Monday Markets for Writers

Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write, especially those of us who write fiction, poetry, and creative nonfiction.

  • Attention, Canadian poets! “The Arc Poetry Soci­ety is seek­ing pro­pos­als for the pos­i­tion of Poet-in-Residence. The 2013/2014 pro­gram will rep­res­ent Arc’s 4th vir­tual res­id­ency; Tim Bowl­ing is cur­rently filling the pos­i­tion. This is a vir­tual res­id­ency, so the Poet in Res­id­ence will not be required to relocate.” Pays: “The con­tract fee for the poet in res­id­ence will be $9,000 (sub­ject to con­firm­a­tion of fund­ing), which will be paid on a monthly basis. Stand­ard writer’s fee rates will apply for pub­lic­a­tion in Arc.” No application fee. Deadline: February 15, 2013.
  • Speaking of poetry: The University of Iowa’s International Writing Program “is proud to present an online, seven-week poetry writing course this February. The course will include seven live online sessions and will be conducted via virtual classroom software. The course is free of charge and all sessions will be conducted in English.” Participation will be limited to fifteen writers, and international writers “are encouraged to apply.” Deadline: January 28, 2013.
  • Bronx residents: Applications for the BRIO (Bronx Recognizes Its Own) Awards are now available. These awards “provide direct support to individual Bronx artists who create literary, media, visual, and performing works of art. 25 BRIO grants of $3,000 each are awarded to Bronx artists. BRIO award winners complete a one-time public service activity.” There is no application fee. Deadline is Friday, January 25, 2013.
  • The River Teeth Nonfiction Conference “is offering four scholarships to students currently enrolled in writing programs (graduate or undergraduate). Registration fees will be waived for the recipients of the scholarships. All other expenses (travel, room, board) are the responsibility of the scholarship recipient.” Apply by March 1.
  • From Carol Tice, of the “Make a Living Writing” blog fame: “[M]y guest-post well is nearly dry, so it’s a good time to pitch me ideas. For those who don’t know, I pay $50 a post (and it’s pretty competitive to get an assignment, so bring your best idea we haven’t covered before!) Read my guidelines first, if you want a chance at getting a post approved.” (NB: I’ve had the good fortune to guest-post for Carol, and I recommend the experience highly!)
  • Friday Finds for Writers

    Treasure ChestA collection of writing-related resources, news, and reflections to read over the weekend.

  • “Many first manuscript attempts are not publishable, even after revision, yet they are necessary and vital for a writer’s growth.” That’s my favorite line in Jane Friedman’s “How Long Should You Keep Trying to Get Published?”
  • On The Artist’s Road, Patrick Ross has been sharing lots of “nuggets” from his latest residency in the Vermont College of Fine Arts MFA program.
  • Susan Shapiro explains why, over a long teaching career, she has made “the humiliation essay” her “signature assignment.”
  • Wondering what an Intro to Creative Writing course might be like? Check out the course syllabus for the students lucky enough to study with Salvatore Pane at the University of Indianapolis this spring.
  • Weekend listening: I’m going to conserve some time this weekend to listen to this fiction podcast from The New Yorker: Tony Earley reads William Maxwell’s “Love.” Plus, a conversation between Earley and The New Yorker‘s fiction editor, Deborah Treisman.
  • Happy weekend, all. See you back here on Monday.

    Friday Finds for Writers

    Treasure ChestThe weekly collection of writing-related resources, news, and reflections to read over the weekend.

  • For those of us with strong opinions and the urge to share them in writing (ahem): a helpful set of “10 Rules for Writing Opinion Pieces.”
  • Wise words for writers from Sharon Bially on “Marketing and the Spirit of Giving.”
  • Grant-getting tips from Jillian Keenan.
  • There is a lot of advice if you drill down through all of the links in this post on “What Writers Need to Know About Goodreads.” I, for one, can’t see myself devoting sufficient time and energy to making use of every tip. But the key take-away is this: “The key to goodreads is to become a member of the community first…and mention your writing only in context and when appropriate.”
  • And to conclude: some interesting details in this year-in-review post from Ploughshares, including data on submissions, payments, and more.
  • Have a great weekend, everyone. See you back here on Monday for the final post of 2012!

    Monday Markets/Jobs/Opportunities for Writers

    Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • Launching this week: the New York Foundation for the Arts (NYFA) Emergency Relief Fund. “The Andy Warhol Foundation, Robert Rauschenberg Foundation and Lambent Foundation (a project of the Tides Center) have established an Emergency Relief Fund, administered by NYFA to assist artists with damages and losses as a result of Hurricane Sandy. Eligible artists can be working in any discipline and reside in Connecticut, New Jersey or New York. Damages are broadly defined and include, but are not limited to: damage to physical work; damage to homes/studios/other facilities; loss of equipment or supplies; loss of income, and reimbursement for cancelled performances/appearances/engagements. We anticipate the overwhelming majority of grants will range between $1,000 and $5,000, but there may be extraordinary circumstances in which slightly smaller or larger grants might be made.” Applications will be made available on November 21.
  • Bethesda Magazine and the Bethesda Urban Partnership are partnering to sponsor a short story and essay contest.” Cash prizes, publication, and other goodies will be awarded in each genre (and for high-school age writers and writers 18 and over “and finished with high school”). There’s no entry fee, and the deadline is January 25, 2013. Note that essay submissions (500 words, maximum) may come from writers resident in Maryland, Virginia, or Washington, DC; short-story submissions (4,000 words, maximum) are limited to residents of Montgomery Country, Maryland, and Upper NW, DC (ZIP codes 20015 and 20016).
  • From the U.K.: “Booktrust is looking for paid freelance reviewers to write book recommendations for our site on books from contemporary fiction to Young Adult fiction to crime to translated fiction to short stories to non-fiction. We cover a wide range of books.”
  • “Mediabistro is looking for a dynamic, spirited instructor to teach a food blogging class online this March. Class meets over 6 weeks and will teach students how to design, promote, and maintain a blog dedicated to food.” (NB: Site registration required to view full ad.)
  • Please keep reading for college-level teaching jobs. (more…)

    Monday Markets/Jobs/Opportunities

    Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • The month of November is an open reading period (no fees) for Black Lawrence Press, which “seeks to publish intriguing books of literature and creative non-fiction: novels, memoirs, short story collections, poetry, biographies, cultural studies, and translations from the German and French.
  • If you’re a short-story writer and a citizen of a Commonwealth country, it’s time to think about the 2013 Commonwealth Short Story Prize, “awarded for the best piece of unpublished short fiction (2000 – 5000 words). Submissions must be made by the author of the short story. Regional winners receive £1,000 and the overall winner receives £5,000.’ No entry fee. Deadline: December 4, 2012.
  • ICYMI: The November issue of The Practicing Writer is now available. As usual, it features no-fee contests/competitions and submissions calls from magazines and presses that will pay you for your work.
  • The Texas Book Festival (Austin) is looking for a Literary Programs Director, Poetry London (U.K.) seeks a Freelance Poetry Editor, and the Columbus Dispatch (Ohio) is advertising for a Features Reporter.
  • “New College of Florida announces an opening for a Writer in Residence, spring semester 2013 (February-May). The successful candidate will have: at least one published book, and significant publication in other venues as well; two years’ experience teaching creative writing, which can include instruction as a graduate student; and a strong commitment to playing an active role in the community of our residential honors college. MFA, MA, or equivalent degree preferred, but experience considered. Writers whose work engages multiethnic experience especially encouraged.” (if you need the posting #, it’s ADJ101)
  • Another big batch of teaching job announcements after the jump. (more…)