“‘Israel-themed sermons this year should help people understand what Israel is up against in its confrontation with Hamas — which is not about borders or settlements or who’s at fault for peace talk going nowhere, but about Israel’s very existence, which Hamas seeks to eradicate, and Jews everywhere, whom Hamas aspires to exterminate,’ Rabbi Block told The Jewish Week in an email. ‘Rabbis have a tremendous opportunity and responsibility to sermonize about the “other Israel,” the vibrant democracy whose culture of compassion and innovation is contributing so much to the world.’
But underscoring the complexity of the issue, Rabbi Block, in a sermon this spring to his Central Conference colleagues, said: ‘Israel needs many things, but one thing it does not need is more public criticism, which is ubiquitous. Some of it is legitimate, but it lacks context. Much of it is exaggerated, unfair, uninformed or plainly wrong.
‘I am not suggesting that we pretend Israel is perfect, ignore the complex moral challenges it faces, disregard its occasional failures or excesses in the exercise of power or encourage unquestioning approval of whatever its government does,’ the rabbi continued. ‘We have precious few opportunities to address our entire congregation or community on matters of paramount concern. To me, it feels unconsciously self-indulgent to squander them criticizing Israel, even when it may be deserved.'”
–Rabbi Richard Block, quoted in “Gaza War Pushes Israel, Reluctantly, Onto Holiday Bima” (The Jewish Week)
In the new (fall) issue of the Jewish Review of Books, I respond to a piece published in the summer issue.
My response begins:
“As an avid reader of novels and short stories, and as the author of a story collection myself, I am always pleased to see fiction discussed within the JRB’s pages. But in the case of Amy Newman Smith’s “Killer Backdrop” (Summer 2014), my initial pleasure was tempered by an increasing sense of discomfort.
In part, the trouble stemmed from my difficulty understanding the exact focus of Ms. Smith’s opprobrium. Does she object to all “new works of Holocaust fiction” because they are not nonfiction? Fair enough. Some people don’t ascribe any value to Holocaust-related fiction; I am not among them. But are there any examples of Holocaust-related fiction that might meet with Ms. Smith’s approval? Novels by the late ArnoŠt Lustig? Cynthia Ozick’s now-classic “The Shawl”?”
You can find the rest of my response–plus the original article and Amy Newman Smith’s response-to-my-response–on the JRB website.
‘Tis a c-r-a-z-y time, folks.
A lot of that has to do with my job at Fig Tree Books. We’ll be announcing our first list of novels on Monday, September 22. So there’s a lot of behind-the-scenes work going on to make that a smooth and successful day.
In the meantime:
It appears that one of my essays is going to be recorded and re-presented as an audio piece. I spent some time reviewing edits for that over the weekend. More info to be shared in due course.
Although I haven’t yet received my contributor copy, the new edition of Novel and Short Story Writer’s Market is out and includes my contribution on virtual book tours.
I’ve started a new poem! (On a related note: I also found out this week that my poetry chapbook had lost yet another contest. But the notice included some really nice, encouraging words about my work.)
Bonus: Thanks to one of my former supervisors (hi, Tim!), I’ve discovered this excellent post with stock-image recommendations. The one I chose for today’s “work-in-progress” update appealed to me because, for a few days this past week (for once!), my fingernails looked almost as nice as those of the model in the photo. And that’s because another high point of the past week was my midtown lunch with another former co-worker, followed by a surprise luxury–a free manicure!–at a nearby Duane Reade drugstore. (If you happen to be looking for a new nail color for fall, may I recommend “Dress to Kilt”? It looked fab…while it lasted.)