Ever since my story collection Quiet Americans was published in January 2011, I’ve been offering quarterly contributions based on recent sales to The Blue Card, an organization that provides assistance to U.S.-based survivors of Nazi persecution and their families. This quarter, the amount was quite small, but thankfully, some people are still buying the book! Continue reading ›
My blogging time with Poetry Has Value may have reached its end, but that doesn’t mean I can’t continue to share my poetry submission stats with you. So here’s the report for the month of April.
First, a prelude: I’m sorry to say that despite my most noble intentions, National Poetry Month was a generative bust for me. (I think I drafted just two new poems.)
Also, if you’re new to these posts, it may be helpful for you to know that I work very hard to submit my work mainly to paying venues that don’t charge fees for journal/website publication. If you’re similarly looking for paying calls and contests that don’t charge submission fees, you’re always welcome to check my monthly newsletter (and with my weekly “Monday Markets” posts on this blog). And if you’d like to know more about how, generally speaking, I choose where to send my work, this Literary Hub essay remains a good standby.
I was elated when, last November, Cathryn Hankla accepted my poem “Fighting Words” for The Hollins Critic.
But I had no idea when, exactly, the poem would be published. So it was a nice surprise to arrive home the other day and discover a thick envelope containing a set of contributor copies. (And, yes, a check!)
Something This Writer Has in Common with Prince Harry
ICYMI: Britain’s Prince Harry recently made his podcast debut. (He did so as part of an ongoing collaboration with his brother and his sister-in-law—aka the Duke and Duchess of Cambridge—to promote mental health and de-stigmatize the subject; I applaud all that they’re doing.)
As it happens, I’ll be making my own first podcast appearance soon enough! Continue reading ›
Many meaningful words were shared by my fellow panelists at last Thursday’s “Memory Transferred: Voices from the Descendants of Destruction and Displacement,” an event held at the United States Holocaust Memorial Museum. I’m proud to present this video from the evening.
Like thousands of other writers, I journeyed to our nation’s capital this past week for the latest gathering of the Association of Writers & Writing Programs (AWP). And, I suspect also like many others, I’m still “processing” those days.
One definite highlight for me, however, was Thursday evening’s “off-site” event at the United States Holocaust Memorial Museum. (Fun fact: This panel event originated as an AWP session proposal. Which AWP rejected. Just another reminder that rejection doesn’t necessarily signal “the end.”)
I’m waiting for the video of “Memory Transferred: Voices from the Descendants of Destruction and Displacement” to be posted to the Museum’s YouTube channel. In the meantime, though, I can share one of the event’s photos. Continue reading ›
Erika Dreifus is the author of Quiet Americans: Stories (Last Light Studio), which is an ALA Sophie Brody Medal Honor Title for outstanding Jewish literature. Quiet Americans was also named a Notable Book (The Jewish Journal) and a Top Small-Press Book (Shelf Unbound). Erika is a contributing editor for Fiction Writers Review and an advisory board member for J Journal: New Writing on Justice, and she wrote the section on “Choosing a Low-Residency MFA Program in Creative Writing” for the second edition of Tom Kealey’s Creative Writing MFA Handbook (Continuum, 2008). Erika is also the editor/publisher of The Practicing Writer, a free (and popular) e-newsletter featuring advice, opportunities, and resources on the craft and business of writing for fictionists, poets, and writers of creative nonfiction.
For nearly seven years, subscribers have welcomed The Practicing Writer, a free monthly e-newsletter that helps fiction writers, poets, and writers of creative nonfiction with their craft and business. Always listing paying publication opportunities, always announcing contests and other opportunities that don’t charge entry/application fees. Click here [HYPERLINK TO http://www.erikadreifus.com/newsletter/ ) to learn more, click here [HYPERLINK TO http://www.erikadreifus.com/newsletter/current/) to read the latest issue online, or go ahead and subscribe right now (and get a free writing-contest guide!).