Jewish Literary Links for Shabbat
As I’ve already mentioned on my other blog, I hope that by the time The New York Review of Books publishes the second part of “A Jewish Writer in America,” which reflects a talk originally given by Saul Bellow in 1988, I’ll have been able to digest fully part one.
On the occasion of the release of MetaMaus, Art Spiegelman’s combination book/DVD about the creation of his famous Maus, Ruth Franklin writes: “What MetaMaus makes clear is that Maus, like the works of W.G. Sebald, exists somewhere outside of the genres as they are normally defined: We might call it ‘testimonially based Holocaust representation.’ But no matter what it is called, it gives the lie to the critics of Holocaust literature (as well as certain writers of it) who have insisted that either everything must be true or nothing is true.”
From The Literary Saloon’s M.A. Orthofer: “It’s always fun when literature and politics get mixed up, and Giulio Meotti’s wacky op-ed at Ynet, wondering: ‘Why do most of Israel’s prominent writers go easy on Jewish State’s enemies ?’ — which apparently amounts to Israel’s literary tragedy — is a fine example.” I agree with Orthofer that the argument isn’t handled well. But I’m less “indifferent” to that argument than he is.
New exhibit at the Yiddish Book Center in western Massachusetts: Isaac Bashevis Singer and his Artists. Runs October 16, 2011-February 15, 2012.
Andrew Silow-Carroll highlights an amusing anecdote related in Dwight Garner’s review of the new memoir by author Bruce Jay Friedman.