    Without further ado–my review: (more…)

    Monday Markets for Writers: No Fees, Paying Gigs

    dollar-sign-mdMonday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • From Tin House magazine: “We accept submissions September 1 through May 31, and, as always, our summer and winter issues are not themed. We consider each submission for all upcoming issues regardless of theme. If you wish to be considered for a particular theme, please make a note in your cover letter. We have provided suggested deadlines for each theme issue, but please be aware that these fill up fast, so get your theme-issue submissions in as soon as possible.” For the Spring 2015 issue, the theme is “rejection”: “We are looking for fiction, essays, memoir, poems, and interviews about rejecting or being rejected. Rejection of, or rejection by people, animals, organizations, institutions, belief systems, physical locations, a calling—the theme is open to interpretation. Deadline is September 15, publication date March 1, 2015.”
  • The Bay Area Discovery Museum is accepting proposals for its Artist-in-Residence program: “We invite artists – visual artists, musicians, composers, media artists, architects, poets, scientists, dancer/choreographers, writers, builders, naturalists, puppeteers, storytellers, actors, playwrights, etc. – to propose residencies and projects which support and enhance our 2014-2015 arts program. As outlined below, our arts program is based on quarterly themes. We look to the artists to propose how to best engage with these themes, from the type of residency proposed to its duration. Thus, there is no minimum duration for a residency; projects may take place at any time throughout the course of the 3 month theme.” Proposals are due September 15 for residencies to take place between December 2014-February, 2015 (Theme: Land). No application fee. Pays: “Artists-in-Residence will be supported by stipends starting at $1,000, the exact size of which will be determined by the cost of project not to exceed $20,000.”
  • The Sacrifice Anthology Writing Contest seeks “submissions for inclusion in the upcoming inspirational essay anthology – Sacrifice – What Would You Give? Submit a personal essay about someone who sacrificed for you or for someone else, in whatever style you feel best expresses the story. Tell us what was done and how it impacted you or the person who received the benefit of the sacrifice.” Prizes: for first place, $50 and two copies of the anthology and publication; second place, $30 and two copies of the anthology and publication; third place, $20 and two copies of the anthology and publication. No entry fee. Deadline: September 30, 2014. (h/t CRWROPPS-B)
  • (more…)