Friday Finds for Writers

For the weekend: some writing-related reflections, news, and resources to enjoy.

  • Some thoughtful reflections on and suggestions for “Pushing Through the Perils of Teaching Online.”
  • Lee Gutkind’s recent “Opinionator” piece provides an excellent reminder of the primacy of scenes. (Not surprisingly, Gutkind’s focus here is nonfiction, but frankly, I often find scenes more challenging when I’m writing fiction.)
  • A vicarious trip to the Bread Loaf Writers’ Conference, courtesy of poet Chloe Yelena Miller. (Reminder: If you may be interested in attending Bread Loaf–or writing conferences more generally–and you live in the Boston area, there’s still time to sign up for this seminar at Grub Street.)
  • Great news from Wordamour (hint: something to do with a literary agent). Congratulations, Steph!
  • And ending on another happy note: a nice development in the story of The Writer magazine.
  • Enjoy the weekend, everyone. It’s a holiday weekend here in the U.S.A., but I’ll bring you a post on Monday nonetheless.

    Monday Markets/Jobs/Opportunities for Writers

    Monday brings the weekly batch of no-fee contests/competitions and paying gigs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • First up: Stealing Time is a new quarterly literary magazine “about the heart of parenting. We explore the real stories of parents through fiction, essay, poetry, book reviews, and other pieces that are sad, hopeful, ebullient, resigned, reverent, wry, surprising, gut-busting, or just plain strange.” NB: “We pay! We consider this our most important priority. Writers should be paid. We’ll let you know how much we expect to pay when we accept your piece; most will be between $100 and $500, depending on length and how hard our jaws hit the floor when we start reading.” (via Duotrope.com)
  • Next: “A six-month, full-time, paid, writing internship is available at Smithsonian magazine in Washington, D.C., beginning January 2013. The internship involves writing, blogging and producing multimedia for the magazine’s Web site and writing for the print magazine’s “Around the Mall” department. Candidates should have a proven aptitude for writing and Web-journalism skills. A recent undergraduate or graduate degree is a must.”
  • “Initiated in 1998, Stadler Fellowships [at Bucknell University, Penn.] offer a recent MFA or MA in poetry the opportunity to receive professional training in arts administration and literary editing. Stadler Fellowships are designed to balance the development of professional skills with time to complete a first book of poems. Stadler Fellows assist for twenty hours each week in the administration of the Stadler Center for Poetry and/or in the editing of West Branch, Bucknell’s nationally distinguished literary journal. Fellows also work as staff members and instructors in the Bucknell Seminar for Younger Poets in June. The Fellowship stipend is $20,000. In addition, each Fellow is provided health insurance, office space in the Stadler Center, and housing. Depending on circumstances, Fellows are either housed in a furnished apartment in the Poet’s Cottage or provided with a stipend to seek housing on their own in Lewisburg.” Next application deadline is October 1, and there’s no application fee indicated.
  • Coming this week: The September issue of The Practicing Writer. Packed with no-fee competition info and paying submission calls. (Plus, a Q&A with David Abrams.)
  • “The Department of English at Skidmore College [N.Y.] invites applications from actively publishing fiction writers to fill a tenure-track Assistant Professorship in fiction writing. Secondary interests welcome. The teaching load will alternate yearly between 3/2 and 2/2. Responsibilities include periodic participation in Skidmore’s First Year Experience program. Ph.D., M.F.A, or equivalent; publications; and teaching experience required.”
  • “Hampshire College’s [Mass.] Creative Writing Program invites applications for an Assistant Professor of Creative Writing and African American Literary Arts, to begin in fall 2013. We seek a writer (of poetry, fiction, and/or creative nonfiction) whose artistic and critical work is engaged with the histories, literary arts, and cultures of people of African descent, particularly in the United States. We are especially interested in candidates whose work explores the intersections of creative practice, research and issues of social justice. We seek candidates who are interested in teaching workshop-based courses as well as modeling for students what it can mean for writers to engage with literature through critical and theoretical lenses.”
  • Monday Markets/Jobs/Opportunities for Writers

    Monday brings the weekly batch of no-fee contests/competitions and paying gigs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • First, news from Gold Wake Press regarding its print series: “We are interested in expanding our catalog with drama, mixed genre works, & novels/novellas. We are ONLY open to these at the current time.”
  • Next: “The online literary journal http://www.anderbo.com is looking for a reader/screener for its 2012 Open City Magazine No-Fee RRofihe Trophy Short Story Contest @ Anderbo http://www.anderbo.com/anderbo1/no-fee-rrofihe-trophy2012.html now in its 9th year. This is a part-time, online, paying position. A recent winning story can be read @http://www.anderbo.com/anderbo1/afiction-057.html.” (The position, advertised on craigslist, pays $20/hour; if you’re more interested in entering the contest than reading/screening for it, the deadline is December 31, 2012.)
  • If you’re already familiar with Duotrope—”a resource for writers that offers an extensive, searchable database of current fiction, poetry, and non-fiction markets, a calendar of upcoming deadlines, submissions trackers (for registered users), and useful statistics compiled from the millions of data points we’ve gathered on the publishers we list”—take a look at the sleek redesign. And if you’re not yet familiar with Duotrope, now’s a perfect time to take a look.
  • “The New Writers Project, the MFA program of the Department of English at The University of Texas at Austin, seeks applications for a distinguished faculty position as Associate Professor with tenure in Creative Writing- Poetry to begin Fall 2013.”
  • “The English Department at the University of San Francisco invites applications for a tenure-track position in poetry at the Assistant Professor level to begin Fall 2013.”
  • “Ursinus College [Penn.] invites applications for a one semester position of Science Writer in Residence for fall 2013 (8/26/13 to 12/13/13).” Review of applications begins October 1.
  • Urban Land magazine (Washington) seeks an Online Editor, North American Media Group (Minnetonka, Minn.) seeks a Senior Editor for the Cooking Club of America, and Backstage (Los Angeles) is advertising a position for an Editorial Assistant “with social-media expertise.”
  • Friday Finds for Writers

    For the weekend: some writing-related reflections, news, and resources to enjoy.

  • One of the highlights of my college education was a creative nonfiction workshop taught by Verlyn Klinkenborg. You can get a sense of Verlyn-as-teacher in this lovely new essay, ““Where Do Sentences Come From?”.
  • Next: Are you ever discouraged by conference/fellowship/residency applications that require letters of recommendation? Cathy Day shares some solid advice.
  • This week brought my latest “First Looks” column for Fiction Writers Review. Go take a peek at the two forthcoming debut novels I’ve spotlighted this month.
  • John Warner reflects on his new “visiting instructor” title (complete with full-time status, benefits, and other pleasures).
  • Those of us interested in freelancing have likely heard about the service known as HARO (Help a Reporter Out). But do we understand how it works?
  • Have a great weekend. See you back here on Monday.

    Monday Markets/Jobs/Opportunities for Writers

    Monday brings the weekly batch of no-fee contests/competitions and paying gigs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • You’ll have to act pretty fast to take advantage of this U.K.-based residency opportunity: “ArtFunkl is delighted to offer the new Scribus series of Residencies for writers or digital media artists. This is part of a long term plan to expand the scope and number of residencies taking place at ArtFunkl, in order to create a more diverse community of connections, both within the ArtFunkl network, and within the environment of the city of Manchester.” The next deadline is August 20. NB: Although there’s no application fee, there IS a studio/room fee of £109 per week.
  • And you’ll need to hurry (deadline is August 15) if you want to apply for one of Salon.com’s assistant editor positions. “These are full-time entry level positions offering benefits and based in New York City. Applicants should… specify an interest in politics, the arts, general news and/or pop culture.”
  • For our Canadian friends: “Hagios Press is now welcoming submission of proposals for manuscripts of literary non-fiction. Hagios Press is asking for samples from book-length of literary nonfiction which could include personal essays, and memoirs. Hagios Press is interested literary non-fiction manuscripts covering a broad range of issues and themes.” Deadline is August 31.
  • In case you missed it, the August issue of The Practicing Writer, which went out to subscribers almost two weeks ago, contains the usual generous helpings of no-fee contest info and paying calls for submissions.
  • “Brooklyn College Community Partnership (BCCP) partners with public high schools and middle schools in the Brooklyn community to offer academic support, college access, social justice, health and wellness and arts-based programs to work with Brooklyn youth. The main hub for BCCP is the Brooklyn College Art Lab (BCAL) located on the Brooklyn College campus. We currently offer workshops in video and new media, visual arts, music, dance, theater and performance, writing, culinary arts, and meditation. Our youth development philosophy and practice is student-centered and dialogue and experience-based. BCCP is offering an open call to hire interdisciplinary teaching artists who have the capacity to facilitate workshops in at least two artistic disciplines. It’s an advantage if one is in media (digital video, photo, web and social media design, or graphic design), but not absolutely necessary.”
  • “Street Poets Inc. is looking for poets/teachers with a deep personal understanding of the transformational healing power of the creative process and a passion for mentoring youth (middle and high school age). The Teaching Artist is responsible for facilitating poetry writing workshops in South Los Angeles area schools on a part-time hourly basis – using the Street Poets curriculum and their own poetry. In addition, the Teaching Artist will be responsible for providing a link from the classroom to the larger Street Poets community.”
  • Salisbury University (Md.) is looking for an Assistant Professor in English (creative writing-fiction) and for an Assistant Professor in English (creative writing-poetry).
  • “The MFA in Writing Program at the University of San Francisco invites applications for a tenure-track position in creative nonfiction at the Assistant Professor level to begin Fall 2013.”
  • From Montclair State University (N.J.): “Opening for a one-year creative writing instructor/assistant professor position in poetry and either creative non-fiction or fiction; secondary interest in contemporary literature or other area appropriate to an English department.”
  • Victoria University (New Zealand) seeks a Lecturer in Creative Writing.