Monday Markets/Jobs/Opportunities for Writers

Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and gigs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • First up: Gotham Writers’ Workshop has launched a “91-Word Memoir Writing Contest.” This contest “celebrates longtime Gotham student and friend Norma Crosier, who died in July five days shy of her 91st birthday….She embraced the principle of memoir – that it is not the story of the writer’s entire life, but rather one story among many.” Prizes: “The winner will receive a 10-week workshop, $91 cash, and bragging rights.” Enter by October 15, 2012. No entry fee.
  • North Carolinians (and Google analytics tell me that there are plenty of you visiting this blog!), you still have time to submit short fiction for the 2012 NC State Short Story Contests. This year’s contests will be judged by Tony Earley. Cash prizes. No entry fees. Deadline: October 1, 2012.
  • Are you a college student with an unpaid editorial internship in NYC in the works? You may be eligible for a nice “trust fund” grant of $1,200. Get to know Ed(2010), and do it quickly. The deadline is October 9. There is no application fee.
  • Coming soon: the October issue of The Practicing Writer. If you’re not yet a subscriber, please join us!
  • “The Department of English at Stephen F. Austin State University [Texas] seeks applications for a tenure-track assistant professor of creative writing….We are primarily looking for a fiction writer with a secondary interest in nonfiction.”
  • “The Department of English in the College of Liberal Arts and Sciences, University of Colorado Denver, seeks an instructor of Creative Writing with a specialization in Fiction….Courses will include introduction to creative writing (dual genre, poetry and fiction) and intermediate fiction courses (both in the classroom and online).”
  • “The University of Memphis seeks applications for a tenure-track Assistant Professor of Fiction Writing position….An interest in teaching a survey course in literature is desirable, as are publications in poetry that would allow flexibility in staffing. Literary journal experience is welcome.”
  • From George Washington University (Washington): “For appointment beginning in the fall of 2013, we seek a tenure-track assistant professor. The position is open to a poet; strong preference will be given to applicants with a secondary interest, and publications, in creative nonfiction….We strongly encourage applicants whose writing engages African American experiences, or whose writing engages other minority experiences, such as Latino/a, Asian American, indigenous, post colonial, lgbt, or disability experiences.”
  • Columbia University Libraries (New York) seeks a Communications and Marketing Coordinator, it seems that the Los Angeles Times is looking for a Deputy Books Editor (h/t @RonCharles), and Atlantic Media Company (Washington) is advertising for a Staff Writer/Reporter.
  • Friday Finds for Writers

    The weekly collection of writing-related resources, news, and reflections to read over the weekend.

  • First up: “Three Stories Unlikely to Make it Beyond the Slush”–at least at Indiana Review.
  • Next: I’m hoping to set aside some time soon to dig into The Open Notebook’s Pitch Database. It looks like a great way to see how other nonfiction writers–specifically, science writers–have successfully pitched features to major magazines and newspapers. (A tip of the hat to the member of the Upod group who shared this resource with the rest of us in response to another list member’s question.)
  • Let’s continue with some thoughts about poetry and our contemporary “mass-submission culture.”
  • And speaking of poetry: What are some of your favorite opening lines?
  • Among the highlights of the current issue of WOW! Women on Writing (which has a “Freelance Writing” theme) is this Q&A with Carol Tice, of “Make a Living Writing” fame.
  • Have a great weekend, everyone. As you read this, I’m already enjoying a mini-vacation in New England. See you back here on Monday.

    Monday Markets/Jobs/Opportunities for Writers

    Monday brings the weekly batch of no-fee contests/competitions and paying gigs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • First up: News from Tin House magazine: “Starting September 1, Tin House will be reading for Spring and Summer, 2013. The Summer issue is open, non-themed. The Spring issue has a theme of “This Means War.” Conflict is at the heart of all stories, and these days it seems that the world’s major conflicts are portrayed in black and white, good and evil. We’re looking for the grey, the messy, the not-so-easily classified. We’re not just looking for work about armed conflict, but domestic, political, ecological, religious, and moral battles. If there is heat, we want to see the fire. The Spring, 2013 deadline is October 31. The Summer, 2013 deadline is January 14.”
  • Next: Interested in winning a copy of the new edition of the Guide to Literary Agents? Check the link for details.
  • This looks like a useful list for creative-nonfiction writers: book contests and publishers. Note that the contests all seem to charge fees, but many of the publishers appear to welcome submissions fee-free. (Hat tip to Hippocampus Magazine.)
  • Attention, Canadian writers: News about a new fiction prize (no fee indicated). Deadline: October 1.
  • The new academic year brings a wave of academic job announcements: (more…)
  • Wednesday’s Work-in-Progress: Bat Mitzvah Poetry

    Erika becomes a Bat Mitzvah (1982).

    No, I’m not in seventh grade. And I don’t have offspring in middle school, either. But it’s Bar and Bat Mitzvah season for me nonetheless. Starting on Saturday and continuing for the next six weeks, I’ll be attending three services at which young Jewish women and men will be called to the Torah to become adult “daughters” or “sons” of the commandments.

    Two of my published poems to date have been inspired by my witnessing similar occasions. In “Diaspora,” a prose poem, I reflected on a remarkable assemblage of relatives who converged on Columbus, Ohio, five years ago. More recently, in “Emor,” I relied on the Torah portion read by the Bat Mitzvah–which happened to be the same portion I was assigned way back when it was my turn to be called to the Torah for the first time–to help depict some especially moving moments from another family’s simcha.

    Who knows the inspiration that awaits me in the coming weeks? Advance gratitude to my hosts for the invitations, and a hearty Mazel Tov to all!

    Any of you have Bar or Bat Mitzvah-inspired poetry to share or recommend?

    Monday Markets/Jobs/Opportunities for Writers

    Monday brings the weekly batch of no-fee contests/competitions and paying gigs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

    • First up: ArtsFwd is looking for two Blogging Fellows, who “will be expected to contribute posts of 500 to 800 words twice monthly for a four month term about topics including the process of innovation, adaptive leadership, and new thinking about organizational change in the arts, with a focus on models of success. Fellows will also be expected to monitor comments on their posts and respond as appropriate. Topics for posts will be selected and edited in collaboration with the EmcArts staff, and may include analysis of sector trends and current events, interviews with arts leaders and non-arts innovators, book reviews, and roundups of news and events.” Pays: “Blogging Fellows will be paid as freelancers at a rate of $50 per post. If Fellows have an existing blog, cross-posting content generated for ArtsFwd is allowed and encouraged. Following the successful completion of their term, Fellows will be welcome to continue writing for ArtsFwd on an ad hoc basis. The position is not office based: candidates from all over the United States are encouraged to apply.” Apply by September 17, 2012.
    • From The Pedestal Magazine: “FROM AUGUST 28-OCTOBER 13, AND AGAIN FROM OCTOBER 28-DECEMBER 13, WE WILL ONLY BE RECEIVING POETRY SUBMISSIONS (NO RESTRICTIONS ON THEME, LENGTH, OR STYLE). There is no need to query prior to submitting poetry. Submit up to six (6) poems. Please submit all poems in one (1) file. Pay Rate: $40 per poem.”
    • Subscribers have had all weekend to peruse the September issue of The Practicing Writer. But you can catch up with all of the paying publication opportunities and no-cost competitions listed within by clicking here.
    • Towson University (Md.) is advertising for a tenure-track Assistant Professor of English. “Creative Non-Fiction Writing specialist. Sub-fields may include lyric essay, free-lance writing, editing, prose style, memoir, and/or rhetoric. Candidates must possess a demonstrated commitment to teaching and evidence of an active creative agenda, generally shown by a book or several significant journal publications.”
    • “The English Department, University of Kentucky, seeks a tenure-track assistant professor specializing in Creative Nonfiction. Experience teaching other genres of creative writing, as well as literature courses, is also desirable. Subspecialty in Appalachian literature and culture is also desired.”  If the link doesn’t take you directly to the listing, it will help to know the job requisition number: SM542545. (h/t to Tasha Cotter)
    • “The English Department of Williams College seeks to fill a full-time tenure-track position in Creative Writing (Poetry), beginning in fall 2013. Appointments are normally at the beginning assistant professor level. Requirements include at least one book with a nationally recognized press, as well as evidence of excellence in teaching.”
    • Washington City Paper seeks a City Lights Editor, Ogden Publications (Topeka, Kansas) is looking for an Online Editorial Assistant, and Girls Write Now (New York) is advertising for a Director of Programs.