Thursday’s Work-in-Progress: Introducing My New Column

Last week’s posts–about my day job and about how and where to locate forthcoming books for review–proved very popular. Thank you all for the comments, shares, RTs, and other indications of your interest! I hope that you’ll be pleased to know that today’s “work-in-progress” post takes up some of the threads from last week’s items. And that’s because I’m about to introduce a new “extra-curricular” writing activity grounded in my reviewing practice: a “First Looks” blog series/column for Fiction Writers Review, where I’m honored to be a contributing editor.

As the first post–which went live yesterday–explains: “This series, which I’ll be writing each month, will introduce you to soon-to-be released novels and short-story collections that have piqued my interest as a reader-who-writes. Consider it a public “to be read” announcement of sorts, a way for me to point out a new title (or two) every month and explain what about it has caught my eye. For the most part, we’ll be concentrating on books that fall within FWR’s chief interest: fiction by emerging authors.”

So go ahead. Take a peek and see which soon-to-released titles made it into the inaugural post (and why). Hope you enjoy!

The Wednesday Web Browser for Writers

  • If you’re an MFA student (past or present), or you teach in a graduate program in creative writing, please consider participating in Cathy Day’s quick survey on novels in MFA programs.
  • And on a somewhat related note: Since I seem to be having trouble enough writing anything long-form these days, my attention was caught by John Vanderslice’s post about his new workshop, which will focus on long poems.
  • The latest brouhaha in the creative-nonfiction world (check follow-up posts, too).
  • I was over on Carol Tice’s Make a Living Writing blog, and I just kept bookmarking posts to share with you. To save some time, I’ll simply send you to the homepage. Just keep scrolling down!
  • Another freelance tip: Consider the lesser-known holidays.
  • Monday Markets/Jobs/Opportunities for Writers

  • “Editor Sandra McIntyre with Roseway Publishing (Nova Scotia & Manitoba) is seeking short story submissions for an upcoming anthology of political fiction. ‘Political’ is open to interpretation—stories can be about politics, whether overtly or obliquely, or political by virtue of their stance, voice, point of view, or underpinnings. Stories should be 4000 words maximum. Short graphic fiction is welcome. Payment: $100. The deadline for submissions is: June 1, 2012.” NB: Payment is presumably in Canadian dollars. (via placesforwriters.com)
  • Speaking of anthologies: Every so often I try to check in with the Chicken Soup website to find out about new titles under development. My most recent visit prompted me to submit something (again) for one of the titles under development. Maybe this time will be the charm for me. And maybe for you?
  • “Creative Nonfiction is seeking narrative blog posts to reprint in our upcoming True Crime issue.We’re looking for: true stories of petty theft, identity theft, embezzlement or first-degree murder; of jaywalking, selling (or maybe buying) drugs or assault; of crimes and punishments and unsolved mysteries. We are drawn to writing with a strong and compelling narrative; stories that reach for some universal or deeper meaning in personal experiences; and posts that can stand alone. Nominations should be 2000 words max and posted during 2011. Nominate something from your own blog, from a friend’s blog, from a stranger’s blog, and/or from a national magazine/newspaper’s blog. Nominate as many posts as you like, though we ask that you not nominate the same post multiple times. To nominate, you’ll need to know the specific URL of the post.” Pays (I obtained the following info via email): “Creative Nonfiction will pay the authors of the winning posts a modest honorarium. This usually amounts to a $50 flat fee, with an additional $10 per published page. We also do our best to promote the winning authors and drive new readers to their blogs.”
  • “The Creative Writing Program in the Department of English at the University of Arizona invites applications for a tenure-track Assistant Professor in fiction, beginning August 2012. We seek an outstanding writer with significant publications (at least one book from a reputable press) and demonstrated excellence as a teacher to work with students at the graduate and undergraduate levels.”
  • “Westfield State University’s English Department [Mass.] invites applications for a tenure-track Assistant Professor in creative non-fiction and speech. The successful candidate will contribute to our growing writing concentration and will be responsible for teaching Introduction to Speech and Creative Non-Fiction writing courses, and possibly developing upper-level offerings in speech. Ability to teach composition and core literature classes strongly preferred.”
  • Brandeis University (Mass.) is looking for an Articles Editor for Brandeis magazine, the Women’s Media Center (Washington) seeks an Online Manager, and Rivier College (N.H.) has a position available for a Writer.
  • Friday Find: Building Your Book-Reviewing Practice: Six Tips for Finding Titles to Pitch

    As some of you may know, WritersWeekly.com was kind enough to publish an article of mine this week. Unfortunately, some of the links included in the original article I submitted didn’t make the transition to the WritersWeekly website. I have informed the editors of the problem. Until the original links have been restored, please (re)read the article here, complete with the original (and more direct/helpful) links.

    BUILDING YOUR BOOK-REVIEWING PRACTICE: SIX TIPS FOR FINDING TITLES TO PITCH

    by Erika Dreifus

    As a frequent (and frequently paid) book reviewer, and a former teacher of courses in how to establish a book-reviewing practice, I was pleased to see a recent WritersWeekly.com article spotlighting this work. But I’d like to expand the discussion. For instance, I believe that a really good book reviewer—the kind of reviewer that editors trust and turn to—needs to display certain skills. I’m not talking only about subject matter expertise and writing chops. I’m talking about solid knowledge about books—including books that haven’t yet been published.

    Think about it. Most of the book reviews you find in the better-paying mainstream magazines and newspapers and on popular websites focus on new books. Those reviews don’t appear magically. They’re the product of a match between editor and reviewer that takes place weeks, if not months, before the book is available for purchase. Which means that one way to increase your chances of winning a paying assignment—not to mention establishing yourself as a savvy source for information—is to pitch reviews of not-yet-published titles.

    Once you become an established reviewer, complimentary advance reading copies (ARCs) are likely to come your way. Editors will begin suggesting titles for you to review and supply you with the ARCs they receive from publishers and publicists. But it isn’t easy to reach that point. And it takes time. Here are six ways for the emerging book reviewer to locate review possibilities on his or her own: (more…)