Thursday’s Post-Publication Post: The “E” Word

Here’s one question you never used to hear authors asked at their readings and signings:

“There’s an ebook version, right?”

The times, they have a-changed! Despite the fact that I’m pretty up-to-date on publishing and bookselling trends and by no means a stranger to the news that ebooks are becoming increasingly popular, I’ve been surprised by how often I’m asked if/when my new story collection, Quiet Americans, will be available as an ebook. The question came up again (and again) on my recent trip to D.C. for the Association of Writers and Writing Programs (AWP) conference and reading/signing at the National Museum of American Jewish Military History. But for someone as tech-challenged as I am (I still haven’t dared to buy an ebook reader of my own), the conversion process is a bit…intimidating.

So I was grateful to see Joel Friedlander (“The Book Designer”)’s February 10 post:

Every author I’ve talked to recently has questions about ebooks and how to go about getting their book ready to go on sale in the Kindle store, the iBookstore and all the other venues where people are buying ebooks to fill up their new Kindles, iPads, Nooks, Kobos and other ebook readers.

Since most of these books start off life as print books, getting your book ready for life as an ebook is a matter of converting the print files to ebook formats like Mobi and ePub.

So the answer to this question of how to move to ebooks involves finding someone to make these file conversions. People who create ebooks need to have skill at understanding how books are constructed, and how best to interpret them in the ebook environment.

Joel’s post goes on to provide some excellent guidance and a new resource: a directory of companies offering ebook conversion services.

Since I’ve worked with Joel before (he is indeed The Book Designer behind Quiet Americans), I trust his recommendations, and I’m waiting to hear back from someone he referred me to. Remember that I am working with a new micropress; my publisher can manage getting a book listed on Amazon for the Kindle, but I’d like to explore some other options and see what we can do to get Quiet Americans available as an ebook for multiple platforms.

I’ll conclude with another blast from the past: In the “old days”–and it still happens–publishers planned hardcover releases with paperback releases to follow many months later. And with the paperback release came another round of publicity and promotional opportunities. But it’s a new day. Quiet Americans was released last month–as a paperback. And, if all goes well, it will indeed be available as an ebook–for your summer reading. In case anyone asks.

The Wednesday Web Browser for Writers

Some fun offerings for you this midweek morning, my friends:

  • Are you ready to freelance? Take this quiz to find out.
  • Nina Badzin offers some excellent tips for new (and not-so-new) Twitter-users.
  • Meet the slate of 2011 Best American series guest editors.
  • Long Island University’s Brooklyn campus is home to a new M.F.A. program in Writing and Producing for Television.
  • I found this interview with translator Krishna Winston particularly interesting because one of the epigraphs at the start of my story collection is a two-line snippet from Gunter Grass’s Crabwalk (trans. Winston). (via ALTA_USA)
  • And speaking of my story collection…As my virtual book tour starts to wind down, I’ve been interviewed (and Quiet Americans has been reviewed) on the First Line blog, and I’ve guest-posted with thoughts on what makes Jewish literature Jewish on Swimming in the Trees.
  • Monday Morning Markets/Jobs/Opportunities for Writers

  • There’s not much time left to take advantage of this (deadline is tomorrow, February 15): The American Society of Journalists and Authors (ASJA) Educational Foundation is delighted to offer professional nonfiction writers the opportunity to apply for scholarships that will enable them to attend ASJA2011,” a conference in New York City scheduled for the end of April/beginning of May. Scholarships will be awarded to writers in three categories: blogging, nonfiction article, and nonfiction book. No application fees indicated.
  • “The Charles Johnson Student Fiction Award from Southern Illinois University Carbondale is an annual award competition intended to encourage increased artistic and intellectual growth among students, as well as reward excellence and diversity in creative writing. Each year, $1000 and a signed copy of a Charles Johnson book will be awarded to the winner.” Winning entry will also be published in Crab Orchard Review. “The award competition is open to all undergraduate and graduate students who are U.S. citizens or permanent residents currently enrolled full- or part-time in a U.S. college or university.” Submissions must be postmarked during February. There is no entry fee.
  • Another student contest: The New York Times has just announced its latest Modern Love College Essay Contest. “If you have a personal story that illustrates the current state of love and relationships, e-mail it to us….The winning author will receive $1,000 and his or her essay will be published in a special ‘Modern Love’ column on May 1, 2011, and on nytimes.com.” No entry fee. Deadline: March 31, 2011.
  • Interested in applying for a residency at the Anderson Center (Minn.)? The deadline for May-July residencies has passed, but if you’re interested in a spot for August-October, you have until March 1 to complete your application. Keep in mind that August residencies (sponsored by the Jerome Foundation) are limited to applicants who are emerging writers/artists from Minnesota and New York City. Check all the details at the website. No application fee indicated.
  • Last week I mailed signed copies of Quiet Americans to the winners of three separate giveaways. Meantime, at this very moment there are three more ways that you might receive your very own signed copy, too (at least, if you live in the U.S. or Canada). You can enter this Goodreads giveaway through Friday. You can “like” our Facebook page and thereby become eligible for two copies to be awarded next weekend, too. And you can check out The Quivering Pen, where Quiet Americans was named last Friday’s “Friday Freebie.” (But if all of this is just too much work and/or waiting, please feel free to go ahead and buy a copy!)
  • “Lake Superior State University [Mich.] seeks a full-time, tenure-track faculty member in the Department of English to start August, 2011. Primary responsibilities include teaching sections of composition I and/or II each semester, with occasional teaching of a Creative Writing course consisting of fiction, creative non-fiction, and/or playwriting.”
  • Whitman College (Wash.) invites applications for a Visiting Assistant Professor of English/Creative Writing (fiction).
  • New York University’s School of Continuing and Professional Studies is looking for part-time adjunct faculty “in Fiction Writing and Creative Nonfiction, Screenwriting and Writing for Television, Journalism and New Media, Business and Professional Writing, Basic Writing Skills, and Speech.”
  • Columbia College Chicago’s Department of English has extended the deadline for applications for the position of the Elma Stuckey Liberal Arts and Sciences Emerging Poet-in-Residence. This two-year position starts August 2011. “Poets from underrepresented communities and/or those who bring diverse cultural, ethnic, and national perspectives to their writing and teaching are particularly encouraged to apply. Successful candidate will teach, give a public reading, advise a student-curated reading series, and possibly supervise a small number of graduate theses.” Extended application deadline is March 1, 2011. (via CRWROPPS)
  • Tennessee Tech University seeks a Writer, the University of California (Office of the President) is looking for a Writer/Executive Communications Specialist, and the National Geographic Society (D.C.) invites applications for an Associate Editor position.
  • One Week Post-AWP Reflections

    The good news about being so slow to summarize my time at the Association of Writers & Writing Programs (AWP) Conference in D.C. is that I’ve had a chance to read through some truly excellent, instructive, and entertaining recaps by others. The bad news is that I’m still not quite sure how to write my own summary/reflections.

    Overall, it was a fabulous conference for me. So let’s start with the high points. Of which there were many. (more…)