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Friday Finds for Writers

Treasure ChestWriting-related resources, news, and reflections to read over the weekend.

  • “Some people move to New York to realize their literary dreams, but I had to leave.” Geeta Kothari explains why this was so in a beautiful essay for the VQR blog.
  • Judy Blume fans, New York magazine has some treats for you!
  • Among the highlights of my visit to the BIO conference last weekend was a panel on the politics and ethics of book reviewing. Quite a big topic, with so many threads to pursue. One that the panel didn’t have time to address–publishers’ strategic misuse of reviews for blurbing purposes–is at the heart of Ron Charles’s recent commentary. On a related note: Bethanne Patrick’s reflections on “why literary criticism still matters” are also worth a read.
  • Reflections on rejection, whether we’re talking about a McSweeney‘s submission or a tenure-track teaching job, from John Warner.
  • Also on the subject of submissions: Jennifer Niesslein offers “6 Rules of Thumb from an Editor-Turned-Writer” over on Jane Friedman’s blog. (I’ll confess some doubts about rule #2, but I’d have to do some major archival unearthing and analysis to see how many times my own experience may have disproved it.)
  • Just a reminder that you still have time to enter the Short Story Month Quiet Americans giveaway!
  • Have a great weekend, everyone. Yes, Monday’s a holiday here in the U.S., but the blog will be back then nonetheless!

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    Wednesday’s Work-in-Progress: The Muse and the Marketplace Conference Recap

    boston_wiki_ahoncSo, as I’ve mentioned, I spent last weekend in Boston at Grub Street’s outstanding annual conference, The Muse & the Marketplace. I’m beginning to sound like a broken record here, but I’m honestly not sure how the team manages to improve this conference each year. Quite simply, they continue to outdo themselves.

    I love this conference for lots of reasons: I love seeing so many familiar, friendly faces (and meeting so many new folks, especially those who tell me how much they appreciate this blog and the newsletter); I love being back in Boston; I love the conference’s super-smooth organization (both on site and behind the scenes–it is a delight to be a presenter at this conference); and of course, I love the programming.

    On that last point, please consider the following: Continue reading ›

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    Wednesday’s Work-in-Progress: Quarterly Contributions, Yom HaShoah, and Recent Reviews

    BlueCardAs I mentioned not too long ago, my book of short stories, Quiet Americans, has been out in the world for a little over two years. And at the end of every quarter, I offer a financial contribution based on recent sales to The Blue Card, an organization that supports survivors of Nazi persecution. Within the next week, Q1 for 2013 will draw to a close; if you’ve been meaning to purchase a copy of the book, now would be an especially meaningful time to do so, with Yom HaShoah (Holocaust Remembrance Day) coming up on April 7-8.

    I continue to be surprised (and deeply moved) by the reviews that readers share online after they read Quiet Americans. Most recently, on Goodreads, I’ve discovered these assessments:

    Normally I dismiss short story collections because they do not allow me to become involved in the characters and the plot. Quiet Americans was different. All the stories revolved around the individuals and families coping with life before, during, and after the Holocaust. The characters were real, multi-dimensional, and the stories moving. Like others, I look forward to reading more from this author.

    A powerful collection of short stories. While each vignette stands on its own, they all form a cohesive, striking portrait spanning several generations. Characters, like Dr. Weldmann, are faced with crucial decisions: to speak out or to stay silent. Dreifus’s narrators may vary in point of view but they never fail to draw us in quickly. The narrator of “Matrilineal Descent” breaks through that fourth wall to speak to its readers who, like the narrator, may have researched their ancestors only to find indeterminate statements “für tot erklärkt seit..” Refreshing to pick up a book by a young US writer with a gift not only for English but for other languages. I look forward to Ms. Dreifus’s next book.

    QACover

    (The penultimate line of that second review held extra meaning for me given what some of you may remember I encountered as an MFA student.)

    In any case, as another quarter closes, and another Yom HaShoah approaches, I remain infinitely grateful for the support that Quiet Americans continues to garner. Thank you all so very much!

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    Friday Finds for Writers

    Treasure ChestWriting-related resources, news, and reflections to read over the weekend.

  • People have been talking this week about freelancer Nate Thayer’s post, “A Day in the Life of a Freelance Journalist.” You can read an example of the discussion here. See also Jane Friedman’s take on “The State of Online Journalism Today: Controversial.”
  • Also a popular topic (at least among the folks that I follow on Twitter): Alex Nazaryan’s confession regarding a certain “bitterness” in his book reviews. Julia Keller’s piece on “The Reviewer Reviewed” has attracted far less attention (at least as far as I can tell), but for me, it’s at least equally important and instructive for those of us who write reviews and criticism in addition to our “own” writing.
  • Amen, sister! That’s my response to Writer Abroad’s “9 Things Not to Do as a Writer.”
  • In case you haven’t heard, there’s a little event for writers taking place in Boston at the moment. And in case you can’t be there in person (I’m popping in for a grand total of 23 hours starting midday tomorrow), you can always follow the Tweets!
  • Have a great weekend everyone. See you back here on Monday.

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    Friday Finds for Writers

    Treasure ChestWriting-related resources, news, and reflections to read over the weekend.

  • “Little has been written about Langston Hughes the anthologizer, his role as a shaper of African American culture as well as a maker of it.” Elizabeth Alexander’s research helps remedy that gap.
  • Tips for the cover letters that accompany your litmag submissions, courtesy of Ecotone‘s fiction editor.
  • John Fox “interprets” the meaning of litmag submission guidelines and policies (particularly those that pertain to fees).
  • Passing along this message recently received from Rosalie Morales Kearns: “Just wanted to let you know about the recently launched Lake House Collective, a group of feminist writers focusing on reviewing books by women authors–our small part in the larger project of literary good citizenship. The site is at http://lakehousecollective.wordpress.com/.” (Let’s hear it for #litcitizens!)
  • Looking for some guidance to assist your AWP planning? Look no further than this Ploughshares blog post. (Actually, you might look a little further; check out some additional advisory finds mentioned and linked in the latest newsletter from The Review Review and a specialized guide to nonfiction events over on the Brevity blog.)
  • Have a great weekend, all. See you back here on Monday.

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