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The Wednesday Web Browser for Writers

by Erika Dreifus on
2

Another midweek medley of writing-related finds culled from the Web.

  • Let’s begin with some application advice (mainly for academe, but with crossover appeal for writers-who-don’t-teach but are applying for grants/fellowships/awards/etc.). (via Wordamour)
  • Five Ways to Celebrate Short Stories is a post I wrote for Fiction Writers Review last year, but the beginning of Short Story Month 2012 seems to be a perfect time to “recycle” it.
  • Speaking of Fiction Writers Review: My “reviewlet” of Anne Korkeakivi’s The Unexpected Guest posted last week. One of the things I discuss in that piece is the author’s use of French words and phrases, so I was of course interested to discover Korkeakivi’s thoughts on handling languages other than English in fiction (thanks for the link, Writer Abroad!). (By the way, you can read some relevant thoughts of my own archived on the Brave New Words blog, too.)
  • May is apparently prime giveaway season. Don’t forget about this practicing writer’s participation in the Collection Giveaway Project. And over on Hippocampus Magazine, there will be one giveaway every day of this month to celebrate the publication’s anniversary. You need to delve into the current issue to participate–may I humbly suggest that you check out my own micro-essay in that issue, “Comprehension”?
  • For those who ask am I a writer, Cathy Day has some answers.

    • Collection Giveaway Project 2012: What You Can Win Here

    by Erika Dreifus on
    15

    Because the stories in Binocular Vision are set in Massachusetts. And Europe. And Israel.

    Because the characters in Binocular Vision are Jews. And non-Jews.

    Because Binocular Vision spins stories about war. About families. About history. About things that are timeless.

    And because its author does this all so beautifully. And–dare I say–so quietly?

    For all of these reasons, I am proud to offer a free copy of Edith Pearlman’s superb story collection, Binocular Vision (Lookout Books, 2011), as my selected Collection Giveaway Project title.

    The Collection Giveaway Project (CGP) is one way that the team at Fiction Writers Review will be celebrating Short Story Month through the month of May. And you have all month to comment on this post, right here, to be eligible to win a copy of Binocular Vision.

    Comment as you wish–perhaps tell us about another collection we might enjoy, and if you’re participating in the CGP by offering up a collection (or two), please tell us where we can find *your* post. On May 31st, I’ll use a random number generator to select a winner who will receive a copy of Binocular Vision. A “runner-up” will receive a copy of my own story collection, Quiet Americans. (Winners may choose to gift their copies to another recipient if they already own the books.)

    Sound good? Let the giveaway begin!

    UPDATE (5/31): Thank you all for taking part! And congratulations to Anca (who has won a copy of Binocular Vision) and Kizzy (who has won a copy of Quiet Americans). I will be in touch with you shortly via email. Thank you once again.

    Monday Markets/Jobs/Opportunities for Writers

    by Erika Dreifus on
    Disabled
  • To Think, To Write, To Publish is “a yearlong program, supported by the National Science Foundation, featuring two multi-day workshops in Washington, DC and Tempe, Arizona. Twelve emerging communicators and 12 early-career science and innovation policy scholars will learn about creative/narrative nonfiction storytelling techniques; meet with and learn from creative writing and science journalism professors, museum professionals, and editors of mainstream publications; and collaborate, in scholar-communicator pairs, on narrative essays to appear in a nationally-distributed publication. Each workshop will include a keynote event and sessions led by prominent narrative/creative nonfiction writers, teachers, editors and agents, featuring Lee Gutkind, ‘the godfather behind creative nonfiction’ (Vanity Fair) and the founder and editor of Creative Nonfiction. This is a unique and challenging opportunity open to next generation science and innovation policy scholars and next generation communicators working in any genre(s) and interested in science, technology and the social sciences. All participants will receive an honorarium plus travel expenses to the workshops. To Think, To Write, To Publish will help writers learn much more about the process and importance of research and the vital importance of policy, and scholars learn about how to utilize creative nonfiction storytelling techniques to make science policy more accessible to a general audience.” No application fee. Deadline: June 15, 2012.
  • The Cha Flash Fiction Contest is run Cha: An Asian Literary Journal. “It is for unpublished flash stories in English language on the theme of ‘Misinterpretation.'” You may submit up to two pieces (no longer than 250 words each). There is no entry fee. Deadline: July 15, 2012. Prizes: £50/£30/£20 (payable through Paypal). All three winning pieces will receive first publication in a special section in the fifth anniversary issue of Cha.
  • Freelance opportunity with Columbia Journalism Review (for a Virginia-based writer): “CJR seeks one Virginia-based freelance correspondent for an online media criticism project, The Swing States Project, focused on the 2012 presidential campaign and other campaigns for federal office. The correspondent will critique campaign coverage—local and regional, but also national when it comes to town—with two specific areas of focus. First, he or she will monitor the media for instances of ideological fear-mongering, rhetorical distortion and manipulation, missing context, errors of fact, etc. (Or, alternately, he or she will highlight coverage that excels in pushing back against political misinformation.) Second, the correspondent will explore how the impact of political money in Virginia is covered, in terms of advertising, fund-raising, and the perception of candidates during the campaign, and lobbying and power politics beyond it. Swing States Project correspondents are expected to contribute on average three posts per month, which are featured on the CJR website. Much of the work will involve reading and reacting to/critiquing in-state campaign coverage, with some reporting as well. To see the project’s output to date, visit http://www.cjr.org/swing_states_project/. Correspondents also consult with the editors in New York about how national trends are reflected in their states and occasionally share insights and reporting for stories written in New York, and work with an in-house engagement editor to promote the project through local media (including, possibly, radio/TV appearances) and social media (Twitter proficiency—and following—a plus). Compensation will include an $800 monthly retainer and a per-post fee of $200. This position is grant-funded and continued freelance assignments are contingent on funding renewals.”
  • “The Hudson Valley Writers’ Center, Inc. [Sleepy Hollow, N.Y.] is a not-for-profit organization with a mission to advance the art and craft of writing by encouraging writers and readers at all levels to participate in and enjoy the literary arts. We seek an Executive Director with vision and proven experience in development of not-for-profit organizations and a dedication to the arts and literary pursuits. The ED is responsible for overall management of the Center’s programs, operations, and staff, and for development and fundraising.”
  • And last, but by no means least: The May issue of The Practicing Writer went out to subscribers over the weekend. As usual, the newsletter focuses on poetry, fiction, and creative nonfiction, and is filled with no-fee competitions and paying litmag calls for submission.

    • The Wednesday Web Browser for Writers

    by Erika Dreifus on
    Disabled
    My great-grandparents, H. & K. Dreifus, the inspirations behind Karoline & Jacob Freiburg in "Matrilineal Descent." Photo © The Dreifus Family.
  • One of the reasons I love this week’s writing prompt from Midge Raymond (“Family History”) is that it essentially explains how I started writing “Matrilineal Descent,” a story that was published in TriQuarterly before it was gathered in my collection, Quiet Americans.
  • Embarrassing word-usage gaffes in The New York Times, courtesy of the newspaper itself.
  • It’s almost time for Short Story Month. Which means that there will be another Collection Giveaway Project coordinated by Fiction Writers Review.
  • Adam Mansbach’s sharp-and-funny take on book blurbs was making the rounds last week. But it’s not too late to laugh (or cringe).
  • And also for fun: Some “accidental photography” sited in New York’s beautiful Central Park, courtesy of my very own sister. (If only my purposeful photos turned out half as well as her accidental ones!) You can also find her photos on Etsy.

    • Quotation of the Week: Dinty W. Moore

    by Erika Dreifus on
    2

    “You work with what is given to you. You arrange the puzzle pieces taken from the nonfiction box without reaching over into the fiction box, as tempting as it may be. You do your best to pull up honest memory. Though we know memory’s weakness, at least don’t lie about what you think you remember. When you are not sure, you tell the reader. When you want to change something, explore why you want to change it. Fiction approaches a certain sort of truth, and thank goodness we have fiction, but it is not the same truth that nonfiction attempts. Know the difference. As a nonfiction writer, you will surely make mistakes, get things wrong, remember poorly, but to do it knowingly, that’s crossing the line.”

    Source: Dinty W. Moore, “What is Given: Against Knowingly Changing the Truth,” part of a worthy exchange with Jill Talbot on the Brevity blog.