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Monday Markets/Jobs/Opportunities for Writers

  • From the Association of Writers & Writing Programs: “Many of the essays published in the Writer’s Chronicle began as contributions to panel discussions at our annual conference. If you participated in a panel discussion in Chicago, we encourage you to develop your talk into an essay for the editors’ consideration. We are not interested in transcripts of talks. Instead, we seek works on your topic that you have fully developed, in content and in form, to work well as an essay in print. If others have addressed your topic before you, your essay should demonstrate an awareness of their contributions to our intellectual and artistic community. Please see our editorial guidelines at http://awpwriter.org/magazine/guidelines.htm before submitting your work. The Chronicle has a circulation of 39,000 readers. For the next academic year, the magazine will pay $14 per one hundred words for accepted articles.”
  • “Writers Omi at Ledig House, a part of Omi International Arts Center, has been awarded a grant from Amazon.com to fund Translation Lab, a weeklong special, intensive residency for five collaborating writer-translator teams in the fall of 2012. Writers Omi will host five English language translators to the Omi International Arts Center for one week. These translators will be invited along with the writers whose work is being translated….The dates for Translation Lab are November 9-16, 2012. All residencies are fully funded, including international airfare and local transport from New York City to the Omi International Arts Center in Ghent, NY.” No application fee. Deadline: July 1, 2012. (via Three Percent)
  • The next mediabistro book club in Los Angeles will take place on July 18. “Mediabistro.com is proud to announce the July mediabistro book club, where authors can highlight their latest work to mediabistro party attendees. At the event, four authors will mingle and share drinks with mediabistro.com’s influential audience and read a five minute selection from their work. To be considered, submit your application by May 18. You will be notified of your acceptance one month prior to the party.” I do not see an application fee.
  • From Texas Christian University: “The Department of English invites applications for a tenure-track assistant professor in creative writing with a primary specialization in fiction.”
  • “The Augsburg College Low-Residency MFA in Creative Writing invites applications for a part-time, non-tenure track Visiting Writer: Creative Nonfiction. The successful candidate will teach at the graduate level in our low-residency program, mentoring student writers and conducting online classes in fall and spring semesters and fully participating in the 10-day summer residency-leading a workshop, presenting a reading, conducting a craft talk, and meeting with students. Student:faculty ratio is 5:1 in fall and spring mentorship semesters. MFA, Ph.D., or exceptional record of publication required. The position will begin in July 2013.”
  • Rosemont College (Penn.) seeks a Director for its MFA program in creative writing.
  • Call for proposals from The Loft Literary Center for a variety of teaching opportunities (including for online classes). (via @NinaBadzin)
  • The Georgia Review, one of America’s premier journals of arts and letters, is seeking a managing editor to oversee production of the print and digital versions of the magazine.”
  • Northeastern University (Boston) is looking for an Editor-in-chief, Weill Cornell Medical College (New York) seeks a Writer/Editor, and TCS Education System (Chicago) invites applications for an Editorial Manager position.
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    Friday Find: Bella Stander’s Tips on “What Not to Do at a Book Festival or Writers Conference”

    I had the pleasure of meeting Bella Stander during my recent trip to Charlottesville/the Virginia Festival of the Book. She’s someone who really knows her stuff, so when I saw that she had a post on SheWrites.com about “what not to do at a book festival or writers conference” the other day, I took note. You should, too.

    Hope that you all have a good weekend. Special holiday wishes to all who will be celebrating. See you back here on Monday.

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    Jewish Literary Links for Shabbat

    Photo Credit: Reut Miryam Cohen

  • Caught up a few days ago with a terrific new story by Joan Leegant, “Displaced Persons,” that is set in Israel.
  • And speaking of stories, a new issue of JewishFiction.net is now available.
  • Editors and agents may now apply for the Jerusalem International Book Fair Fellowship.
  • MyJewishLearning.com is looking for a full-time Editorial Assistant.
  • Further piquing my considerable interest: Janet Maslin’s review of Jonathan Sarna’s When General Grant Expelled the Jews.
  • New Jersey Jewish News spotlights the Jewish Plays Project.
  • And a couple of literary notes of my own: my review of Nathan Englander’s new story collection and a bit about my latest poem, “Jerusalem Dream.”
  • Shabbat Shalom and Chag Pesach Sameach!

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    Thursday’s Work-in-Progress: The Power of a Prompt, or a Prizewinning Poem’s Backstory

    Photo: goisrael.com

    Late last week I had a poem published by The Missouri Review!

    (Okay, so the poem appeared on the journal’s blog. But that’s close enough for this still-newbie poet!)

    Unlike many of my other published pieces, “Jerusalem Dream,” isn’t one that I labored over for weeks, months, or years. Only a few days elapsed between my noting the announcement for the journal’s “Art of Omission Contest” (okay, technically a contest from the journal’s textBOX online anthology, but again, close enough!) and my thinking about, drafting, revising, and submitting the entry.

    The challenge was a terrific one. Using a brief posted excerpt from Reesa Grushka’s “Arieh,” an essay that appeared in 2006 in The Missouri Review, entrants were instructed to write a piece (poetry or prose) up to 50 words long. The “catch” was that all words had to be drawn from the words used in the “Arieh” excerpt.

    Reader, I loved this prompt. Assignment. Whatever you want to call it.

    And apparently, the poem I submitted garnered some affection in return. And the honor of being included among the top five entries.

    The grand-prize winner received a bonus: a paid entry good for an upcoming Missouri Review contest. But all five winning pieces earned their scribes a one-year journal subscription.

    I am thrilled. My first poetry prize!

    (You can read all of the winning pieces on The Missouri Review‘s blog. Mine is the fifth. Immediately after “Jerusalem Dream,” you’ll see the excerpt we were all provided.)

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    Wednesday Web Browser for Writers

  • If you have the time today, you can drop by The New Yorker‘s “Ask the Author” chat with Adam Gopnik. The subject: Albert Camus, the focus of Gopnik’s article in this week’s issue of the magazine. Chat begins at 3 p.m., E.T.
  • Want to write a guest post for Carol Tice’s blog? Here’s what not to do.
  • I’ll admit that I don’t get too agitated about gender issues in publishing. (What ticks me off far more is the anti-Israel sentiment I see in the literary/publishing establishment, not any perceived bias favoring male writers.) That said, I’m a fan of Meg Wolitzer’s work, so when she writes, I read. Sunday’s New York Times Book Review included Wolitzer’s “The Second Shelf: Literary Rules for Men and Women.” Worth your time, if you haven’t yet caught it.
  • Writer Abroad offers some good, basic, nuts-and-bolts info on finding a literary agent.
  • Historical novelist Natalie Wexler reflects on what she finds in old newspapers.
  • I’m a contributor to this new anthology (along with a few hundred others).
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