As you probably know, we’re now in National Poetry Month. I haven’t been doing a very good job keeping you totally up-to-date, but I’ll hope to remedy my shortcomings somewhat by pointing you to Kelli Russell Agodon’s Big Poetry Giveaway; a special series of poetry-book discussions; celebratory ideas from Sage Cohen, author of Writing the Life Poetic; and plenty of poetry from The Forward‘s “Arty Semite” blog.
And speaking of poetry, here’s a lovely (and short) video that Diane Lockward has put together to acknowledge all of the poets who took place in the recent Girl Talk reading in West Caldwell, N.J. (Yes, yours truly is included.) Thanks, Diane!
Big congrats to Kelley Coyner, who has just landed a gig writing about nonfiction for The Writer’s Center’s First Person Plural blog. Take a look at the inaugural post–Kelley wants to hear from commenters! (And I’m personally grateful to Kelley for letting me know that a tip on this blog led her to this opportunity.)
Erika Dreifus is a reader, writer, and literary advocate whose next book, Birthright: Poems, will be published by Kelsay Books in fall 2019. She is also the editor and publisher of The Practicing Writer, a free (and popular) e-newsletter that features opportunities and resources for fictionists, poets, and writers of creative nonfiction.
A high-ranking Nazi’s wife and a Jewish doctor in prewar Berlin. A Jewish immigrant soldier and the German POWs he is assigned to supervise. A refugee returning to Europe for the first time just as terrorists massacre Israeli athletes at the 1972 Munich Olympics. A son of survivors and the family secrets modern technology may reveal. These are some of the characters and conflicts that emerge in Quiet Americans, in stories that reframe familiar questions about what is right and wrong, remembered and repressed, resolved and unending. Portions of the proceeds from sales of Quiet Americans are being donated to The Blue Card. Quiet Americans has been named a 2012 Sophie Brody Medal Honor Title (American Library Association) and recognized as a “Notable Book” (The Jewish Journal) and “Top Book” (Shelf Unbound).
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