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Monday Markets for Writers: No Fees, Paying Gigs

dollar-sign-mdMonday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • From Interfictions: “We are looking for work that blurs the lines between genres (contemporary realism, mystery, historical, fantasy, speculative fiction, westerns), as well as pieces that bridge fiction and nonfiction, prose and poetry, and other categories.” Deadline for next issue is August 30. Pays: $30/poem and $.10/word for fiction and nonfiction. NB: “We’re also interested in interviews with boundary-crossing artists. Please query if you know someone you’d like to interview, and let us know why you think this person’s work would interest us. We seek interviews of 2000-3000 words, and pay a flat rate of $50/interview.” (h/t WritingCareer.com)
  • Poets & Writers is looking for an Assistant Editor (New York).
  • “TC Jewfolk is hiring an arts and culture columnist….You’ll be expected to cover an average of one cultural event in the Twin Cities per week, and you’ll have a fair amount of freedom to choose what events you think will be most interesting to our readers. The events don’t have to be Jewish community events; in fact, most of them probably won’t be. Instead you’ll be expected to cover local cultural happenings and personalities with a Jewish lens. This could range from a play at the Guthrie, to a Jewish stand-up comedian playing at Acme, to a special Jewish community event like the Christmas Eve ‘Jewbilee,’ or Twin Cities Jewish film festival. We will pay $25 per story, at an average of one per week for a year. This is a great opportunity to build a writing portfolio and get paid to see live theater/music/etc in the Twin Cities!”
  • “The Creative Writing Program at the University of Oregon welcomes applications for a tenure-track Assistant Professor in Fiction. M.F.A., Ph.D., or M.A. in Creative Writing with a specialization in Fiction required.”
  • Two jobs at Oregon State University-Corvallis, both tenure-track Assistant Professorships. One specifies a fiction specialty; the other, nonfiction.
  • “The Department of English at the University of San Diego invites applications for a tenure-track assistant professor position in Creative Writing, Creative Non-Fiction Emphasis.”
  • We’re about one week away from the next issue of The Practicing Writer. As always, it will be packed with no-fee contest info and paying submission calls. It’s never too late to subscribe to our free newsletter.
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    Monday Markets for Writers

    dollar-sign-mdMonday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction). Continue reading ›

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    Friday Finds for Writers

    Treasure Chest
    Writing-related resources, news, and reflections to enjoy over the weekend.

  • The New Yorker reports on Ansel Elkins’s hotel stay as winner of a residency awarded by Paris Review and the Standard East Village.
  • Good news for those who know Nantucket (or who think they do): There’s a Goodreads giveaway under way for John Vanderslice’s wonderful story collection, Island Fog. (I’ve had the opportunity to read the book in e-galley form, and it’s one I highly recommend.)
  • Author Mark Rubinstein’s post about reader-generated book reviews brought to mind Rebecca Klempner’s recent essay for Tablet. You’ll find ethical issues embedded in both pieces.
  • Saul Bellow’s Herzog was published 50 years ago. Andrew Furman recently revisited the novel (along with his students). Much to his surprise, he discovered a new perspective on Bellow and his book.
  • Adam Kirsch and Francine Prose reveal their favorite out-of-print books. What’s yours?
  • Happy weekend, everyone.

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    Friday Finds for Writers

    Treasure Chest
    Writing-related resources, news, and reflections to enjoy over the weekend.

  • Daniel Mendelsohn and Anna Holmes take up the question, “When It Comes to Fiction on National Tragedy, How Soon Is Too Soon?” – a question, that, as you may recall, hits close to home.
  • Insights from Dorothy Allison, Cathy Day, and Christi Craig on “Writing About Place.”
  • Writers writing about money (or the lack thereof).
  • An inspiring set of “Summer-Inspired Writing Prompts” from Anca Szilagyi, on the Ploughshares blog.
  • Since I had the chance to meet novelist Robin Black this week, today seems to be an appropriate time to share her recent essay about the evolution of her writerly identity.
  • Have a good weekend, everyone.

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    Wednesday’s WIP: Happy News from Fellow Writers

    Stuart Miles/FreeDigital Photos.Net

    Stuart Miles/FreeDigital Photos.Net


    I don’t know–maybe my online universe is expanding–but within the past week or so there’s been a wave of happy news shared by *several* people in my writing community. These are genuinely nice people as well as genuinely gifted writers, so I’m moved to give them all a public shout-out right here.

  • David Ebenbach–he of multiple genre gifts–will see his first full-length poetry book, We Were the People Who Moved, published by Tebot Bach, as the winning title for the latest Patricia Bibby First Book Award.
  • From Michelle Brafman: “I’m very happy to announce that Washing the Dead, my first novel, will be published by Prospect Park Books in June of 2015.” Just a few weeks ago, Michelle shared that Shebooks will be releasing an e-book of hers, We Named Them All, later this summer.
  • Karen E. Bender’s story collection, Refund, will be published by Counterpoint in January 2015. (Here’s my take on Bender’s most recent novel, A Town of Empty Rooms.)
  • Many hearty congratulations to all.

    Want to let us in on good news about any of the writers in your circle? Why not do so here, in comments?

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