Posts Tagged‘Writing on Writing’

Home » Writing on Writing » Page 87

Monday Markets for Writers

by Erika Dreifus on
Disabled

Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • “Jaggery, a DesiLit arts and literature journal, connects South Asian diasporic writers and homeland writers; we also welcome non-South Asians with a deep and thoughtful connection to South Asian countries, who bring their own intersecting perspectives to the conversation. (By South Asia we mean Afghanistan, Bangladesh, Bhutan, India, The Maldives, Nepal, Pakistan and Sri Lanka.) Our hope with Jaggery is to create a journal that offers the best writing by and about South Asians and their diaspora….We publish ART, ESSAYS, FICTION, POETRY, REVIEWS, and an advice column. We prefer original, previously unpublished submissions; we solicit reprints only in exceptional cases….We’re purchasing ongoing worldwide digital rights, for use in web and possible downloaded forms (ebook, PDF, etc.). Six months after publication, you may request to have your work removed from our online archive. We follow a blind submission review process and pay $25 for prose/poetry/art.” Hurry up if you’re interested: “The deadline for submissions for the inaugural issue is July 31st, 2013.” (via @Duotrope)
  • “Blank Fiction Magazine is currently accepting submissions for our first three issues! The themes for each are: Literary Fiction, Noir Fiction and Science Fiction.” Deadline for the first (literary fiction) issue is October 15. Pays: “Blank Fiction Magazine is proud to support all of our writers with a $50 honorarium for their contribution to our pages.”
  • “Soomo Publishing, an independent publisher of college-level webtexts, seeks experienced freelance writers to contribute original commentaries on world literature. Soomo is convinced that textbooks don’t have to be boring. With this in mind, we are looking for magazine feature-type commentaries to accompany important works of pre-Renaissance-era writing. The commentaries will be included in an online world literature course, and are intended to provide historical and cultural context that is both instructive and thought-provoking. Our goal is to capture students’ imagination and introduce them to the ‘stories behind the stories.’ In terms of voice, our models include Smithsonian magazine, Wilson Quarterly, and Mental Floss’s’101 Masterpieces’ series–in short, anything that makes culture relevant, stimulating, and accessible.” Pays: “Commentaries are being assigned at 1,500 words, at a rate of $0.50/word.”
  • As announced in its latest newsletter: “Creative Nonfiction is looking for new instructors for its online classes. Responsibilities include creating written lectures, reading and responding to student work, engaging in online discussion, and answering student questions on a daily basis.”
  • Coming soon! More no-fee writing contests and paying calls for prose and poetry in the August issue of The Practicing Writer, which will go out to subscribers before week’s end. Get your copy right in your e-mailbox. It’s free, and we don’t sell, rent, or share our mailing list.
  • Algonquin Books (Chapel Hill, N.C.) is looking for an Assistant Publicist.

    • Wednesday’s Work-in-Progress: My Summer Teaching Gig

    by Erika Dreifus on
    5

    Whidbey Island scenery (photo from the Northwest Institute of Literary Arts Facebook page.)
    Some of the scenery I can look forward to! (photo from the Northwest Institute of Literary Arts Facebook page)
    As I mentioned briefly in the most recent issue of The Practicing Writer, I have some exciting news to share: August will find me traveling across the country to serve as a visiting faculty member in the Whidbey Writers Workshop MFA program.

    Here’s a one-word summary of my feelings about this: thrilled.

    I’ve followed the progress of the Whidbey program (housed within the Northwest Institute of Literary Arts) from its inception. Now, I have the privilege of being part of it.

    The August residency schedule was posted online last week, and I’m thoroughly impressed by the offerings. (In the “it’s a small world” department, I’ve also noted that one of my fellow faculty members is an accomplished writer whom I met during the summer of 1988–when I was a college-age resident advisor in the academic enrichment program that she was attending as a middle-schooler.)

    In case you don’t have time to delve into the online schedule, here’s a brief description of what I’ll be teaching. First, I’ll be leading a two-session sequence on “Writing What We Know: Writing About Writing.” The course material will be modified from a single half-day session that I’ve offered elsewhere in the past. Its purpose is to familiarize participants with some freelancing basics and point out opportunities for writers to write about something that they know and love: writing. The possibilities are considerable: book reviews, author profiles, literary travel articles, and so forth. I’m able to share some of my own background/experience writing these kinds of pieces (and getting paid for them), and I’ll suggest possible paths for the participants to pursue themselves.

    Then, I’ll be offering two single-session classes, both geared to fiction writers. The first one is titled “Putting Your Characters to Work,” and it builds on my longtime interest and previous teaching experience in enhancing character development by delving into fictional work lives. The second one will examine “Structuring Short Story Collections.” There, the course material is somewhat newer, and I expect to spend quite a bit of time in the next weeks preparing it for presentation (suggestions welcome!).

    I’m immensely grateful for this opportunity. Any Whidbey folks reading this now who might want to say an early hello?