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Monday Markets for Writers

Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction). Continue reading ›

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Monday Markets for Writers

Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • Black Balloon Publishing has news for novelists and short-story writers: “We’re thrilled to announce the Horatio Nelson Fiction Prize, an award for a previously completed manuscript which comes with an award of $5,000 and a Black Balloon Publishing deal. Submissions for entry will be accepted between April 1 and May 6th. Only complete, previously unpublished works of fiction of over 50,000 words will be eligible. Please submit an excerpt of up to 4,000 words in a .doc or .docx file between April 1 and May 6th.” There is no entry fee. (via GalleyCat)
  • A quick check-in with the Chicken Soup for the Soul website reveals a number of upcoming deadlines for anthologies-in-progress, including “a book for Canadians about everything winter,” a book on dating, and “a multitasking Mom’s survival guide.” Paying projects.
  • The low-residency MFA program at the University of California, Riverside, is looking for a Visiting Assistant Professor of Poetry.
  • “The Department of Rhetoric and Writing at the University of Arkansas at Little Rock invites applications for a nine month tenure-track Assistant Professor (R97278) to teach undergraduate and graduate courses in professional writing, including grant writing.”
  • Oklahoma State University, Stillwater, seeks a Visiting Assistant Professor of Creative Writing (Fiction).
  • Poets & Writers, Inc. (New York), is looking for a Development and Marketing Associate.
  • The April issue of The Practicing Writer went out to subscribers this weekend. You can also read the current issue–replete with no-fee competition listings and paying calls for submission–online.
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    Friday Finds for Writers

    Treasure ChestWriting-related resources, news, and reflections to read over the weekend.

  • “Little has been written about Langston Hughes the anthologizer, his role as a shaper of African American culture as well as a maker of it.” Elizabeth Alexander’s research helps remedy that gap.
  • Tips for the cover letters that accompany your litmag submissions, courtesy of Ecotone‘s fiction editor.
  • John Fox “interprets” the meaning of litmag submission guidelines and policies (particularly those that pertain to fees).
  • Passing along this message recently received from Rosalie Morales Kearns: “Just wanted to let you know about the recently launched Lake House Collective, a group of feminist writers focusing on reviewing books by women authors–our small part in the larger project of literary good citizenship. The site is at http://lakehousecollective.wordpress.com/.” (Let’s hear it for #litcitizens!)
  • Looking for some guidance to assist your AWP planning? Look no further than this Ploughshares blog post. (Actually, you might look a little further; check out some additional advisory finds mentioned and linked in the latest newsletter from The Review Review and a specialized guide to nonfiction events over on the Brevity blog.)
  • Have a great weekend, all. See you back here on Monday.

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    Monday Markets/Jobs/Opportunities for Writers

    Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • First up: The latest issue of the WritersMarket.com newsletter listed three book publishers that are open to (unagented) submissions: The Permanent Press, which publishes “literary fiction, and occasionally non-fiction”; River City Publishing, which features Southern writers/stories; and Arte Público Press, which publishes “contemporary novels, short stories, poetry, and drama based on U.S. Hispanic (Cuban American, Mexican American, Puerto Rican, and others) cultural issues and themes. Arte Público also is interested in reference works and non-fiction studies, especially of Hispanic civil rights, women’s issues and history.”
  • And speaking of presses, there’s a new one to let you know about: the CUNY Journalism Press. “The CUNY Graduate School of Journalism has launched a new academic press to publish books related to journalism, Dean Stephen Shepard announced Sunday, Oct. 14. Shepard said the new imprint will publish 3-5 books per year, beginning in 2013. ‘We think that publishing more thoughtful, insightful books about journalism at this critical time in the history of news and information is important for journalists, important for writers and, especially, important for readers,’ Dean Shepard said.” Check the website for more information and proposal information.
  • It never hurts to check in with the Chicken Soup for the Soul website to check the list of anthology projects in the works. (Thanks for the reminder, Writer Abroad.)
  • “The Gaius Charles Bolin Fellowships at Williams College are designed to promote diversity on college faculties by encouraging students from underrepresented groups to complete a terminal graduate degree and to pursue careers in college teaching. The Bolin Fellowships are two-year residencies at Williams, and up to three scholars or artists are appointed each year. Fellows devote the bulk of the first year to the completion of dissertation work—or in the case of MFA applicants, building their professional portfolios—while also teaching one course as a faculty member in one of the College’s academic departments or programs. The second year of residency (ideally with degree in hand) is spent on academic career development while again teaching just one course. Eligibility: The Bolin Fellowships are awarded to applicants from underrepresented groups, including ethnic minorities, those who are first-generation college graduates, women in predominately male fields, or disabled scholars.” NB: If you’re applying in the “post-MFA” capacity, you must be a recent degree recipient, since “only those with degrees granted in 2012, or to be granted in 2013, are eligible to apply.” Application deadline is November 15, 2012, and there’s no app fee. (NB: As a reminder, you’ll find lots more post-MFA fellowships listed here.)
  • The Writers Guild of Alberta (Canada) seeks a part-time Program Assistant, NetGalley is looking to add a UK-based Community Manager, and The New Victory Theater (New York) is advertising for a PR Associate.
  • Mediabistro is looking for a dynamic, spirited instructor to teach a new class on Crime Novel Writing online this winter. Class meets for 8 weeks and will teach students how put together a draft and pitch their book to agents and editors. Ideal candidate is either a published author with a large audience, or an editor or agent.” (Site registration required to access full announcement.)
  • “The Creative Writing Program at the Lewis Center for the Arts, Princeton University is seeking distinguished writers for a potential part-time opening in poetry. The position is one or two semester appointments. The position will begin in February 2013.”
  • Once again, there are plenty of other college-level teaching job announcements this week. Please keep reading to discover them. Continue reading ›

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    Friday Finds for Writers

    The weekly collection of writing-related resources, news, and reflections to read over the weekend.

  • Let’s start with an important question, raised this time in the context of Michael Chabon’s latest novel: “Can a white author write black characters?” Tanner Colby says yes. (via Page-Turner)
  • Next: Poet Mark Doty describes “the hardest job in publishing: editing an anthology.”
  • What happens when writers don’t finish the job they’ve contracted to do? For some authors who received advances from Penguin–for books they ultimately didn’t deliver–the answer is now: lawsuits. (via Publishers Lunch)
  • Definitely worth reading: Cathy Day’s “next big thing” is Literary Citizenship.
  • Last, but by no means least (and, I believe, very much in the spirit of literary citizenship): Many of you know that I’ve been part of the Fiction Writers Review community for some time. FWR is currently undertaking a writing-focused fundraiser (“The Great Write Off”). I’m not able to participate as fully as I’d like to right now, but I *have* made a contribution to support the overall project. If you’ve ever appreciated any of the content on the FWR site, perhaps you’ll consider doing the same. Thank you!
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