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Thursday’s Work-in-Progress: Four Fun Facts About My Year in Jewish Books

Earlier this week, I wrote about “My Year in Jewish Books” on my “other” blog (which is called “My Machberet” and features news and notes on matters of specifically Jewish literary and cultural interest). But as a practicing writer who knows how significant reading is to the vigor of her writing practice–not to mention as a practicing writer who frequently writes reviews of Jewish-themed books as part of that practice–I’m going to devote this “Work-in-Progress” post on Practicing Writing to some observations based on my analysis of that list of 18 titles.

1) I’m doing OK–could be better, but could also be much worse–when it comes to reading books in translation. We all know about that unpleasant “three percent” figure, right? Well, four of the 18 titles on my list–that makes about 22 percent–were books in translation. I don’t think that the relatively healthy connection between Jewish literature and literature in translation is incidental. I do think that when you belong to a diaspora culture, and you’re drawn to certain books accordingly, you’re going to be reading books that were written originally in different languages.

2) I purchased way more books than I thought I had. I live in a New York City apartment, and I receive a lot of free books as review copies. I’m also a regular visitor to the public library. I had begun to believe that I was not, in fact, as conscientious a book-buyer as I should be. I am frankly a bit surprised by the fact that I purchased so many of the titles on this list (basically half of them). Maybe the fact that several were Kindle purchases–and therefore not visible in my office or on my nightstand–has something to do with my surprise here. Keep in mind, again, that these are by no means all the books I bought this year. They’re only all the books on Jewish themes that I bought for myself. That leaves out all the books that I purchased as gifts, and all the books that I didn’t necessary consider to be “Jewish.”

3) Unsurprisingly, I am still reading quite a lot about the Holocaust. More than half of the books on this list deal with the Holocaust and/or its after-effects in some way. I should have more to say about this–especially given that I’m still thinking about Daphne Merkin’s recent reflections on Holocaust-related films. But for the moment, I’ll just let the fact sit there.

4) Without additional analysis, I can’t really know the extent to which all of my “Jewish” reading reflects my habits more generally. But here is how the genre distribution works out here: Novels on this list: 10 (56 percent); Memoirs/memoiristic essays: 2 (11 percent). Other nonfiction: 2 (11 percent). Poetry collections: 2 (11 percent). Graphic novels/books for young readers: 1 (5.5 percent). Short-story collections on this list: 1 (5.5 percent–appalling, but I suspect that here, at least, the stats would be better for the “non-Jewish” reading list. I read at least six other collections this year.)

Have I inspired any of you to review your own reading for the year? If you’re inclined to write up any similar post(s) for yourself, please be sure to share the link(s) in comments. I’d love to come by and read what you have to say.

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The Wednesday Web Browser for Writers

  • Literary translator Peter Constantine describes his current work: translating early Chekhov stories.
  • Five “quick and dirty” submission tips from a lit-mag editor.
  • Lots of writers I know love The Sun, so I suspect that many of you will appreciate this interview with the magazine’s managing editor, Tim McKee. (via Leslie Pietrzyk)
  • Counsel on clips from freelancing expert Linda Formichelli.
  • I’ll be investigating this “Ultimate List of Twitter Tools.” (via @davidbcrowley)
  • And I’m bookmarking these “simple writing exercises” from Brian Klems.
  • Earlier this week I blogged about “My Year in Jewish Books” on my other blog (My Machberet, which focuses on matters of Jewish literary and cultural interest). Stay tuned for a “meta-post” in which I reflect on that post’s revelations.
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    Quotation of the Week: Andrew Silow-Carroll

    “But I did learn something I should have figured out about novel-writing back when I was an English major: It’s hard.”
    –Andrew Silow-Carroll

    Source: New Jersey Jewish News, of which Andrew Silow-Carroll is editor-in-chief. NJJN is my “other” local Jewish newspaper, the Jewish newspaper of the community where I spent half my childhood. I enjoy most of Mr. Silow-Carroll’s columns, but I LOVED this one, at the conclusion of National Novel Writing Month (NaNoWriMo).

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    Friday Find: Best Last Lines from Novels

    As a fiction writer, I find story and novel beginnings hard. But I find endings infinitely more challenging.

    So this list of “best last lines from novels” gives me a lot to think about. (Thanks to @Quotes4Writers for tweeting it out.)

    Have a great weekend, all. See you back here on Monday!

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    Thursday’s Work-in-Progress

    I’ll admit it: I’m tired. Today we will be meeting a big deadline at the “day job,” and honestly, that’s my main focus right now.

    Which brings up a subject that I saw treated on the Fiction Writers Review blog earlier this week. What the question came down to was this: “Do you consider your day-job writing to be Real Writing? How does it affect your drive to tell your own stories in your fiction?”

    Well, now that I’ve had a little more time to think about this, I have a few more (and hopefully clearer) thoughts.

    First, for me, these are two discrete questions. At this point, I can divide my “day-job” writing and my “Real Writing” into two categories. But the “Real Writing” would include a lot of writing that isn’t fiction. I’ve written only two new short stories this year. But I have written poems, essays, book reviews, and magazine articles, too. None of that is for my “day job.” All of it is “real” writing.

    And sure, the memos, e-mails, and minutes that I work on at the day job may not reflect as much “creativity” as the rest. But I’m a writer who researches whether I’m writing fiction, a freelance article, or a memo. I’m a proofreader all the time. And frankly, I’m often far more deadline-driven at the day job than I am anywhere else. And there’s one big plus to my day job writing: I’m told, repeatedly and frequently, that the work that I’m doing is good. I’m told that it matters. I’m told that my skills are appreciated. Yes, I get some of that feedback as a fiction writer, too. But not nearly so much, and not nearly so often.

    The second question–about how my day job may affect my drive “to tell [my] own stories in [m]y fiction”–is more complicated, and it forces me to consider something I don’t especially enjoy thinking about very much. And that’s the fact that since I returned to a full-time, 9-5 office job, my fiction production has declined precipitously. I’m not sure I’ll ever be back where I was in my MFA program, when I was writing literally a dozen stories a year. I’m not sure why that is. I don’t think that it is due entirely to the changes in my schedule and the intense daily demands on my brainpower. But it’s true that most of the time I feel as though I’m thinking in poem or essay form. I’m thinking about something intense, something that can be encapsulated in a few lines, or a few pages. I’m thinking in ideas or emotions, not in images or characters. That’s been excellent for a lot of my outside-the-day-job writing. But it isn’t great for fiction.

    So much for clarity, I fear! What do you all think? Please chime in here or on the FWR blog, as you prefer.

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