Quotation of the Week: Dinty W. Moore

“You work with what is given to you. You arrange the puzzle pieces taken from the nonfiction box without reaching over into the fiction box, as tempting as it may be. You do your best to pull up honest memory. Though we know memory’s weakness, at least don’t lie about what you think you remember. When you are not sure, you tell the reader. When you want to change something, explore why you want to change it. Fiction approaches a certain sort of truth, and thank goodness we have fiction, but it is not the same truth that nonfiction attempts. Know the difference. As a nonfiction writer, you will surely make mistakes, get things wrong, remember poorly, but to do it knowingly, that’s crossing the line.”

Source: Dinty W. Moore, “What is Given: Against Knowingly Changing the Truth,” part of a worthy exchange with Jill Talbot on the Brevity blog.

Monday Markets/Jobs/Opportunities for Writers

Every week, I try to start us off with a fresh batch of markets, jobs, and opportunities. Always paying gigs. No submission fees. Let’s get started with this week’s offerings.

  • From Mason’s Road: “For our upcoming issue, the theme is characterization. We are looking for submissions in which characters’ voices, behaviors, and thoughts resonate and shine. While we always aim to publish the very best work that we receive, our genre editors will sift through their selections from Issue #5: Characterization to nominate their favorite for the $1,000 2012 Mason’s Road Literary Award. A special guest judge (TBA) will select the prize winner from these nominations. We have a blind submissions policy and accept work in fiction, poetry, creative non-fiction, drama (stage or screen), art, craft essays, and audio drama from both emerging and established writers and artists.” Deadline: May 15, 2012.
  • Ashland Creek Press is currently accepting submissions of novels, memoirs, short story collections, and essay collections on the themes of travel, the environment, ecology, and wildlife — above all, we’re looking for exceptional, well-written, engaging stories. As you’ll see from our new and forthcoming titles, we are open to many genres (young adult, mystery, literary fiction) as long as the stories are relevant to the themes listed above. At this time, however, we are not reading submissions for children’s books.
  • The Dave Greber Freelance Writers Book and Magazine Awards are for Canadian residents who work a minimum of 70 percent of their time as self-employed freelance writers. “As of 2012, the book award is valued at five thousand dollars and the magazine award is valued at two thousand dollars. Both awards are made available to freelance writers of non-fiction for social justice writing that is exceptionally well written and researched. The Book and Magazine awards provide financial support while the writer completes a book or magazine project for publication.” No entry fees indicated. Deadline: June 15, 2012.
  • The Paris Review wishes to hire a full-time assistant for our editorial, advertising, and development staffs. Responsibilities include, but are not limited to: managing social networks, updating Web store, formatting and proofreading Web site, and producing newsletters. Candidates should have experience with Google Analytics, HTML, WordPress, and Excel. Experience with InDesign and SalesForce (or other fund-raising programs) a plus. In addition, candidates should have strong writing skills, an interest in the arts, lots of energy and enthusiasm, and the ability to do many things very well at once.” Job is in NYC.
  • Intriguing freelance opportunity for those in the right cities: “The American Association for the Advancement of Science (AAAS) seeks a San Francisco, Los Angeles and Boston-based freelance writer to write profiles for our member site http://membercentral.aaas.org. Please have experience writing profiles and science content for a broad audience. A background or degree in journalism is preferred. A degree in science with proven writing skills will also be considered. We pay $.75/word at a maximum length of 800 words. You are required to submit a high-res digital photo (good enough for web publication) of the profile subject with your story. We pay $5 for every photo you take that we publish with the story. We accept but don’t pay for photos the profile subject gives you/us permission to use.”
  • “The University of Houston-Victoria invites applications for the position of Writer-in-Residence in the School of Arts and Sciences. The individual must have a strong publication record in creative non-fiction and be able to help us grow our Creative Writing major as well as establish a low-residency MFA. Teaching duties will include upper-division courses in creative nonfiction as well as introductory Creative Writing classes.  The School of Arts and Sciences is home to the Society for Critical Exchange, Cuneiform Press, Centro Victoria, and two internationally distributed journals: American Book Review (http://americanbookreview.org) and symploke (www.symploke.org).”
  • Iraq and Afghanistan Veterans of America (New York) is looking for a Communications Coordinator, Infectious Diseases Society of America (Arlington, Va.) seeks a Senior Communications Specialist, and Sarabande Books, Inc., (Louisville, Ky.) is taking applications for a Director of Marketing and Development.
  • Friday Find: Emily Barton’s Advice for Writers

    MFA advice! Publishing advice! Jobs advice! “General Words of Wisdom.” You’ll find it all on Emily Barton’s website. Emily is a novelist and writing professor, and she knows her stuff. Check out her website’s excellent “advice for writers” page, freshly updated to address “How Can I Improve My Chances of Being Accepted to an Undergraduate Workshop?” and “How Do I Ask a Professor for a Letter of Reference?”.

    Have a good weekend, everyone. See you back here on Monday.

    Thursday’s Work in Progress: Remembrance Day

    Today is Yom HaShoah, otherwise known as Holocaust Remembrance Day. And since my collection of short stories, Quiet Americans, is so connected to the Holocaust and its reverberations, this week has brought additional opportunities to focus on the very real history, global and familial, behind the book.

    Last Sunday, I was invited to speak with the members of the City Congregation for Humanistic Judaism here in New York. The title of my talk was “My German-Jewish Grandparents and Third-Generation Preoccupations: History, Healing, and Happily Ever After?” I assembled a presentation that included brief readings from three of the stories in my book. The group was fabulous–full of people with their own related family stories and thoughtful questions/reflections. I’m so grateful to Ellen Meeropol for bringing Quiet Americans to the attention of Rabbi Peter Schweitzer, and to Rabbi Peter for the invitation to speak. (I also want to thank him for the generous shout-out that he gave My Machberet, which is the blog that I maintain to focus on matters of specifically Jewish literary [and cultural and political] interest.)

    Next Monday, I’ll have the privilege of visiting with a class at Baruch College. The course is titled “Representing the Holocaust.” I have to admit that it’s a bit overwhelming to see my name on a syllabus alongside those of Saul Friedlander, Aharon Appelfeld, Charlotte Delbo, Primo Levi, Cynthia Ozick, Deborah Lipstadt and others. The class will have read two of the stories in my book: “Lebensraum” and “The Quiet American, Or How to Be a Good Guest.” This will be my first visit with a college group, and I’m so eager to hear what the students have to say.

    It seems appropriate to take a moment today to thank all of you who have already supported Quiet Americans with purchases. As you may know, I’m making quarterly donations based on the book sales to The Blue Card, which supports U.S.-based survivors of Nazi persecution and their families. Since the book was released last January, your purchases have allowed me to donate $845. And I thank you for that.

    I’d love to break the $1,000 mark sooner rather than later (and to keep going from there). Every sale counts, so anything you can do to encourage friends, family members, book groups, librarians, and anyone else to help make that possible–even simply sharing this post on Twitter or Facebook–will be deeply appreciated. Especially today.

    The Wednesday Web Browser for Writers

    Midweek means that it’s time for me to share with you a few of this week’s online discoveries (so far!).

  • Let’s begin with an issue that is – ahem – not unfamiliar to me: the question of whether writers should discuss politics online, as raised by Tracy Hahn-Burkett for Beyond the Margins. (Oh, so complicated!)
  • On a not-unrelated note: If you haven’t yet read it, I’ve shared some views (and posed some questions) concerning “Günter Grass, My Book & Me” over on my other blog.
  • Any of you taking part in Robert Lee Brewer’s April Platform Challenge? I’ve been following along. It’s thanks to that challenge that you can now subscribe to Practicing Writing (and to the aforementioned “other blog,” My Machberet) by email. Just look to the right side of the screen for the nifty subscription boxes.
  • A few choice writing lessons from Constance Hale, on The New York Times Opinionator blog.
  • In case you haven’t heard, Fiction lost out big time at the Pulitzers this week. For those of us who don’t know much about how winners are chosen, Laura Miller provides some information.