From My Bookshelf: Vacation Reads

Well, I managed to read all four books I had with me on vacation. I won’t mention one of them, because I really did not enjoy it, and I think it has already received more publicity than it merits, but the other three are well worth your attention:

Both Ways Is the Only Way I Want It is Maile Meloy’s latest story collection. Sad, creepy, and oh-so-smoothly-crafted. The story “The Girlfriend” is still haunting me.

Fearless Confessions: A Writer’s Guide to Memoir. Stay tuned for an interview here on the blog with this book’s super-smart author, Sue William Silverman.

–Unnamed novel. I think it’s generally bad form to publicize the titles of books you have under review before the actual review appears. So you’ll have to wait a little while to hear about this one. But you WILL hear about it (my editor is expecting the review on Saturday, which is going to be a bit of a challenge, but I’m up for it!). Sorry for the delay.

What have you all been reading lately?

Editing Sarah Palin

One of my co-workers, someone who does plenty of editing, told me about this Vanity Fair Web-exclusive piece.

If you watched Sarah Palin’s resignation speech, you know one thing: her high-priced speechwriters moved back to the Beltway long ago. Just how poorly constructed was the governor’s holiday-weekend address? We asked V.F.’s red-pencil-wielding executive literary editor, Wayne Lawson, together with representatives from the research and copy departments, to whip it into publishable shape. Here is the colorful result.

The result is certainly colorful. It also provides some useful editorial reminders/pointers.

Still, I don’t necessarily agree with all of the editors’ decisions. For instance, starting several consecutive sentences with the same word can be an effective stylistic choice. (On the other hand, there’s no need to emphasize your honesty by declaring that you’ve been speaking “candidly, truthfully.” Score one for the editors there.)

By the way, to keep things fair, I’d be happy to read and link to anything similar concerning a speech given by a Democratic politican. Please share!

Friday Find: The Atlantic’s Summer Fiction Issue (2009)

I am off in a few hours for a long-anticipated weekend with three of my closest friends from college. We’re all celebrating big birthdays in 2009, and it’s an off-reunion year for our college class, so we’re holding our own mini-reunion and converging in the Midwest. I can’t wait!

Before I board the plane this afternoon, I’m hoping to pick up a print copy of The Atlantic‘s latest fiction issue at the airport. The contents are online, too, so you don’t necessarily need to find a newsstand.

Enjoy, and have a great weekend!

The Wednesday Web Browser: Wise Words, "Virtual Yard Sale," and Poetry of Science

Wise words from Lisa Romeo: “I constantly try to remind myself that people don’t read creative nonfiction because they care about what happened to me, but because they care about whether what happened to me might have some meaning for them.”
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And a cute idea from Creative Nonfiction: a “virtual summer yard sale.” Check out the loot: journal issues, books, and more. Go visit before July 31, when the sale ends.
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You don’t often find poetry on the science blogs. But the New York Times‘s TierneyLab recently profiled poet Kimiko Hahn, whose next collection (coming from Norton in 2010) is titled Toxic Flora and “is filled with poems inspired by articles in Science Times.”

Unlikeable Characters in Fiction

I workshopped my (unpublished) novel many times, in many settings, and one comment I heard not infrequently concerned how “unlikeable” my protagonist was. I suppose I became something of a defender of unlikeable characters for awhile, but in all honesty, I haven’t given them a whole lot of thought in recent times.

That changed this weekend, when I read the latest issue of One Story, Joe Meno’s “Children are the Only Ones who Blush.” And it didn’t take me very long to decide that I really disliked the protagonist’s sister, “Jane.”

For one thing, Jane is a bully. For example, she just won’t be satisfied until she manages to get her (quite likely straight) brother to declare his homosexuality.

Jane’s anti-Israel and anti-Semitic tendencies also had a lot to do with my reaction to her.

“That sounds fucking stupid,” Jane cursed. “That’s exactly what the world needs. More childish, performance-art bullshit. Why don’t you do something meaningful? Like confront what’s happening in the Middle East?”

Which wouldn’t raise my antennae, had it not been followed so quickly by:

“Like I bet that girl never even heard of the Situationists. I bet she has no idea what’s going on in Palestine right now.”

And here’s a gem of dialogue between Jane and her brother. Jane is the first speaker:

“I guess we should just stop worrying about your severe emotional issues because, all of a sudden, you like some Jewish girl.”
“What? She’s not Jewish.”
“She’s definitely Jewish.”
“So what? Mom’s Jewish,” I said.
“You are so completely clueless. Why don’t you screw this girl and get it over with? And maybe then you’ll be ready to admit what your problem really is.”
“I don’t want to screw anyone.”
“Bullshit. You want to screw her in her little Jew butt.”

Charming, isn’t she, that Jane?

What perhaps troubles me the most is that I suspect some readers won’t merely find Jane’s statements unobjectionable. They’ll like her all the more for expressing them!

On the other hand, I have to tip my hat to any writer who inspires passionate feelings in readers. The intensity of my negative response to Jane is, in fact, a tribute to Meno’s skills. I’d like to think that my unlikeable novel protagonist, and another character who might well fall under the unlikeable label (I’ve been thinking him a lot this weekend because of a tie to Walter Cronkite in his story), reflect just a fraction of the same ability.