Killer Meatballs, and Other Food in Lara Vapnyar’s Fiction

Sometimes you just don’t know where the “writing about writing” will show up. Yesterday’s weekly “Dining In” section in the New York Times, for example, featured a front-page piece on Lara Vapnyar and her new story collection, Broccoli and Other Tales of Food and Love.

The article displayed so prominently in the food and wine section includes some good descriptions of how, in these stories, “food has the power to define characters, propel plots, cause riots and even commit manslaughter.” Plus, there’s a snippet about using food in the fiction-writing classroom: When her undergraduates “often turned in work filled with sex and gore,” Vapnyar gave them an assignment “to write about food and how characters responded to it, to teach them how preferences, memories and quirks could make up a personality on the page.” The article quotes her as saying that beginning writers “‘often don’t give their characters enough particulars,'” and that “‘Food is something that readers can understand.'” Good tip. It’s occurred to me more than once that I should probably introduce more food-related elements into my fiction, but for some reason it’s something I don’t tend to do very much. Maybe it has something to do with my own poor cooking skills. Food for thought (sorry!).

To read the full article, click here.

The Wednesday Web Browser: More on "Letting Go," Summer Reads by Debut Authors, and Musings on What Makes a Memoir Publishable

For thoughts on a topic related to yesterday’s post, see Michelle Richmond’s brief comments “On the Joy of Not Finishing What You Started.”
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Here are nine books by debut authors to consider for your summer reading list, courtesy of NPR.
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What makes a memoir publishable? See what you think of agent Jim McCarthy’s take. (Thanks to Tayari for the link.)

The Wednesday Web Browser: Brooklyn, Boston, and a Longtime Obsession

The Brooklyn neighborhood where I spent a chunk of my childhood (and where my dad’s parents lived for more than 40 years) makes absolutely no appearance among “The Brooklyn Literary 100.” It was a decidedly un-“hot” area back then, and for some reason I have to admit that I’m not displeased to see it remain so.
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Chalk it up to human complexity: Despite the foregoing, I’m happy to identify with several of the locations cited in this article on the “literary hot spots” in another place I’ve called home.
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Finally, any of you familiar with some of the “obsessions” that have permeated much of my own writing won’t be surprised to learn that Rachel Shukert’s essay on Nextbook resonates for me. (I’ve now ordered Shukert’s new book, too.)

The Wednesday Web Browser: Toby Press, Poetry Resources, and Styron’s Essays

So glad to see Publishers Weekly bring some attention to one of my favorite “small” presses: Toby Press.
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Thanks to Miriam Herrera for letting me know about the set of poetry resource links she has assembled.
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And after reading yesterday’s NYT review I’ve added William Styron’s Havanas in Camelot to my TBR list. Other practicing writers may well wish to do the same!

The Wednesday Web Browser: Jack London, Sami Rohr Prize, and Postal Rate Increase

I wandered over to 42opus recently (yes, I admit it–I went to log in and check on the status of three poems I submitted in December) and found Jack London’s “To Build a Fire” posted there. I hadn’t read that story for several years, and I have to say that reading it in the midst of a cold snap here helps restore perspective (I won’t be complaining about the weather anytime soon).
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Lucette Lagnado has won the $100,000 2008 Sami Rohr Prize for Jewish Literature. I’ve been meaning to read her prizewinning memoir, The Man in the White Sharkskin Suit: My Family’s Exodus from Old Cairo to the New World. Now I know I have to.
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Lagnado likely won’t feel the pinch of the latest news from the United States Postal Service. That’s right, folks: We’ve got another postal rate increase to look forward to! (Wasn’t it just the other day that the cost of a first-class stamp went up to $.41?) Stock up on those “Forever” stamps while you can. The new rates take effect on May 12.