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The Grubbie Guide to Writing Contests, Conferences, and Residencies: A Recap

grubI have so much to do today (the penultimate day of my vacation). But I’m so pumped from Grub Street’s “The Muse and the Marketplace” conference that I have to spend some time sharing the experience with you.

I don’t know how they do it, but Grub somehow makes this conference even better every year. I’ll try to write a more comprehensive (or at least, sweeping) recap for you in time for Wednesday’s “Work-in-Progress” post here on Practicing Writing. For now, I’ll just summarize the panel that I moderated yesterday: “The Grubbie Guide to Writing Contests, Conferences, and Residencies,” which featured my super-accomplished co-panelists Sheri Joseph and Douglas Trevor.

I can do this only because the amazing Porter Anderson (@Porter_Anderson) was live-tweeting from the conference, and our panel was lucky enough to draw him in. I’ll share with you Porter’s tweets, and supply a few annotations. (Look especially for the cited handout, which I’ll embed within this post.)

Our general approach in this session was this: We began with self-introductions, in which we talked described ways in which contests, conferences, and residencies had helped shape our own writing lives. Then we moved into some “Do’s & Don’ts,” in which we shared advice on selecting opportunities, application tips, and suggestions for making the most of opportunities won (especially residencies). And then we turned to Q&A.

Hope that you enjoy!
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Monday Markets for Writers

Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction). Continue reading ›

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Monday Markets for Writers

Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction). Continue reading ›

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Friday Finds for Writers

Treasure ChestWriting-related resources, news, and reflections to read over the weekend.

  • Sometimes, the truth hurts. And there’s pain in this Grub Daily post, “If You Write What You Love, Will the Money Follow?”.
  • On Lisa Romeo’s blog: a guest post with tips on giving good readings.
  • Litro magazine has launched a new flash-fiction column featuring the expertise of Tania Hershman.
  • Short Story Month is nearly upon us. Do you have plans to celebrate? I’ve been remiss: I’d hoped to organize a virtual “panel” on Goodreads featuring some short-story authors of my acquaintance, but I’ve fallen woefully behind. I think that I’ll at least be able to manage a giveaway. Stay tuned! (And let me know what you may be planning.)
  • Lovely (and inspiring) dispatch from a “Poetry Utopia at the Barred Owl Retreat,” courtesy of Diane Lockward.
  • Have a great weekend, everyone. See you back here on Monday.

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    Wednesday’s Work-in-Progress: Playwriting 101

    OrphansLast weekend, and thanks to my TDF membership, I had the opportunity to see a performance of Orphans, a new play starring Alec Baldwin that is currently in previews on Broadway. And I was reminded, as I am nearly every time I go to watch a play, that I’d really like to learn how to write a play of my own.

    So this post is more a request for resources than anything else. I’d love to receive suggestions regarding:

    1) online introductory playwriting courses that you might recommend;
    2) “how-to” books on playwriting that you have found to be useful; and/or
    3) any other suggestions on how I might incorporate playwriting into my writing practice (for instance, I’m guessing that reading actual play scripts would be helpful, and I actually have a script or two on hand, but I’d be grateful for recommendations of scripts that have worked especially well for you, whether you’ve been teaching or studying playwriting).

    Thank you all in advance!

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