Wednesday’s Work-in-Progress: Helping You Publish Your Work

As I’ve mentioned elsewhere, my travels this season include a quick trip to Philadelphia on Saturday, October 13, when I’ll be the guest of Big Blue Marble Bookstore (and Apiary Magazine) for a reading at 3:30 p.m. And before the reading—starting at 2 p.m.—I’ll be leading a workshop for writers who want to learn how to publish their stories, essays, and poems in literary magazines.

I spent a chunk of time last weekend preparing an extensive handout; we’re going to cover a lot! The handout includes an extensive list of resources, including a few notable recent items that I think will enhance the discussion we’ll be having (and perhaps even spark a debate or two). I thought I’d share those articles/posts with all of you, too.

  • “Poetry Magazine Submissions: How to Do Them Right,” by Robert Lee Brewer
  • “Rabbit Season or Duck Season: A Guide to Submissions,”  by Michael Nye
  • “Three Stories Unlikely to Make it Beyond the Slush,” by Joe Hiland
  • “The Red Flags of Writing Contests,” by C. Hope Clark
  • “The Value of Three: Writing for Non-paying Markets,” by Chris F. Holm
  • By the way, you don’t need to register for the reading, which is free and open to the public, but we are asking anyone interested in the workshop (at a bargain price of just $35!) to pre-register. Details here.

    Friday Finds for Writers

    The weekly collection of writing-related resources, news, and reflections to read over the weekend.

  • Let’s start with an important question, raised this time in the context of Michael Chabon’s latest novel: “Can a white author write black characters?” Tanner Colby says yes. (via Page-Turner)
  • Next: Poet Mark Doty describes “the hardest job in publishing: editing an anthology.”
  • What happens when writers don’t finish the job they’ve contracted to do? For some authors who received advances from Penguin–for books they ultimately didn’t deliver–the answer is now: lawsuits. (via Publishers Lunch)
  • Definitely worth reading: Cathy Day’s “next big thing” is Literary Citizenship.
  • Last, but by no means least (and, I believe, very much in the spirit of literary citizenship): Many of you know that I’ve been part of the Fiction Writers Review community for some time. FWR is currently undertaking a writing-focused fundraiser (“The Great Write Off”). I’m not able to participate as fully as I’d like to right now, but I *have* made a contribution to support the overall project. If you’ve ever appreciated any of the content on the FWR site, perhaps you’ll consider doing the same. Thank you!
  • Monday Markets/Jobs/Opportunities for Writers

    Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and gigs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • First up: Gotham Writers’ Workshop has launched a “91-Word Memoir Writing Contest.” This contest “celebrates longtime Gotham student and friend Norma Crosier, who died in July five days shy of her 91st birthday….She embraced the principle of memoir – that it is not the story of the writer’s entire life, but rather one story among many.” Prizes: “The winner will receive a 10-week workshop, $91 cash, and bragging rights.” Enter by October 15, 2012. No entry fee.
  • North Carolinians (and Google analytics tell me that there are plenty of you visiting this blog!), you still have time to submit short fiction for the 2012 NC State Short Story Contests. This year’s contests will be judged by Tony Earley. Cash prizes. No entry fees. Deadline: October 1, 2012.
  • Are you a college student with an unpaid editorial internship in NYC in the works? You may be eligible for a nice “trust fund” grant of $1,200. Get to know Ed(2010), and do it quickly. The deadline is October 9. There is no application fee.
  • Coming soon: the October issue of The Practicing Writer. If you’re not yet a subscriber, please join us!
  • “The Department of English at Stephen F. Austin State University [Texas] seeks applications for a tenure-track assistant professor of creative writing….We are primarily looking for a fiction writer with a secondary interest in nonfiction.”
  • “The Department of English in the College of Liberal Arts and Sciences, University of Colorado Denver, seeks an instructor of Creative Writing with a specialization in Fiction….Courses will include introduction to creative writing (dual genre, poetry and fiction) and intermediate fiction courses (both in the classroom and online).”
  • “The University of Memphis seeks applications for a tenure-track Assistant Professor of Fiction Writing position….An interest in teaching a survey course in literature is desirable, as are publications in poetry that would allow flexibility in staffing. Literary journal experience is welcome.”
  • From George Washington University (Washington): “For appointment beginning in the fall of 2013, we seek a tenure-track assistant professor. The position is open to a poet; strong preference will be given to applicants with a secondary interest, and publications, in creative nonfiction….We strongly encourage applicants whose writing engages African American experiences, or whose writing engages other minority experiences, such as Latino/a, Asian American, indigenous, post colonial, lgbt, or disability experiences.”
  • Columbia University Libraries (New York) seeks a Communications and Marketing Coordinator, it seems that the Los Angeles Times is looking for a Deputy Books Editor (h/t @RonCharles), and Atlantic Media Company (Washington) is advertising for a Staff Writer/Reporter.
  • Friday Finds for Writers

    The weekly collection of writing-related resources, news, and reflections to read over the weekend.

  • First up: “Three Stories Unlikely to Make it Beyond the Slush”–at least at Indiana Review.
  • Next: I’m hoping to set aside some time soon to dig into The Open Notebook’s Pitch Database. It looks like a great way to see how other nonfiction writers–specifically, science writers–have successfully pitched features to major magazines and newspapers. (A tip of the hat to the member of the Upod group who shared this resource with the rest of us in response to another list member’s question.)
  • Let’s continue with some thoughts about poetry and our contemporary “mass-submission culture.”
  • And speaking of poetry: What are some of your favorite opening lines?
  • Among the highlights of the current issue of WOW! Women on Writing (which has a “Freelance Writing” theme) is this Q&A with Carol Tice, of “Make a Living Writing” fame.
  • Have a great weekend, everyone. As you read this, I’m already enjoying a mini-vacation in New England. See you back here on Monday.

    Friday Finds for Writers

    The weekly collection of writing-related reflections, news, and resources to read over the weekend.

  • Let’s begin with something that’s been making the e-rounds: Philip Roth sets the record straight on the inspiration behind the protagonist in The Human Stain. (You thought the character was based on Anatole Broyard? Think again.)
  • Next up: This interview with Sarah Davies includes some important questions every writer should ask before signing with an agent. (via @occasionallyzen)
  • Ever find yourself facing Twitter-related dilemmas? Thankfully, Nina Badzin will be writing a Writer Unboxed column to help guide and advise you.
  • I don’t know about you, but I’m always fascinated to learn why editors choose a particular piece. In this post, The Kenyon Review‘s David Lynn explains why KR chose Segun Alfolabi’s story “Ezekiel,” which appears in the fall 2012 issue.
  • It’s mid-month, which means it’s time for another installment of the Fiction Writers Review “First Looks” column, where I present intriguing about-to-be published works of fiction.
  • Have a great weekend, all. I’ll be busy celebrating Rosh Hashanah on Monday, but I’ll make sure there’s a post up for you nonetheless.