Friday Finds for Writers

Treasure ChestWriting-related resources, news, and reflections to read over the weekend.

  • This week brought a new NYT “Draft” column, in which Carol Kaufmann recommends writing outside.
  • There is also sad news about the passing of Ann Crispin, who, as Brian Klems phrased it, was “an advocate of writers’ rights.”
  • Fascinating developments in the quest to identify the author of The Bondwoman’s Narrative.
  • On the Ploughshares blog: litmag submission tips from Ian Stansel.
  • I recommended it once on Twitter this week already, but if you’re looking for some good weekend reading online, check out the latest issue of Brevity.
  • And from the Poetry Foundation: a reminder of the free resources they offer to help teach poetry.
  • Have a good weekend, everyone!

    Wednesday’s WIP: Market Season!

    Way back when–in the 1980s–I was an ambitious teenage writer who really, really wanted to start seeing some of her work published. And by the time I applied to colleges, I was able to declare myself a published writer–thanks, in part, to the Writer’s Market, which helped me identify the journals that first published my poetry. (I’m hoping, though, that many other journals simply did away with my inappropriate submissions rather than pin them up on a bulletin board for lasting mockery. Live and learn, as they say.)

    Fast forward to September 2013. (more…)

    Wednesday’s Work-in-Progress: Negative Reviews on the Brain

    Thumbs_down_smiley2On my mind lately: negative reviews.

    The topic came up during my recent visit to the Whidbey Writers Workshop MFA program, not just within the book-reviewing discussions I had with students, but also in a presentation by another faculty member, who told us that he was fired from one of his freelancing gigs (as a food critic) after negatively reviewing a restaurant whose ad dollars helped fund the publication he was writing for.

    It came up again when I returned home and discovered a new, negative (two-star) review of Quiet Americans on Goodreads (go ahead and look for it if you want to). I didn’t mind quite so much the disdainful adjectives the reviewer applied to my writing style–everyone’s entitled to an opinion–but I was bothered (and stunned, really) by one other judgment about its substance. If I were to engage with the reviewer (which I won’t; we all know authors should NOT follow that understandable impulse), I would ask for some specifics. That’s one thing about negative reviews–it’s especially frustrating when the reviewers don’t provide details, examples, or other evidence to support their arguments. It’s not all that dissimilar from getting a negative workshop critique that offers painfully little (if anything) to help you understand what, exactly, the critiquer objects to.

    And then, last week, I read a negative review that seemed exemplary: sensitive, thoughtful, detailed, and evidenced. Read it here, and be sure to read through to the end, which offers some powerful closing lines (yes, I’m always reading as a writer!).

    Meantime, just this past Monday, David Abrams’s always-interesting Quivering Pen blog presented, as part of its “My First Time” series, a guest post by Doreen McGettigan on her first bad review. Which brought back memories of my own similarly-themed “My First Punch-in-the-Gut Review” for the same feature.

    So, yes, I have negative reviews on the brain. Any thoughts on the subject or relevant links you care to share?