Thursday’s Pre-Publication Post: Kristallnacht in Poetry & Prose

If you follow me on Twitter, you may have seen my comment earlier this week about the anniversary of Kristallnacht, and my link to the U.S. Holocaust Memorial Museum’s website article that explains:

Kristallnacht — literally, “Night of Crystal,” is often referred to as the “Night of Broken Glass.” The name refers to the wave of violent anti-Jewish pogroms which took place on November 9 and 10, 1938 throughout Germany, annexed Austria, and in areas of the Sudetenland in Czechoslovakia recently occupied by German troops. Instigated primarily by Nazi Party officials and members of the SA (Sturmabteilungen: literally Assault Detachments, but commonly known as Storm Troopers) and Hitler Youth, Kristallnacht owes its name to the shards of shattered glass that lined German streets in the wake of the pogrom-broken glass from the windows of synagogues, homes, and Jewish-owned businesses plundered and destroyed during the violence.

Each of my father’s parents had left Germany by November 1938, but they’d each left alone (they met and married here in New York). When I think of the Kristallnacht, I don’t think first of the encyclopedia definitions. I think instead of my grandmother’s stories, which she likely heard in full only after the war—a realization that somehow came to me only after my grandmother had passed away and I couldn’t ask her anything else. These were stories about her parents, who remained back in Germany in their apartment that night, and about her favorite uncle, Michael, who was taken to Dachau during Kristallnacht. He died there.

When I look at my writing, it’s a bit surprising even to me how many times Kristallnacht appears. For starters, it’s mentioned in at least two of my published poems to date: “Pünktlichkeit” and “Mannheim.”

In my forthcoming story collection, Quiet Americans, Kristallnacht also appears more than once, starting with its presence in the first story, “For Services Rendered,” where it is referenced but not specifically named: “But after November 9th—after nine of Berlin’s twelve synagogues were torched and children from the Jewish orphanages made homeless and more than one thousand Jewish men sent away from the city—well, so much had changed.” (It’s also alluded to in a remembered conversation between two of the main characters, but for those of you who haven’t yet read the story, I won’t reprint the passage here.)

Such references stem from what others have recorded, from researching/rechecking historical facts. But in another of the book’s stories—”Homecomings”—the depiction of Kristallnacht emerges from the more personal knowledge of what happened to my great-grandparents and their brother-in-law.

And for that, you’ll have to wait. Just a little longer.

The Wednesday Web Browser

  • Some advice on running a great book event.
  • Tomorrow would have been Kurt Vonnegut’s 88th birthday. Just in time, Ninth Letter takes note, with a “sly tribute” and mention of Friday’s “sneak peek” of the Kurt Vonnegut Memorial Library in Indianapolis.
  • An item that reminds us of the power of poetry.
  • The latest After Deadline column opens with a focus on some especially “inviting” lead paragraphs.
  • A new blog from The Chronicle of Higher Education, Arts & Academe, presents “news and features on campus creativity,” and seems to post a new poem every Monday.
  • Quotation of the Week: Junot Diaz

    That’s my tale in a nutshell. Not the tale of how I came to write my novel but rather of how I became a writer. Because, in truth, I didn’t become a writer the first time I put pen to paper or when I finished my first book (easy) or my second one (hard). You see, in my view a writer is a writer not because she writes well and easily, because she has amazing talent, because everything she does is golden. In my view a writer is a writer because even when there is no hope, even when nothing you do shows any sign of promise, you keep writing anyway. Wasn’t until that night when I was faced with all those lousy pages that I realized, really realized, what it was exactly that I am.

    Source: Junot Diaz (via an excellent essay by Sonya Chung in The Millions)

    Monday Morning Markets/Jobs/Opportunities

  • Dalkey Archive Press is currently accepting applications for paid internships in its Dublin and London offices. “The expectation is that one or both of these internships will become full-time positions within a year.” Applicants must be EU residents or legally permitted to work in the EU, among other requirements.
  • Words and Images has posted its 2011 submission guidelines: “Words and Images is accepting submissions for the 2011 issue. We are pretty eclectic (erratic?) in our tastes, and will therefore consider pretty much anything. Genre fiction, experimental work, Literature (with a capital L): whatever you have that you’d like to throw our way, just so long as it’s unpublished. We are also looking for two dimensional representation of all forms of visual art. For submissions across all genres we would prefer works that in some way highlights this year’s theme: Resurgam, a latin word that means ‘I will rise again’.” Pays: “We pay contributors in one copy, and $20 per poem and/or printed page of prose. We pay visual contributors $30 per piece.” (via Duotrope.com)
  • From the latest WritersMarket.com newsletter: “Songwriter’s Market has a new editor—actually two editors at the moment, and they’re looking for your submissions to the 2012 Songwriter’s Market! Send pitches for articles on the craft and business of songwriting to Adria Haley between now and November 30. E-mail pitches to adria(dot)haley(at)fwmedia(dot)com with the subject line: 2012 Songwriter’s Market Submission. Remember: Start your pitches with your article idea (or ideas). Don’t start off talking about yourself—unless you’re a famous songwriter like Willie Nelson or Lady Gaga.
  • WritersWeekly.com is looking for feature articles (pays: $60) and success stories (pays: $40).
  • Plenty of submission calls (from paying journals) and no-fee contest/competition info in our latest newsletter, which went out to subscribers at the end of last month and is now online for everyone to read.
  • Weber State University (Utah) “invites applications for one tenure-track position [assistant professor] in fiction writing, to begin August of 2011, depending on funding.”
  • “The Department of English at Christopher Newport University [Va.] invites applications for a full-time, tenure-track [assistant professor] faculty position in creative writing, effective August 2011.”
  • “The Department of English at Rollins College [Fla.] invites applications for a one-year visiting assistant professor position, beginning August 2011, to replace faculty on sabbatical leave. The teaching load is three (3) courses per semester for two semesters, including Introduction to Creative Writing (covering fiction, creative nonfiction, and poetry) and Advanced Fiction Workshop; one or two courses in composition or literature possible.”
  • The Juvenile Diabetes Research Foundation International (N.Y.) is looking for a Science Writer/Editor, the Vietnam Veterans Memorial Fund (D.C.) seeks a Development Writer, and Earth Island Journal (Calif.) invites applications for Managing Editor position.
  • Friday Find: Free Conference Registration

    This information about the upcoming (February) conference came via e-mail from the Association of Writers and Writing Programs (AWP) earlier this week:

    Dear friends, AWP will begin taking student volunteers for the 2011 AWP Conference & Bookfair in Washington D.C. starting at 12 p.m. EST on Friday, November 5th, 2010. Volunteers will have their registration fee waived for completing four hours of service at the conference. All volunteers must be current students with valid student IDs. If you would like to volunteer, please follow the instructions on our website at: http://www.awpwriter.org/conference/2011vol.php

    Good luck! Have a great weekend, and see you back here on Monday.