The Wednesday Web Browser for Writers

  • Eavesdrop on an intense discussion among litmag folks concerning the practice of charging fees for online submissions.
  • Sometime over the past couple of days, I was clued into the redesign of the Welcome Table Press website. So I clicked over to take a look. Among the finds there: the text of Jerald Walker’s superb essay, “The Suspension of Belief: On Being a Practitioner & a Teacher of the Essay in the Age of Skepticism.” I recall being enraptured by Walker’s presentation at the first Welcome Table Press symposium on the essay in April 2010, and I’m so glad to have the essay in pdf.
  • One fiction writer nears her MFA graduation. Check out her thesis–and reflections thereon.
  • Thinking about making the switch to freelancing? Do the math.
  • Quick profile of Amina Gautier, author of the new, Flannery O’Connor award-winning story collection, At Risk. (I’ve been looking forward to this book–I was awed by a story of Gautier’s that I read a few years ago in The Chattahoochee Review. (h/t @Dolen)
  • Also TBR: Don DeLillo’s new story collection, The Angel Esmerelda. (h/t @davidbcrowley)
  • Some thoughtful ideas on “Diversionary Tactics, or How to Lose Your Readers.”
  • Last, but not least: the November Jewish Book Carnival is online, replete with links to news, reviews, and interviews featuring Jewish books & authors.
  • Quotation of the Week: Pete Hamill

    “I always mention Flaubert’s advice to young Guy de Maupassant: Get black on white. That is, start writing. What you write can always be changed later, sharpened, deepened, or even thrown away. But nothing will emerge if the words are locked within your skull. Start.”
    –Pete Hamill

    Source: Hamill’s response to the question, “What is the best piece of advice you would give a writer just starting out?” In an interview conducted by Tom Callahan, published in the December 2011 issue of The Writer.

    The Wednesday Web Browser for Writers

  • I wish I had the time to comment on Elise Blackwell’s article, “What Defines a Successful Post-MFA Career?” It contains some excellent points, and it sparks additional thoughts. But my to-do list is already too crowded with things to take care of outside my full-time, no-summers-off, no-sabbatical day job.
  • Especially for anyone teaching composition/expository writing: tips on running a “speed-dating” peer-review workshop.
  • Happy Birthday to The Short Review! “This month The Short Review turns four years old. Over that time our forty or so reviewers worldwide have reviewed 439 story collections and anthologies, and we have interviewed over 250 authors … We all do what we do for love of the short story and to spread the word about as many short story collections as possible so readers can get hold of them, demand them from their local bookshops or libraries, buy them as presents.” P.S. Did you know that it is National Short Story Week in the U.K.?
  • I LOVE this advice from Leslie Pietrzyk: “How to Give an Excellent Reading.” Spot on.
  • If you’re participating in National Novel Writing Month (NaNoWriMo), you probably don’t have the time to read these writing-related e-books right now (even if you can do so free of charge), but all writers may want to check out the batch of complimentary offerings. (Offers expire November 12!)
  • Speaking of NaNoWriMo, check out Susan Woodring’s inspirational blog post on the subject.
  • How great was it to open Sunday’s New York Times Magazine and find an interview with Philip Levine inside?
  • The International IMPAC DUBLIN literary award longlist has been released. Just in case you’re looking for another book to read.
  • Friday Find: Diane Lockward’s Poetry Newsletter

    It’s always a treat to find Diane Lockward’s monthly poetry newsletter waiting in my electronic mailbox. Each issue is like a mini-course in poetry (maybe that has something to do with Diane’s extensive experience as a teacher). Take a look at the November issue, which arrived on Tuesday. I think that you’ll want to subscribe, too!

    Enjoy the weekend, everyone. See you back here on Monday!

     

     

    Quotation of the Week: Leslie Epstein

    Responding to an interview question (“Are there a lot of plotless stories in your [Boston University M.F.A.] program?”), Leslie Epstein said:

    When they enter the program, but not when they leave. I’m always stressing these things. Plot and dialogue. I say just sit your people down at a dinner table and have them start talking. One of the main things: keep out of people’s heads. Do not write like Virginia Woolf if you want to get through this year. What people do and what they say is, for the most part, all we need to know. No dreams, no memories, no photographs. Nor wind chimes. Nor moonlight. Show us what people do an d say. Of course every one of these rules is meant to be broken, but you have to justify breaking them.

    What do you think?

    (This snippet comes from an interview, conducted by Spencer Wise, in the latest issue of The Southeast Review. The print copy is one of the reasons I sign up for SER‘s writing regimens.)