Paying Fiction Markets

I’ve recently discovered Duotrope’s Digest of Fiction Fields, an excellent (and currently free) source of information on paying fiction markets.

Now that I’ve had a little time to explore the Duotrope site, and have determined that it’s pretty thorough (and unbeatably timely) with its information, I can’t really see a good reason to keep selling our own e-book guide to paying short story markets. So as of today, that e-book (just updated last month) is going to be available at no charge here.

I hope you find it helpful–I think it does include at least a few markets you still won’t find at Duotrope. And if I ever feel there’s a real need for our e-book to come back in a new life, I will let you know!

Political Poetry

“Political fiction” is something many American writers (and readers) try to stay away from. But poets and poetry generally have more latitude to deal with “political” content and express “political” messages.

Or do they? Apparently some people doubt the very presence of political poetry in this country. Robert Pinsky’s latest Poet’s Choice column discusses “political poetry.”

Vintage Trevor

Not sure how long this story will be online, but if you’re looking for something to read this weekend consider checking out William Trevor’s short story, “The Afternoon,” in The New Yorker.

He’s a magician, that one. Especially when it comes to point of view.

Avoiding Plagiarism

All the recent focus on (possible) plagiarism in the work of a certain young writer has reminded me of an excellent book I reviewed little over a year ago. See my Community College Week review of Charles Lipson’s Doing Honest Work in College: How to Prepare Citations, Avoid Plagiarism, and Achieve Real Academic Success (University of Chicago Press), subsequently posted at Lipson’s Web site.

Lipson also provides many useful links to resources to help writers and teachers do honest work.

From Our Newsletter

Yesterday the newest issue of “The Practicing Writer,” our free monthly newsletter for fictionists, poets, and creative nonfiction writers, went out to our subscribers. As usual, this issue includes plenty of submission calls, contest announcements, and more (including many items not previously listed here at the blog).

Each newsletter issue also contains a feature article. Below you’ll find the one included in this issue, written to complement the recent publication of our newest resource guide, WRITERS’ MARKETS: Where to Sell What You Write When You Write About Writing. (UPDATE, July 19, 2007: This e-book is no longer available.)

Hope you enjoy this look into our newsletter! If you want to read past issues/articles, they’re archived (for subscribers only) here.

WRITING ON WRITING: 10 WAYS TO WRITE WHAT YOU KNOW BEST

by Erika Dreifus

If there’s one subject practicing writers know, it’s writing. And for those who’d like to convert this expertise into paid publication, opportunities abound. Not sure what I mean? Consider these 10 types of “writing on writing”:

1. Craft/”how-to” articles. Instructional pieces form the proverbial meat-and-potatoes of many, if not most, writing magazines and newsletters. You’ll need some genuine expertise here. Don’t try to tell other people how to write a (presumably publishable) short story if you’ve never completed one yourself. Don’t offer tips on book promotion if you’ve never promoted a book.

2. Market updates/profiles. These articles, often including information for those who want to break in to a specific niche, are also staples of many writing publications. I’ve written about literary magazines, alumni magazines, family history magazines, and more.

3. Essays on “the writing life.” If you have something new to say–something other than a familiar story about rejection, for instance–try some of the writing magazines that look for these pieces. (Humor is often a plus.)

4. Poems on “the writing life.” Yes, it’s true. Some publications actually do seek poetry specifically about writing. Again, better to “make it new,” as Ezra Pound advised.

5. Interviews/Profiles. Think outside the box here. Writing magazines publish interviews with agents and editors as well as with poets and writers. Find out where a writer went to college–the alumni magazine may well be interested in a profile. Where does the writer live? Look into the relevant city/regional magazines.

6. Literary travel pieces. You can pitch some writing magazines with these, but don’t forget travel publications, including newspaper travel sections.

7. Literary education pieces and/or reading lists. Time these to coincide with National Poetry Month (April, in the United States and Canada); National Book Month (October); Back-to School, etc.

8. Book reviews. Write about books on writing and/or writers’ memoirs. Don’t limit yourself to writing-focused publications for placements here. A memoir, in particular, may hold wide appeal for a general readership. (For more book review markets, consult our own Directory of Paying Markets for Book Reviewers).

9. College/Career Columns. Don’t forget that writing is a part of academic life. I once sold an article to a publication for college students advising collegians how to negotiate the senior thesis-writing process. I sold another article to a parenting publication advising parents on seeing their kids through the college application essay process. And while it may not be easy to remember during breaks between paychecks and publications, writing is a career option, and it’s one others want to know about.

10. Op-eds. Writers can (and have) opined, frequently in major newspapers and magazines, on everything from the writing section of the new SAT to the qualities that should define a memoir.

So go ahead, fellow writers. Write on.

© Copyright 2006 Erika Dreifus. All rights reserved.

Bio: In addition to her fiction and her other freelance work, Erika Dreifus has published more than 150 writing-related articles, essays, interviews, op-eds, and book reviews since 2003 in The Writer, Writer’s Digest, Poets & Writers, and many other print and online publications. Visit her Web site and/or her blog for much more writing advice and commentary.

This article may be freely reprinted provided it is unchanged and is reprinted in its entirety, from title through bio. Please send a courtesy reprint to erikadrei-at-yahoo-dot-com. Thank you!