"How to Write a First Person Essay"

As you might have gleaned from some of the “other links” listed to the right (“Intellectual Affairs” and “Ms. Mentor,” for instance), I have an abiding interest in and affection for good writing–including humorous writing–about academia. So I laughed out loud a few times while reading Miriam Elizabeth Burstein’s “How to Write a First Person Essay” in the Chronicle of Higher Education‘s Careers section. Warning: you have to know the Careers section’s “First Person” essays (which I also tend to like a lot) to get the full benefit.

From Our Newsletter

Yesterday the newest issue of “The Practicing Writer,” our free monthly newsletter for fictionists, poets, and creative nonfiction writers, went out to our subscribers. As usual, this issue includes plenty of submission calls, contest announcements, and more (including many items not previously listed here at the blog).

Each newsletter issue also contains a feature article. Below you’ll find the one included in this issue, written to complement the recent publication of our newest resource guide, WRITERS’ MARKETS: Where to Sell What You Write When You Write About Writing. (UPDATE, July 19, 2007: This e-book is no longer available.)

Hope you enjoy this look into our newsletter! If you want to read past issues/articles, they’re archived (for subscribers only) here.

WRITING ON WRITING: 10 WAYS TO WRITE WHAT YOU KNOW BEST

by Erika Dreifus

If there’s one subject practicing writers know, it’s writing. And for those who’d like to convert this expertise into paid publication, opportunities abound. Not sure what I mean? Consider these 10 types of “writing on writing”:

1. Craft/”how-to” articles. Instructional pieces form the proverbial meat-and-potatoes of many, if not most, writing magazines and newsletters. You’ll need some genuine expertise here. Don’t try to tell other people how to write a (presumably publishable) short story if you’ve never completed one yourself. Don’t offer tips on book promotion if you’ve never promoted a book.

2. Market updates/profiles. These articles, often including information for those who want to break in to a specific niche, are also staples of many writing publications. I’ve written about literary magazines, alumni magazines, family history magazines, and more.

3. Essays on “the writing life.” If you have something new to say–something other than a familiar story about rejection, for instance–try some of the writing magazines that look for these pieces. (Humor is often a plus.)

4. Poems on “the writing life.” Yes, it’s true. Some publications actually do seek poetry specifically about writing. Again, better to “make it new,” as Ezra Pound advised.

5. Interviews/Profiles. Think outside the box here. Writing magazines publish interviews with agents and editors as well as with poets and writers. Find out where a writer went to college–the alumni magazine may well be interested in a profile. Where does the writer live? Look into the relevant city/regional magazines.

6. Literary travel pieces. You can pitch some writing magazines with these, but don’t forget travel publications, including newspaper travel sections.

7. Literary education pieces and/or reading lists. Time these to coincide with National Poetry Month (April, in the United States and Canada); National Book Month (October); Back-to School, etc.

8. Book reviews. Write about books on writing and/or writers’ memoirs. Don’t limit yourself to writing-focused publications for placements here. A memoir, in particular, may hold wide appeal for a general readership. (For more book review markets, consult our own Directory of Paying Markets for Book Reviewers).

9. College/Career Columns. Don’t forget that writing is a part of academic life. I once sold an article to a publication for college students advising collegians how to negotiate the senior thesis-writing process. I sold another article to a parenting publication advising parents on seeing their kids through the college application essay process. And while it may not be easy to remember during breaks between paychecks and publications, writing is a career option, and it’s one others want to know about.

10. Op-eds. Writers can (and have) opined, frequently in major newspapers and magazines, on everything from the writing section of the new SAT to the qualities that should define a memoir.

So go ahead, fellow writers. Write on.

© Copyright 2006 Erika Dreifus. All rights reserved.

Bio: In addition to her fiction and her other freelance work, Erika Dreifus has published more than 150 writing-related articles, essays, interviews, op-eds, and book reviews since 2003 in The Writer, Writer’s Digest, Poets & Writers, and many other print and online publications. Visit her Web site and/or her blog for much more writing advice and commentary.

This article may be freely reprinted provided it is unchanged and is reprinted in its entirety, from title through bio. Please send a courtesy reprint to erikadrei-at-yahoo-dot-com. Thank you!

Chicken Soup for the Shopper’s Soul

The deadline’s approaching fast (February 28) for submissions to Chicken Soup for the Shopper’s Soul. Writers of (nonfiction) stories accepted for final publication may choose between a $200 payment or 16 complimentary copies of the volume (per story published). Payment for published poems will be $50, on publication. For more terms and submission instructions, see the announcement.

Call for Essays: Greece, A Love Story

This call just arrived in my e-mailbox yesterday from Camille Cusumano. She’s editing a new volume titled Greece, A Love Story: Women Write About the Greek Experience. Like preceding volumes (on France, Italy, and Mexico), this one will be published by Seal Press. Here’s the info (which you can also find here):

CALL FOR SUBMISSIONS:
GREECE, A LOVE STORY
Women Write About the Greek Experience

Slated for Spring 2007

Greece evokes a richly embroidered tapestry of images, from old monuments rife with history to idyllic isles of glass-blue sea and blinding white stucco dwellings. The ancient Greeks, as well as the contemporary, permeate our Western culture with the unparalleled gifts of beauty and wisdom they left behind: classical literature, mythology, philosophy, rhetoric; a mind-stirring history and civilization; and a language that is musical and expressive of emotions/ideas not reflected in other languages. Vestiges of their artistic genius are huge and imposing: Greek temples, marvels of architecture such as Athens’s Parthenon and Acropolis, gracefully sculptured statues, delicate pottery. Greece, it is said, is where “art became inseparable from life.”

We are looking for twenty to thirty essays to fill this collection on the Greece that lies behind postcards. We would like personal stories that go beyond the practical travel guide and that embrace more “literary” travel writing, from writers who have been deeply affected by the country. Writers will demonstrate that they have had some kind of love affair with the country, whether with its people, cities, islands, food, history, art, or culture.

For examples of the various styles of writing that will work for this collection, see essays in the books already published in the “Love Story” series—on France, Italy, and Mexico. As with these anthologies, Greece, A Love Story will embrace every angle of love—whether of place, people, food, culture, or art—and the stories will capture the experience that changes, teaches, enlightens the author-and by extension the reader.

We are looking for strong narratives, excellent first-person writing, good storytelling, and diverse voices. Personal style and humor are encouraged.

EDITOR: Camille Cusumano was an editor at VIA Magazine in San Francisco for 17 years. She is the author of many food and travel articles and several books and the editor of France, A Love Story, Italy, A Love Story, and Mexico, A Love Story.

PUBLISHER: Seal Press, an imprint of Avalon Publishing Group, Inc.

DEADLINE: May 1, 2006

LENGTH: 2,500 to 5,000 words

FORMAT: Essays must be typed, double-spaced, and paginated. Please include your address, phone number, email address, and a short bio on the last page.

SUBMITTING: Electronic submissions are preferred. Send essay electronically as a Word or Rich Text Format file (with .doc or .rtf extension) to CAMILLE CUSUMANO at ocaramia@earthlink.net. Put GREECE A LOVE STORY in the subject line. If email is not possible, mail the essay to CAMILLE CUSUMANO, Seal Press, c/o Denise Silva, 1400 65th Street, Suite 250, Emeryville, CA 94608. Please direct any inquiries to ocaramia@earthlink.net.

PAYMENT: $100

REPLY: Editor cannot reply to every submission personally. Please allow until July 31, 2006, for a response. If you haven’t received a response by then, please assume your essay has not been selected.

Go (Write) Wild!

You have until March 15, 2006, to submit a (previously unpublished) essay to the Second Annual Wild Iowa Essay Project, which “encourages thoughtful, effective writing about the wild in Iowa. The Project is not a contest so much as an organized opportunity to inspire people of all ages to think and write about what the wild is and could be in Iowa.”

According to the essay and submission guidelines (which you of course need to read in full), entries should address “one or more of the following questions. Authors are encouraged to use specific examples and personal experiences.

*What does/should ‘wildness’ mean to Iowans?
*How have we moved away from the wild in Iowa, and what harm has that caused?
*Where does the wild still exist in Iowa now?
*How can Iowans ‘rewild’?
*What would a ‘wilder Iowa’ look like?”

Note that there are two submission categories, “Youth” and “Adult.” Entries “may be in any prose essay form, ranging from expository to creative nonfiction.” Word limit: 3,000 words.

Selected essays will win cash awards “of up to $300.” Winning essays that are submitted electronically will be published on the Wild Iowa Essay Project website. There’s no entry fee.