Monday Markets/Jobs/Opportunities for Writers

  • Birds & Blooms magazine is running a “Backyard Blunder Contest”: “Do you have a funny birding or gardening story to share from your backyard? We want to hear it! Send us your best “backyard blunder,” and the winning story will receive $500.” Deadline is coming up on March 15, 2012. No entry fee. (via @femministas)
  • Great news from Slice: “We are pleased to announce that for the first time we will be offering a small monetary award for all contributors. Over the course of five years, Slice Literary has evolved from a struggling magazine to a celebrated publication. We have always been committed to bridging the gap between emerging writers and the professional publishing world. In fact, many agents and editors have connected with writers after reading their work in our semi-annual magazine. From the outset, we have also worked toward the goal of paying writers. We feel that an award, even if it is small, demonstrates an appreciation for the art of writing. We are thrilled to announce that all contributors of Slice will be paid ($100 for stories and essays and $50 for poems) beginning with issue 12, which will launch spring 2013. The issue 12 reading period will run from July 1 – August 31. The theme for that issue is ‘Obsession.'”
  • From the Online News Association (ONA): “Students, are you looking for a great opportunity to cover digital media and learn from top leaders in the industry? Apply to be a part of the all-expenses-paid ONA12 Student Newsroom at the Online News Association’s annual conference, Sept. 20-22, in San Francisco.” Open to college students and graduate students. No application fee indicated. (via @NiemanLab)
  • Assistant Professor of Creative Writing sought: “The Humanities Division of Lesley College [Mass.] is seeking a full-time, 9-month faculty member to teach courses in creative writing (poetry or fiction), literature and Humanities Internship Seminars.”
  • “The Department of English at Franklin & Marshall College (Penn.) invites applications for a one-year position at the Visiting Assistant Professor level, beginning Fall 2012. We are looking for a creative writer specializing in nonfiction. A commitment to undergraduate teaching, significant publications, including preferably at least one book, and a terminal degree in creative writing required. The 3/2 teaching load will include creative writing and literature offerings but no composition.
  • From Whitman College (Wash.): “Visiting position in Creative Writing (Poetry) at the rank of Assistant Professor; effective August 2012. MFA or PhD in Creative Writing and substantial poetry publications required. The successful candidate will offer Introduction to Creative Writing (a multi-genre course), Intermediate Creative Writing-Poetry, and Advanced Creative Writing-Poetry, and may also be asked to teach a section of first year composition or a 100-level Introductory to Poetry. Ability to teach an upper-division literature course on Victorian Poetry desirable.”
  • Poetryfoundation.org (Chicago) is looking for a part-time Assistant Features Editor: “The goal of poetryfoundation.org is twofold: To use the Internet to reach and engage a broad audience for poetry, and to support the Foundation’s other initiatives and programs. The Assistant Features Editor helps achieve these goals by providing the editorial expertise necessary to publish smart, lively and relevant journalism about poetry, and the publishing expertise necessary to ensure a smooth web publishing process. The Assistant Features Editor must be a talented editor with an extensive background in journalism and literature, including English language poetry and poetry in translation. Successful candidates will also be knowledgeable about popular and web culture.”
  • PEN American Center (New York) seeks an Associate Editor for the PEN website.
  • Thursday’s Work-in-Progress: The Grumpy Writer, Or Where to Publish Your Rants & Complaints

    What’s the saying? Don’t get mad–get even.

    For me, the adage might be adjusted: Don’t get mad–get writing. (And maybe even get paid.)

    Over time, I seem to have found a particular way to cope with things that annoy and irritate me: I write about them. Most of the time, I’ve gained a check along with the byline.

    This week, a short piece (dare I call it flash nonfiction?) was posted on The New York Times‘s City Room blog, in a recurring feature called “Complaint Box.” A few months ago, I sold a short article-essay to The Writer in which I vented certain Twitter-focused frustrations. And let’s not forget some earlier examples, such as my rejoinder to a workshop leader who mocked the use of “foreign words” in fiction, or my argument against the equally misguided classmate who told me that I shouldn’t be incorporating “current events” into my short stories, either.

    Of course, as my own examples show, it’s not impossible to place this writing–essentially a kind of essay–in a variety of publications, including literary and niche magazines. But I do try to take note of specific calls and opportunities to publish rants, peeves, and other opinion-driven pieces. Here’s a short list of a few such venues (I’ve limited the list to publications that specify that they pay their writers). (more…)

    Monday Markets/Jobs/Opportunities for Writers

  • The Wergle Flomp Humor Poetry Contest offers 15 cash prizes totaling $3,600. Top prize is $1,500. Submit one humor poem by April 1 deadline. No entry fee.
  • “The Yiddish Book Center will award a prize of $2,500 for an outstanding new translation of Yiddish prose literature, fiction or non-fiction, that has been completed or published within the last two years. Both submissions and nominations will be accepted for consideration.Translation Prize submissions are due by May 18, 2012. The Yiddish Book Center will announce the recipients in Fall 2012.” No entry fee indicated.
  • “Talking and reading about other people’s childhoods, sadness, happiness and aspirations can help us to cope with our own ups and downs, but shared experience is seldom there to support us when our life is nearing its end or when people close to us are dying. This is why the Dying Matters Coalition is running a new creative writing competition about dying, death and bereavement. Anyone touched by dying, whether directly or as a relative, friend, colleague or carer, can enter. The judges will be looking for original writing in which the author’s feelings and thoughts about the end of life have been crafted into a succinct piece of work that attracts the reader’s attention and retains their interest.” Submissions “should be a maximum of 2,500 words of prose or 40 lines of poetry” and up to three entries may be submitted. Prizes: “1st: £200; 2nd: £100; 3rd: £50; plus highly commended certificates. All entries will also be considered for publication online or in print form.” No entry fee. Submit by March 31, 2012.
  • In case you haven’t seen it already, the March issue of The Practicing Writer is now available, with a plethora of paying calls and no-fee contests.
  • “NetGalley, a service for people who read and recommend books, is looking to add a new Reader Concierge to their existing Concierge Team. A perfect candidate will be smart, friendly, bookish, and savvy with social-media, and will be excited to handle reader support, social media outreach, and facilitate intelligent community growth….We’re looking for someone passionate about books who is a devoted digital reader, and has a solid understanding of current reading devices (and is always willing to learn!). A basic knowledge of the publishing industry and book publicity/marketing is preferred. The NetGalley team is virtual, but most of our employees are based in the NYC metro area, and extra consideration will be given to candidates in this area. We’re looking for someone available to start immediately. This is a full-time position, but we’ll consider part-time candidates (25+ hours/week) who are available every day.”
  • College of Wooster (Ohio) is hiring a Visiting Assistant Professor of English. “Three-year position in journalism and creative non-fiction. Teaching will include introductory and advanced news writing and editing, digital media, and creative non-fiction writing courses. Teaching will also include the department’s introductory course in textual and cultural interpretation, as well as participation in the College’s independent study program and interdisciplinary First-Year Seminar. Ability to offer courses in women’s, gender, and sexuality studies desirable. The teaching load is five courses per year in addition to directing senior theses.”
  • Edge Hill University (U.K.) seeks a Lecturer or Senior Lecturer in Creative Writing. “This is an opportunity for a fiction-writer with substantial experience in Higher Education. You will provide expert teaching in a variety of modes, including writing workshops, tutorials and online interaction, and facilitate student work in a range of different media.”
  • Coventry University (U.K.) also seeks a Lecturer or Senior Lecturer in English (Creative Writing).
  • Swarthmore College (Penn.) is looking for a Writer/Editor, Dallas County Community College District seeks a Web Writer/Editor, and University of Chicago (Medical Center Development) invites applications for a position as Senior Writer.
  • Monday Markets/Jobs/Opportunities for Writers

  • Received via email: “The spring issue of online literary journal Revolution House will feature a special section dedicated to all forms of creative nonfiction. One lucky CNF author will receive an editor’s choice cash award, as well as the first-ever print issue of the magazine. Submit by February 20th to be considered. More information can be found at http://revolutionhousemag.com/?page_id=54.” NB: I’ve been told that the prize for this (exceptional) editor’s choice winner will be $35-$50.
  • Did you miss our February newsletter? As usual, packed with paying calls and no-fee contest info.
  • Canada-based carte blanche has a March 1 deadline for its spring issue (May publication). “At carte blanche we believe there is more than one way to tell a story. Our mandate is to provide a venue for narrative of all forms from fiction and nonfiction, to poetry and photo essays.” Pays: “carte blanche pays a modest honorarium per submission. We hope to increase the amount in the future.” (via placesforwriters.com)
  • On My Machberet yesterday, I introduced an unusual pair of writing contests, both addressing “The Catskills and the Holocaust.”
  • “Girton College is delighted to invite entries for the 2012 Jane Martin Poetry Prize. Now in its second year, the prize is a key part of the College’s support for poetry and will be of interest to all those serious about literary excellence.The competition will be judged by experts drawn from across the literary world and academia. We are thrilled that this year the panel will include Bernard O’Donoghue and Gwyneth Lewis. Building on the success of 2011, the 2012 winner will receive not just a cash prize of £1,500, but the opportunity to give a reading at a high-profile poetry event at which the prize will be awarded. The closing date for submissions is 16 March 2012. For full information, including the rules of the prize, please download our flyer.”NB: Entrants must be resident in the U.K. and over 18 years of age.
  • Some changes in the Madeline P. Plonsker Prize (notably, an earlier deadline: March 1; see also that only the first 200 submissions will be considered). “We invite applications for a writer under forty years old, with no major book publication, to spend two months (February-March or March-April) in residence at Lake Forest College. Cross-genre works are always welcome. Beyond this, even residency years (with odd year deadlines) look for prose writers. Odd residency years (with even years deadlines) look for poets.” This means that poets are eligible this year. “There are no formal teaching duties attached to the residency. Time is to be spent completing a manuscript, participating in the annual Lake Forest Literary Festival, and offering a series of public presentations. The completed manuscript will be published (upon approval) by &NOW Books imprint, with distribution by Northwestern University Press. The stipend is $10,000 with a housing suite and campus meals provided by the college.”
  • “Indiana University seeks a 1-Year Visiting Assistant Professor of Creative Writing to teach graduate and undergraduate poetry workshops, as well as literature courses in contemporary poetry. Appointment to begin Fall 2012. Expertise in African-American, Asian-American, Latino, and/or anglophone African-Caribbean literature desirable. A book and MFA required. Previous college-level teaching experience preferred. 2/2 annual teaching load plus thesis advising.”
  • From Columbia University (New York): “The Writing Program announces a full-time position as Lecturer in Discipline to teach poetry in its undergraduate and graduate program, effective July 1, 2012. The initial appointment will be for 1 year with the possibility of renewal for 2 more years. Salary is commensurate with experience. All candidates must have published at least one book with a nationally recognized press and have significant literary publications.”
  • From Sheffield University (U.K.): “The School of English Literature, Language and Linguistics, wishes to appoint [a] Writer in Residence specialising in fiction.” This is a part-time, two-year position.
  • Weill Cornell Medical College (New York) seeks a Writer/Editor, the Brooklyn Public Library is looking for a Copy Editor, and Stars and Stripes (Washington) invites applications for a position as Editor (Website Copy).
  • Monday Markets/Jobs/Opportunities for Writers

  • ‘Tis the season to be preparing those financial aid applications for the Bread Loaf Writers’ Conference: “Thanks to the generous support of Middlebury College and to an endowment fund established by past Bread Loafers and other donors, we are able to offer financial aid in three categories: fellowships, tuition scholarships, and work-study scholarships. Financial aid is awarded in recognition of published work or literary promise; financial need has no bearing on our decisions. Awards must be used in the year they are granted.” Deadline: March 1; early application is “strongly encouraged.” No application fees.
  • In case you missed it, last week’s Friday Find was a resource list for writers of flash nonfiction/micro-essays.
  • Over on The Writer magazine’s website, they’ve posted an online version of my article on “niche contests” and awards. A slew of no-fee competitions in poetry and prose for you over there.
  • “Booktrust and the BBC’s annual showcase of outstanding short fiction [has launched] with an expanded worldwide quest to find the best international short story of 2012 to mark the Olympic year. The judging panel for the one-off BBC International Short Story Award will be chaired by broadcaster and comedy writer Clive Anderson and the winner announced on BBC Radio 4’s Front Row. For the first time since it launched in 2006, the BBC Short Story Award will see stories from home and abroad going head-to-head for the £15,000 cheque for first place. For one year only authors from across the globe will be eligible to enter alongside UK practitioners.” There will be a runner-up award of £2,500 and eight awards of £250 for the other shortlisted stories. Note that all entering authors “must have a record of prior publication in creative writing in the United Kingdom.” Be sure to read the detailed guidelines for further specifications. No entry fee. Deadline: February 27, 2012. (via @SarahSalway)
  • “Adelphi University’s (N.Y.) English Department is seeking applicants for a Visiting Assistant Professor position to teach undergraduate and graduate courses in literature and creative writing during academic year 2012-13, replacing a fiction writer on leave. 3/3 teaching load with thesis advising duties. Published fiction writer with publications in additional genre preferred.”
  • “Mercy College’s (N.Y.) School of Liberal Arts is seeking faculty in Creative Writing, tenure track or multiple year track, rank open. This position involves teaching at all levels of the composition sequence. It includes teaching prose fiction and non-fiction as well as poetry.
  • The Elizabeth Glaser Pediatric AIDS Foundation (Washington) is looking for a Senior Officer, Executive and Internal Communications; the Duke University Development Office (N.C.) seeks a Senior Writer; and Milwaukee Magazine (Wisc.) invites applications for a position as Assistant Editor.