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Midweek Notes from a Practicing Writer


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I returned Sunday evening from an absolutely wonderful week in Vermont, where I was a first-time attendee at the Vermont College of Fine Arts (VCFA) Postgraduate Writers Conference. This was one of my all-time best conference experiences. (And in a later post, or perhaps in a freelance piece if I can get any editor[s] interested, I’ll say more about why that’s so.)

For now, please enjoy this photo of some faculty books. Continue reading ›

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Monday Markets and Jobs for Writers

Monday brings the weekly batch of no-fee, paying listings of competitions, contests, and calls for submissions—plus jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).
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Friday Finds for Writers


Writing-related resources, news, and reflections to enjoy over the weekend. Continue reading ›

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Midweek Notes from a Practicing Writer

Tally-Ho!

As you’ll recall, my year of blogging for Poetry Has Value reached its end a number of months ago. But that doesn’t mean I can’t continue to share my poetry submission stats with you. So here’s the report for the month of July.

Also, if you’re new to these posts, it may be helpful for you to know that I work very hard to submit my work mainly to paying venues that don’t charge fees for journal/website publication. If you’re similarly looking for paying calls and contests that don’t charge submission fees, you’re always welcome to check my monthly newsletter (and with my weekly “Monday Markets” posts on this blog).

On with the July report: Continue reading ›

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Monday Markets and Jobs for Writers

Monday brings the weekly batch of no-fee, paying listings of competitions, contests, and calls for submissions—plus jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).
Continue reading ›

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Sunday Sentence

 

In which I participate in David Abrams’s “Sunday Sentence” project, sharing the best sentence I’ve read during the past week, “out of context and without commentary.”

There were three of them, the two Openfelds and Grunebaum, a former Tobis cameraman who, although he was Jewish, could have passed for Wilhelm II.

Source: Patrick Modiano, “The Hat” (trans. Lorin Stein), The Paris Review

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