The Wednesday Web Browser for Writers

  • Looking for a way to to develop your characters? Check out Sarah Salway’s 100-question character interview.
  • Yesterday was Edith Wharton’s birthday, and David Abrams wrote a post rendering homage.
  • Literary tourism, through Daniel Nester’s eyes.
  • Great advice from Diane Lockward on “the right time” to submit your poetry. (Not sure why the link keeps taking me to comments; please scroll up to read the full post.)
  • Some tips on deciding your story’s destiny: memoir or fiction.
  • Lots of Publishers Weekly‘s content is hidden behind a paywall, but if you’re looking for forthcoming titles to consider for your reviewing practice, you may want to look through these online announcements for the spring 2012 season.
  • The 2012 Virginia Festival of the Book schedule has been posted. (I’ll be there–will you?)
  • And in case you haven’t heard: My story collection, Quiet Americans, was just named a 2012 Sophie Brody Medal Honor Title. Details here.
  • Monday Markets, Jobs & Opportunities for Writers

  • The Amazon Breakthrough Novel Award brings together talented writers, reviewers, and publishing experts to find and develop new voices in fiction. The 2012 international contest will award two grand prizes: one for General Fiction and one for Young Adult Fiction. Each winner will receive a publishing contract with Penguin, which includes a $15,000 advance.” No entry fee. Deadline: February 5, 2012.
  • The Flatt Prize for Literature welcomes submissions of short stories (no longer than 3,000 words). “The theme for the short story is to be inspired by the title ‘INTERRUPTED’.” $1,000 prize. No entry fee. Deadline: February 29, 2012.
  • Lilith magazine, which describes itself as “independent, Jewish & frankly feminist,” has extended the deadlines for its annual poetry and fiction contests. No entry fees; cash prizes plus publication.
  • Poetry competition for Michigan college students seeks poems “that strive to define Michigan by looking at its history and roots, its contemporary culture, and all the dreams for its future.” Prizes of $250 and $150 will be awarded to two winning poems, which will be featured in a nature walk featuring sculpture and poetry. No entry fee. Deadline: April 30, 2012.
  • “Green College at the University of British Columbia invites applications from Canadian writers normally resident outside the Lower Mainland of BC, for the position of Canada Council Writer-in-Residence at the College. The term of the residency will be three months within the period between September 1 and December 15, 2012, subject to funding approval.” Applications are due February 1, 2012. No application fee.
  • “Quinnipiac University [Conn.] invites applications for an Assistant Professor position beginning in Fall 2012. This is a full-time, non-tenure track renewable term appointment in creative writing with a specialization in poetry. Applicants must have an MFA or Ph.D. in creative writing completed by August 2012. We seek candidates with a demonstrated commitment to undergraduate teaching and an established publishing history. Preference will be given to candidates with experience in both traditional and innovative forms, including multidisciplinary, multimedia, and digital approaches to poetry.
  • RT Book Reviews Magazine is looking for a Magazine Editor/Writer. From the MediaBistro.com listing (you need a [free] account to access the listings): “Nationally distributed consumer book review magazine is seeking a true book lover who is a professional editor with at least three years of writing, interviewing and editing experience. No literary snobs please! We cover all forms of women’s genre fiction (romance, young adult and womens mystery, sci-fi and fantasy etc.).”
  • Bucknell University (Penn.) is looking for a Senior Writer, the University of Colorado-Boulder seeks a Communications Project Manager (Writer/Editor), and InsideOUT Writers (IOW; Los Angeles), “a team-oriented non-profit organization has two innovative programs for youth and young adults who have been impacted by the criminal justice system,” is looking for a Writing Program Director.
  • The Wednesday Web Browser for Writers

    New Year's cake decorated by my niece. Photo © Joanna Dreifus.
  • Susan Woodring shares generous New Year’s wishes for practicing writers. Meantime, here are some excellent New Year’s resolutions from independent publicist Dana Kaye (thanks to @_joycastro for pointing me to the latter).
  • @SocialDialect recommends a post that features 10 blogs about blogging, “because we can all use more resources.”
  • The New York Times profiles the Hmong American Writers’ Circle–and its preoccupations. (See also the sample writings.)
  • The Millions previews highly anticipated books coming in 2012. (Hint for those who want to build a book-reviewing practice–you may find some forthcoming titles for review pitches here.)
  • In case you’ve ever wondered exactly what a “poetry chapbook” is, Brian Klems explains.
  • Thursday’s Work-in-Progress

    I was hoping to squeeze in some especially productive writing time this week between Christmas and New Year’s. After all, I was scheduled to go to my “day job” just two days. One of those days dropped away when a winter cold worsened and I decided to take yesterday off.

    For a brief morning moment, my mood brightened. Unanticipated “free” time! Somehow, I’ve never quite accepted the idea that on a “sick day” I’m not necessarily going get a lot of writing done. That, in other words, I’m staying home precisely because I lack the energy and clarity of thought to work. That I should just succumb to naps and cable news and maybe reading a magazine article or two and let the writing slide. But invariably, I relearn my lesson each time.

    Which means that I haven’t exactly maximized this week writing-wise. Before 2011 ends this weekend, though, I’ll have sent out the January 2012 Practicing Writer newsletter (thank goodness for my work-ahead ethic). Hopefully, I’ll have at least started the two review assignments that require my prompt attention. And maybe I’ll have made some progress on one more project.

    You see, earlier this month, I dove into Brian Klems’s “12-Day Plan of Simple Writing Exercises,” which concludes with these instructions: “Gather everything you’ve written over the previous 11 days. Pick your favorite. Edit it, polish it and either try to get it published or post it on the Web to share with the world. Be proud of yourself and your work.”

    Well, I’ve selected my favorite piece. I’ve begun editing and polishing it, but much more revision awaits me. In all likelihood, that work will continue well into 2012. (For one thing, the piece began as a poem, but seems to be edging into essay territory.)

    What about you? What are the works-in-progress that you will be carrying into 2012? I’d love to know, if you’re willing to tell me.

    Thursday’s Work-in-Progress: Four Fun Facts About My Year in Jewish Books

    Earlier this week, I wrote about “My Year in Jewish Books” on my “other” blog (which is called “My Machberet” and features news and notes on matters of specifically Jewish literary and cultural interest). But as a practicing writer who knows how significant reading is to the vigor of her writing practice–not to mention as a practicing writer who frequently writes reviews of Jewish-themed books as part of that practice–I’m going to devote this “Work-in-Progress” post on Practicing Writing to some observations based on my analysis of that list of 18 titles.

    1) I’m doing OK–could be better, but could also be much worse–when it comes to reading books in translation. We all know about that unpleasant “three percent” figure, right? Well, four of the 18 titles on my list–that makes about 22 percent–were books in translation. I don’t think that the relatively healthy connection between Jewish literature and literature in translation is incidental. I do think that when you belong to a diaspora culture, and you’re drawn to certain books accordingly, you’re going to be reading books that were written originally in different languages.

    2) I purchased way more books than I thought I had. I live in a New York City apartment, and I receive a lot of free books as review copies. I’m also a regular visitor to the public library. I had begun to believe that I was not, in fact, as conscientious a book-buyer as I should be. I am frankly a bit surprised by the fact that I purchased so many of the titles on this list (basically half of them). Maybe the fact that several were Kindle purchases–and therefore not visible in my office or on my nightstand–has something to do with my surprise here. Keep in mind, again, that these are by no means all the books I bought this year. They’re only all the books on Jewish themes that I bought for myself. That leaves out all the books that I purchased as gifts, and all the books that I didn’t necessary consider to be “Jewish.”

    3) Unsurprisingly, I am still reading quite a lot about the Holocaust. More than half of the books on this list deal with the Holocaust and/or its after-effects in some way. I should have more to say about this–especially given that I’m still thinking about Daphne Merkin’s recent reflections on Holocaust-related films. But for the moment, I’ll just let the fact sit there.

    4) Without additional analysis, I can’t really know the extent to which all of my “Jewish” reading reflects my habits more generally. But here is how the genre distribution works out here: Novels on this list: 10 (56 percent); Memoirs/memoiristic essays: 2 (11 percent). Other nonfiction: 2 (11 percent). Poetry collections: 2 (11 percent). Graphic novels/books for young readers: 1 (5.5 percent). Short-story collections on this list: 1 (5.5 percent–appalling, but I suspect that here, at least, the stats would be better for the “non-Jewish” reading list. I read at least six other collections this year.)

    Have I inspired any of you to review your own reading for the year? If you’re inclined to write up any similar post(s) for yourself, please be sure to share the link(s) in comments. I’d love to come by and read what you have to say.