Wednesday’s Work-in-Progress: How Some People Get to Write

Where most of us seem to agree:  coffee helps.
Where most of us seem to agree: coffee helps.

During the past week, an item from The New Yorker‘s “Page Turner” blog lit up the writerly Internet. Everywhere I looked, it seemed that people were admiring, sharing, and otherwise recommending Roxana Robinson’s “How I Get to Write,” which details the routine that the author follows to bridge that gap each morning between awakening and reaching the moment when she “start[s] in, tapping at the keyboard.”

But in some venues–a listserv for freelance writers, a Facebook discussion–I noticed that a few people were commenting that Robinson’s routine, while idyllic, sounded highly impractical. Some noted that their partners wouldn’t be as accommodating as Robinson’s husband is to the habit of “avoid[ing] conversation.” Others observed that while Robinson can focus on simply preparing her own morning coffee, many other people have children (and even pets) to feed and prepare for the day. For my part, I was acutely conscious of the absence of any mention of a need to leave the house and commute to a 9-5 job where writing fiction certainly wasn’t part of the position description.

To be sure, Robinson wasn’t necessarily prescribing a routine that the rest of us writers can (or should) follow. At some point, I think, we all realize that we need to find our own paths, even if others’ examples may prove to be illustrative. Personally, I appreciate knowing about others’ paths–sometimes. I’m simply not that interested in “how I write” accounts from those who seem to have few obligations beyond their own pages, or who are blessed with reliably ample chunks of time to structure as they choose more days of the week than not (yes, I’m talking to you, professors who teach one or two workshops each semester, and whose own writing, moreover, is considered part of the research/scholarship component of your college or university appointment).

Much for instructive, for me, is a piece like another one I read this past week. (more…)

Monday Markets for Writers

Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write, especially those of us who write fiction, poetry, and creative nonfiction.

  • Attention, Canadian poets! “The Arc Poetry Soci­ety is seek­ing pro­pos­als for the pos­i­tion of Poet-in-Residence. The 2013/2014 pro­gram will rep­res­ent Arc’s 4th vir­tual res­id­ency; Tim Bowl­ing is cur­rently filling the pos­i­tion. This is a vir­tual res­id­ency, so the Poet in Res­id­ence will not be required to relocate.” Pays: “The con­tract fee for the poet in res­id­ence will be $9,000 (sub­ject to con­firm­a­tion of fund­ing), which will be paid on a monthly basis. Stand­ard writer’s fee rates will apply for pub­lic­a­tion in Arc.” No application fee. Deadline: February 15, 2013.
  • Speaking of poetry: The University of Iowa’s International Writing Program “is proud to present an online, seven-week poetry writing course this February. The course will include seven live online sessions and will be conducted via virtual classroom software. The course is free of charge and all sessions will be conducted in English.” Participation will be limited to fifteen writers, and international writers “are encouraged to apply.” Deadline: January 28, 2013.
  • Bronx residents: Applications for the BRIO (Bronx Recognizes Its Own) Awards are now available. These awards “provide direct support to individual Bronx artists who create literary, media, visual, and performing works of art. 25 BRIO grants of $3,000 each are awarded to Bronx artists. BRIO award winners complete a one-time public service activity.” There is no application fee. Deadline is Friday, January 25, 2013.
  • The River Teeth Nonfiction Conference “is offering four scholarships to students currently enrolled in writing programs (graduate or undergraduate). Registration fees will be waived for the recipients of the scholarships. All other expenses (travel, room, board) are the responsibility of the scholarship recipient.” Apply by March 1.
  • From Carol Tice, of the “Make a Living Writing” blog fame: “[M]y guest-post well is nearly dry, so it’s a good time to pitch me ideas. For those who don’t know, I pay $50 a post (and it’s pretty competitive to get an assignment, so bring your best idea we haven’t covered before!) Read my guidelines first, if you want a chance at getting a post approved.” (NB: I’ve had the good fortune to guest-post for Carol, and I recommend the experience highly!)
  • From My Bookshelf: Given Away, by Jennifer Barber

    Given AwayMy e-mailbox recently offered a lovely surprise: a message from Jennifer Barber, whose name was familiar to me from Salamander, the fine literary journal that she edits from Suffolk University in Boston. She was writing to let me know about her latest poetry collection, Given Away, which was published by Kore Press, and to offer me a complimentary copy, which I gladly accepted.

    The book’s cover bears a blurb from Vijay Seshadri, describing Given Away as a collection of “beautiful and rigorous poems.” I’d agree. I can’t help sensing that I should reread this book many times, that I haven’t even begun to absorb the deep meanings embedded in these challenging pieces.

    Some of the poems that have gripped me most strongly are those with fairly clear Jewish connections. Take, for example, “nefesh,” which was also published in Harvard Divinity Bulletin. Or “A Poet of Medieval Spain,” which appeared first Cerise Press. In a note, Barber explains that this poem “draws on Peter Cole’s anthology The Dream of the Poem: Hebrew Poetry from Muslim and Christian Spain, 950-1492 (Princeton: Princeton University Press, 2007) to imagine an anonymous poet of 12th century Andalusia.”

    I’m grateful to Jennifer Barber for offering me this introduction to her work (and for the especially generous inclusion of a sample copy of Salamander in the package she mailed to me). I look forward to spending even more time with her poems.

    Friday Finds for Writers

    Treasure ChestA collection of writing-related resources, news, and reflections to read over the weekend.

  • “Many first manuscript attempts are not publishable, even after revision, yet they are necessary and vital for a writer’s growth.” That’s my favorite line in Jane Friedman’s “How Long Should You Keep Trying to Get Published?”
  • On The Artist’s Road, Patrick Ross has been sharing lots of “nuggets” from his latest residency in the Vermont College of Fine Arts MFA program.
  • Susan Shapiro explains why, over a long teaching career, she has made “the humiliation essay” her “signature assignment.”
  • Wondering what an Intro to Creative Writing course might be like? Check out the course syllabus for the students lucky enough to study with Salvatore Pane at the University of Indianapolis this spring.
  • Weekend listening: I’m going to conserve some time this weekend to listen to this fiction podcast from The New Yorker: Tony Earley reads William Maxwell’s “Love.” Plus, a conversation between Earley and The New Yorker‘s fiction editor, Deborah Treisman.
  • Happy weekend, all. See you back here on Monday.

    Jewish Literary Links for Shabbat

    Photo Credit: Reut Miryam Cohen
    Every Friday morning My Machberet presents an assortment of Jewish news, primarily of the literary variety, from around the Web.

  • Yiddish Book Center Fellow Jordan Kutzik reports on a recent UNESCO symposium, “The Permanence of Yiddish,” in Paris.
  • Over on Jewish Ideas Daily, D.G. Myers reviews the year just past in Jewish books.
  • Clever review of Oy! Only Six? Why Not More? Six-Word Memoirs on Jewish Life (I’m a proud contributor).
  • Something unexpected happened when Vanessa Hidary (“the Hebrew Mamita”) asked a pop-up bookstore at Limmud to stock her memoir.
  • Last, but not least: first issue of Gandy Dancer, a new literary journal based at SUNY-Geneseo, features an interview with me about Quiet Americans.
  • Shabbat shalom.