Setting is not my strong suit. And sensory detail is something I need to work on, too. As I was reminded when I read this opening paragraph to “Bravado,” one of the stories in the new William Trevor collection I referenced last week:
The leaves had begun to fall. All along Sunderland Avenue on the pavement beneath the beech trees there was a sprinkling, not yet the mushy inconvenience they would become when more fell and rain came, which inevitably would be soon. Not many people were about; it was after midnight, almost one o’clock, the widely spaced lampposts casting pools of misty yellow illumination. A man walked his dog in Blenning Road in the same blotchy lamplight, the first of autumn’s leaves gathering there also. An upstairs window opened in Verdun Crescent, hands clapped to dismiss a cat rooting in a flowerbed. A car turned into Sunderland Avenue, its headlights dimmed and then extinguished, its alarm set for the night with a flurry of flashing orange and red. The traffic of the city was a hum that only faintly reached these leisurely streets, the occasional distant shriek of a police siren or an ambulance more urgently disturbing their peace.
And with that beautiful writing, I leave you for the weekend. Have a good one!