Jewish Literary Links for Shabbat

Photo Credit: Reut Miryam Cohen
Every Friday morning My Machberet presents an assortment of Jewish news, primarily of the literary variety, from around the Web.

  • It’s always an occasion when a new issue of The Ilanot Review becomes available. The Winter 2013 issue is now online. Its theme: “Foreign Bodies.”
  • Another accolade for Francesca Segal’s The Innocents: the National Jewish Book Award for Fiction. (Read the awards press release and my earlier impressions of the book.)
  • The January 2013 Jewish Book Carnival went live this week, hosted by People of the Books.
  • Novelist Ilan Mochari has some advice for Philip Roth’s biographer. In related news, registration for the upcoming Roth@80 conference is now open.
  • Finally: This is a special week for my story collection, Quiet Americans. Read all about it.
  • Shabbat shalom!

    Jewish Literary Links for Shabbat

    Photo Credit: Reut Miryam Cohen

    Every Friday morning My Machberet presents an assortment of Jewish news, primarily of the literary variety, from around the Web.

  • I’m looking forward to delving into this special “Writing from Israel” poetry and translation feature from The Bakery.
  • Thrilled to see this interview with my former poetry teacher, Matthew Lippman, on The Whole Megillah.
  • See also an interview with Israeli poet Moshe Dor and translator Barbara Goldberg, courtesy of Moment magazine’s blog.
  • On Tablet: New translations of powerful Holocaust poetry by Chava Rosenfarb.
  • D.G. Myers interprets Howard Jacobson – and reviews Jacobson’s Zoo Time – for Jewish Ideas Daily.
  • Shabbat shalom.

    From My Bookshelf: Given Away, by Jennifer Barber

    Given AwayMy e-mailbox recently offered a lovely surprise: a message from Jennifer Barber, whose name was familiar to me from Salamander, the fine literary journal that she edits from Suffolk University in Boston. She was writing to let me know about her latest poetry collection, Given Away, which was published by Kore Press, and to offer me a complimentary copy, which I gladly accepted.

    The book’s cover bears a blurb from Vijay Seshadri, describing Given Away as a collection of “beautiful and rigorous poems.” I’d agree. I can’t help sensing that I should reread this book many times, that I haven’t even begun to absorb the deep meanings embedded in these challenging pieces.

    Some of the poems that have gripped me most strongly are those with fairly clear Jewish connections. Take, for example, “nefesh,” which was also published in Harvard Divinity Bulletin. Or “A Poet of Medieval Spain,” which appeared first Cerise Press. In a note, Barber explains that this poem “draws on Peter Cole’s anthology The Dream of the Poem: Hebrew Poetry from Muslim and Christian Spain, 950-1492 (Princeton: Princeton University Press, 2007) to imagine an anonymous poet of 12th century Andalusia.”

    I’m grateful to Jennifer Barber for offering me this introduction to her work (and for the especially generous inclusion of a sample copy of Salamander in the package she mailed to me). I look forward to spending even more time with her poems.

    Jewish Literary Links for Shabbat

    Photo Credit: Reut Miryam Cohen
    Every Friday morning My Machberet presents an assortment of Jewish news, primarily of the literary variety, from around the Web.

  • Yiddish Book Center Fellow Jordan Kutzik reports on a recent UNESCO symposium, “The Permanence of Yiddish,” in Paris.
  • Over on Jewish Ideas Daily, D.G. Myers reviews the year just past in Jewish books.
  • Clever review of Oy! Only Six? Why Not More? Six-Word Memoirs on Jewish Life (I’m a proud contributor).
  • Something unexpected happened when Vanessa Hidary (“the Hebrew Mamita”) asked a pop-up bookstore at Limmud to stock her memoir.
  • Last, but not least: first issue of Gandy Dancer, a new literary journal based at SUNY-Geneseo, features an interview with me about Quiet Americans.
  • Shabbat shalom.

    From My Bookshelf: A Town of Empty Rooms, by Karen E. Bender

    I jumped at the chance to read a complimentary advance copy of Karen E. Bender‘s second novel, A Town of Empty Rooms. Although I have yet to read Bender’s acclaimed first novel, Like Normal People (2000), one of her short stories, “Candidate,” stayed with me long after I read it. And certain details about the new novel, which features a Jewish protagonist in North Carolina, resonated with my experience/interests.

    In essence, the book traces three major connected conflicts. First, there’s the marital dissatisfaction between protagonist Serena Hirsch and her husband, Dan Shine. Among the problems this nominally Jewish couple faces is a curious development that follows their move from New York to Waring, N.C. (a move prompted by a serious misdeed on Serena’s part): Serena is pulled to join the sole local synagogue, Temple Shalom, whereas Dan resists even setting foot in the place.

    Next, there’s the outsider experience of Serena and Dan in their new hometown, where ubiquitous billboards proclaim messages along the lines of “Jesus says: I will make my home with you.” Serena and Dan’s son, Zeb, is the only Jewish child in his public kindergarten; it isn’t long before another kindergartner throws pennies at Zeb, commanding him to pick them up. Zeb, thinking the other boy his friend, complies. “Ryan had laughed at him, and said ‘See? See?’ and said to a group of kids, ‘I told you he’d pick them up.'” One infers that the episode is especially painful for Serena, whose recently-deceased father was a child emigrant from Nazi Germany.

    Finally, there’s the intramural discord within Temple Shalom, conflict surrounding the charismatic yet unconventional Rabbi Josh Golden. Embedded within the not-always-admirable behavior depicted here are serious questions about the complicated meanings of religious policies and practice and the roles and responsibilities of spiritual leaders.

    In short, there is a great deal to absorb and consider as one reads this novel. Karen E. Bender has set the bar high here, attempting to depict and explore the souls of individuals and communities. The result is a novel well worth reading.

    Side note for fiction fans: Karen Bender and Aimee Bender, who helped launch Tablet magazine’s fiction feature in September of this year, are sisters.