Wednesday’s Work-in-Progress: The Inspiration of “The Year of Living Autobiographically”

TomHopA couple of days ago, a good friend who is also a writer emailed me to check in on things. The message included an inquiry about what I’m writing these days. I didn’t feel as though I had a whole lot to report (although I do have a cluster of interesting freelance assignments on my to-do list). Instead, I mentioned in my response that I’ve been doing a lot of reading lately, and that I’ve found this reading even more inspiring than usual. As an example, I referenced a book that those of you who follow me on Twitter or Goodreads may recall my mentioning: Ayelet Tsabari’s The Best Place on Earth.

But there’s another book that I want to cite here. You won’t find it on Amazon or Goodreads or IndieBound. Not yet, anyway. Its title is The Year of Living Autobiographically, and its author is Thomas Israel Hopkins. (more…)

Wednesday’s Work-in-Progress: Quarterly Contributions, Yom HaShoah, and Recent Reviews

BlueCardAs I mentioned not too long ago, my book of short stories, Quiet Americans, has been out in the world for a little over two years. And at the end of every quarter, I offer a financial contribution based on recent sales to The Blue Card, an organization that supports survivors of Nazi persecution. Within the next week, Q1 for 2013 will draw to a close; if you’ve been meaning to purchase a copy of the book, now would be an especially meaningful time to do so, with Yom HaShoah (Holocaust Remembrance Day) coming up on April 7-8.

I continue to be surprised (and deeply moved) by the reviews that readers share online after they read Quiet Americans. Most recently, on Goodreads, I’ve discovered these assessments:

Normally I dismiss short story collections because they do not allow me to become involved in the characters and the plot. Quiet Americans was different. All the stories revolved around the individuals and families coping with life before, during, and after the Holocaust. The characters were real, multi-dimensional, and the stories moving. Like others, I look forward to reading more from this author.

A powerful collection of short stories. While each vignette stands on its own, they all form a cohesive, striking portrait spanning several generations. Characters, like Dr. Weldmann, are faced with crucial decisions: to speak out or to stay silent. Dreifus’s narrators may vary in point of view but they never fail to draw us in quickly. The narrator of “Matrilineal Descent” breaks through that fourth wall to speak to its readers who, like the narrator, may have researched their ancestors only to find indeterminate statements “für tot erklärkt seit..” Refreshing to pick up a book by a young US writer with a gift not only for English but for other languages. I look forward to Ms. Dreifus’s next book.

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(The penultimate line of that second review held extra meaning for me given what some of you may remember I encountered as an MFA student.)

In any case, as another quarter closes, and another Yom HaShoah approaches, I remain infinitely grateful for the support that Quiet Americans continues to garner. Thank you all so very much!

Wednesday’s Work-in-Progress: The GSI Book/Film Discussion Group

GSISince I’ve long been interested in books (and to a lesser extent, films) about the Holocaust (also known as the Shoah), I jumped right in when the Generations of the Shoah International (GSI) launched an online book/film discussion group. The group was established in late 2011, with the purpose of fostering conversation between members of the GSI community (mainly descendants of Holocaust survivors) on books and films created by members of said community. Every month, discussion alternates between books and films. As the group’s welcome message notes: “This is also an opportunity for members of the Shoah survivor community to speak with those who are just learning about the Holocaust. Educators and students participating might greatly benefit from all our experiences and insights. Book groups from churches or secular organizations may be participating….[A]ll who want to interact and learn are welcome.”

I’ve appreciated the opportunity to ask questions as a reader/viewer. For the month of March, I’m taking on a slightly different role: I’m the featured guest! Although I was asked to participate in this discussion as the author of Quiet Americans: Stories, I’m equally open to discussing all kinds of Holocaust literature, especially literature written by other grandchildren of refugees/survivors (“3G” authors).

I’ll be there all month, so if you want to stop by, please join us! (If you have any difficulty accessing the group, please ask the moderator for assistance.)

Wednesday’s Work-in-Progress: Paying for My MediaBistro AvantGuild Membership (Many Times Over)

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I don’t know how many of you have purchased MediaBistro AvantGuild memberships or have considered doing so. I bought a membership a number of years ago, and then let it lapse—until last year, when, determined to build up my freelance practice, I renewed it.

In fact, I purchased a two-year membership (I’m one of those consumers more likely to fall for the discounts offered for long-term commitments!). And late last week, I received a contract—for a personal essay—that will pay for that extended membership multiple times over. (more…)

Wednesday’s Work-in-Progress: My “Well Versed” Debut

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Two weeks ago, I attended a panel event, held at the Center for Jewish History here in Manhattan, that helped launch a new book, Holocaust Literature: A History and Guide. And last Friday, my account of that event was posted on the “Well Versed” blog of The Jewish Week, a New York-based newspaper that I subscribe to.

It’s my debut post for Well Versed, and I hope it signals many to come–and perhaps even some bylines within the paper itself. We shall see.

Meantime, here’s the opening of the post:

Definitions can be tricky. Just try to find agreement on what qualifies (or not) as “Jewish literature.”
Perhaps equally arguable: any effort to define “Holocaust literature.”

In their new book, “Holocaust Literature: A History and Guide” (Brandeis University Press), David Roskies and Naomi Diamant propose some striking new terms.

Intrigued? Please keep reading!

(cross-posted on My Machberet)