How Old is Too Old for a Traditional MFA Program?

As a group, you have proven to be such a wonderful source of knowledge (see, for instance, the recents posts on prose poetry and reading Dickens) that I am going to turn to you once again for your wisdom and advice.

An anonymous reader recently left this comment:

I have a question. What age is too old for a traditional MFA program? Everybody seems to be in their 20s. I’m currently in an excellent low-res program for what is but I crave a more full-time program that more mimics the life of a student, and I’m 46, only now discovering creative writing after a lifetime in journalism.

Back when I was applying to (low-res) programs, low-res definitely had the reputation for appealing more to the older set, those more likely to have careers and family commitments that made it seem very difficult, if not impossible, to consider the range of possible programs across the country that the recently-out-of-college set favored. But just as it’s true that the more recent grads are also turning to low-res programs (there were many in my program as the semesters went on), I know of older students who have decided to go the traditional, “full-res” route. What about the rest of you? Any comments to offer our anonymous colleague?

By the way, since we’re speaking of MFA programs, I should probably point out that Poets & Writers has just added a searchable MA/MFA/PhD program database to its site as well as a feature listing literary journals associated with MFA programs. I don’t really want to get into the new set of rankings the magazine has also published, but I will say that based on what I’ve read so far about the methodology behind it, I’m really not sure how useful these rankings are.

Friday Find: The Secrets to Publishing Success

That post title sure grabbed your attention, didn’t it?

Well, Jane Friedman, publisher and editorial director of the Writer’s Digest brand at F+W Media, has compiled a set of extremely helpful posts from her There Are No Rules blog (which itself has appeared on our list of frequently checked blogs and links for quite some time). Subtitled “Jane’s 2009 Tough Love Guide,” “The Secrets to Publishing Success” covers a lot: editing and revising, querying/submitting, audience development/platform building, online audience building, indie (self) publishing, and “big picture” ideas. You’re bound to find some information that you can use in your writing practice.

Enjoy, and have a great weekend!

Genre Confusion: Help Wanted!

In many ways, I am not at all suited to be a fiction writer. I am not one of those lucky souls who is “taken over” by a character who demands to have a story written. I am not someone to whom plot comes naturally. My work is often idea- or circumstance-driven, which, I’ve (finally?) begun to realize, often makes it more suited to essays or poems. Or prose poems. Maybe.

Without getting far more bogged down in details about two new pieces I’ve been struggling with, I think that each one may ultimately find its true destiny as a prose poem. But I’m not sure. Yet.

Here’s where you come in. I’d be very grateful for comments and advice from my fellow practicing writers on these questions:

1) How do you “know” the form a given work of yours should take?

2) Please recommend some online (or offline) guides to prose poetry that you’ve found useful in mastering the form. What I’m really seeking with this question are thoughtful craft lessons and background materials.

3) Can you recommend (again, online or offline) favorite prose poems, for inspiration and/or education? Do feel free to “self-nominate”!

Thank you in advance!

Pump Up Your C.V.

Those of you on (or aspiring to be on) the tenure track know how important conference proceedings, scholarly book chapters, and refereed papers can be. One very good place to look for announcements of the conferences, collections, and journal issues that can make a difference in your career is the Call for Papers (CFP) list hosted by the University of Pennsylvania.

Here is a selection of current announcements that might interest practicing writers-who-teach (or hope to teach):

Anthologies: A Conference
Creative Nonfiction: Voices
Andre Dubus/Andre Dubus III: A Symposium
Poetry Studies and Creative Poetry at 2010 PCA/ACA National Conference

Trust me–there’s plenty more where those announcements came from!

The Writer’s Block: Midge Raymond’s Blog on Living a Writer’s Life

Just a quick note to share that Midge Raymond, author of Forgetting English, which I reviewed earlier this year, is blogging about writing for the Seattle P-I. Although some of the content is clearly directed toward Seattle-area writers, much of it is targeted to a broader audience. I think that the blog, titled “The Writer’s Block: Living a Writer’s Life,” is well worth your time. Check it out!