Wednesday’s Work-in-Progress

Well, what can I tell you? Since last week, I’ve indeed continued to submit my literary humor piece (and I’ve continued to have it rejected!). And I’ve completed a full draft of that essay-review I mentioned. So, there’s been some progress.

But probably the most meaningful “event” of the week has been the calculation and donation of my quarterly contribution to The Blue Card. As I’ve explained, each calendar quarter since my story collection was released, I’ve given money to The Blue Card based on the quarter’s book sales.

Admittedly, this quarter was a lean one for book sales. But thankfully, some readers are still discovering and purchasing the book. So long as that continues, the contributions will, too.

Wednesday’s Work-in-Progress

Writing practice goings-on from the past week:

  • Within the past week, I’ve received the first two rejections in response to the literary humor piece I mentioned here awhile back. So, said piece is now off to find a possible home for the third time. Will that be the charm? One can hope.
  • Last Friday–the first of our six-week summer schedule at the day job, whereby we work longer M-Th and get Fridays off–I spent a chunk of time revising my newest poem. I think that it is improving (slowly).
  • I’m making slow but steady progress on my next essay-review for The Missouri Review. Still rereading/taking notes on the books; hope to begin writing over the long holiday weekend.
  • I have renewed my Paris Review subscription. (Thanks to @mathitak for cluing me in to the fact that the summer 2014 issue was already out; that made me check on my subscription, which had expired. And thanks to the NBCC for the cool membership benefit of a 25 percent subscription discount for this particular magazine!)
  • Yesterday I awakened to discover that this here website was down. To make a long story short, my amazing webmaster saved the day with a new strategy (which includes a new hosting service).
  • And, last but not least: I sent out the July issue of The Practicing Writer this week. I’m delighted to feature a Q&A with Celeste Ng in this issue along with the usual range of no-fee contest info and calls for work from paying litmags & presses.
  • And how about you? Anything you care to share from your past week’s writing practice?

    Wednesday’s Work-in-Progress: The Ongoing “More than Memoir” Campaign

    CNF“But as much as I love memoir—in fact, we’re currently working on a memoir issue, due out next spring—I am sometimes frustrated that creative nonfiction and memoir have, in some ways, to some audiences, apparently become synonymous. As I see it, creative nonfiction is an umbrella term, and memoir is only one of the forms included under its shadow.”

    These lines from Lee Gutkind’s “From the Editor” column in the latest issue of Creative Nonfiction, which I’ve been reading this week, resonated. Strongly. That shouldn’t be a big surprise to any longtime readers of this blog. But if it is, please return to this post from last summer, which I’ve been thinking about all over again thanks to Gutkind’s column.

    Wednesday’s Work-in-Progress

    This regular blog feature will return next week (suffice to say that at the moment, there is quite a lot “in-progress”–so much so that I simply can’t prepare a blog post in addition!).

    We’ll return to our regular schedule on Friday, with the “Friday Finds” post.

    Thanks for your patience and understanding!

    Wednesday’s WiP: My “Success Story”–and Quite Possibly Yours

    If you follow the “Monday Markets” posts here, you know that I recently shared another call from WritersWeekly.com for “Success Stories.” As indicated in the guidelines, these particular “freelance success stories should, through your personal story, offer advice to other writers on how they, too, can succeed. Please note we do not publish ‘one-shot’ success stories – meaning we don’t publish stories on how a writer sold one story to one publication. We prefer to focus on actions the writer took to become a successful freelancer or a successful author. Please note that we do not publish success stories that detail the writer writing for free.” For a 300-word piece that involves minimal (if any) research, a writer is paid $40.

    When I saw the most recent call for success stories, I’d just sold a piece that seemed to me to fit within a pattern that has emerged in my writing practice. A little bit of thinking and a little bit of writing later, I had a new success story to submit.

    Here’s the text of that article, “Converting Coursework into (Publishing) Credits–and Cash,” which was published last week.

    Each year about this time, a new set of graduates with fresh, new academic degrees embarks on post-academic life. Especially among those who majored in a humanities field, or who earned advanced degrees in creative writing or literature, the road to graduation was likely paved with plenty of course papers and presentations. I’m not sure how many new graduates (or, for that matter, those with degrees earned in years past) realize that this work needn’t simply gather dust – literal or virtual. Sometimes, it can be transformed for publication and payment.

    I’ve had good luck converting coursework (and the occasional academic or professional conference paper) into an article or essay for another audience. My earliest such success came more than a decade ago, when, with an editor’s help, I adapted a paper that I’d written for a literature class some years earlier for publication by an online magazine. (Neither the magazine nor even the adjective “online” had existed back when I took the class.)

    As an MFA student, I knew I was on to something with a short seminar paper I’d written; a print publication bought an expanded version. Then, I received acceptance letters and paychecks for two articles that originated as academic conference presentations. Most recently, an editor has offered to purchase and publish the text of remarks that I delivered at a writing conference in Boston in early May. That piece should be out later this summer.

    So before you relegate the fruits of your academic labor to the past, consider polishing a piece or two. If you’ve written with style as well as substance, with vitality and voice notwithstanding “academic” writing’s unfortunate reputation for deadly dullness, the work may well serve a new – and profitable – purpose.

    Now I’ll add a list of (paying) publications that seem to me particularly prime possibilities for work that may originate as an MFA course paper or a conference presentation. (more…)