Touchstone, Kansas State University’s Literary Journal, is currently accepting submissions from graduate students from any creative writing program in the United States (the KSU English MA program is excluded). Poems, short stories, and creative nonfiction essays are all welcome. There will be one winner in each genre, who will have his/her work published and will win $50 and two copies of the journal. Submissions must be postmarked or e-mailed by November 11, 2005. There is no entry fee. For more information and full submission guidelines, visit the website.
flashquake, a web-based literary journal, has announced a “venue where people affected by [hurricanes Katrina, Rita, and Wilma] can share their stories and art. Fiction, poetry, creative non-fiction, artwork and photographs are welcome from anyone directly affected by the storm. This includes those who endured or were evacuated from the affected areas, their family members, rescuers, volunteers, foster homes and so forth.” Submissions for this “Voices from the Storm” project will be read during three periods: October 21-November 15, 2005; November 16-December 15, 2005; December 16-January 15, 2006. Selected entries will be published in broadsheet form and will receive monetary awards of $25. For more information, read the Voices from the Storm Call for Submissions.
Philip Roth may not have won the Nobel Prize this year (that honor, as you know, went to Harold Pinter). But Roth was celebrated nonetheless on October 23 in his hometown of Newark, New Jersey, where a plaque now marks his boyhood residence on Summit Avenue. Said Roth: “Today, Newark is my Stockholm, and that plaque is my prize. I couldn’t be any more thrilled by any recognition accorded to me anywhere on earth. That’s all there is to say.” To read the New Jersey Jewish News account of the visit, click here.
I just revisited the Bellevue Literary Review website and discovered something quite interesting: The Bellevue Literary Press.
According to the website, the Press, a collaboration of the journal and New York University School of Medicine is “a new trade book publishing house” that “intends to publish books of the greatest artistic and intellectual merit from the larger community, both medical and non-medical, while reflecting NYU’s excellence in scholarship, humanistic medicine, and science.” It “will feature original authoritative literary works–both fiction and nonfiction–in the sciences, social sciences and arts.”
For more information, click here.
Agents. Grants. MFA Programs. You’ll find these topics and more addressed in the recently revised and greatly expanded Top Ten Questions Writers Ask over at the Poets & Writers website.
A few days ago I received an e-mail from Meridian, the Semi-Annual from the University of Virginia, announcing that the journal is now accepting electronic submissions of poetry, fiction, and essays. This is good news if you like to submit your work online, not necessarily via e-mail, but by using a journal’s specific online submission system.
Using such a system typically requires you to come up with yet another password, and you’ll have yet another e-account to keep track of. But there are benefits: you don’t need to print out a copy of your work and prepare an entire submission package; you don’t need to spend postage on the submission (or the SASE); you don’t need to leave your chair to get your work “out.” It’s less likely that the work will get “lost in the mail” and you can log in and confirm manuscript receipt and find out if the editors have rendered a decision yet.
But some people may wonder: is this convenience worth paying a reading fee that one can forego by sticking to the old snail mail system?
Meridian is charging a $2 reading fee for work submitted online (apparently one prose submission or up to 4 poems). The editors’ e-mail explained that this fee is necessary for two reasons. First, using the online database software raises their operation costs. And second, they’d like authors “to hesitate, a little, before just clicking a ‘send’ button.”
Two dollars isn’t outrageous, and as the editors point out, it’s possible that postage costs would end up “about the same,” anyway (and don’t forget the money saved along with the toner and paper). Still, plenty of journals (One Story and Kenyon Review are two examples that come to mind) accept online submissions through their own database systems without charging a penny.
Yes, these also tend to be journals that don’t accept snail mail submissions at all. Still, if they can run an online submissions system without charging writers money to use it, it seems that others should be able to, too.