Quotation of the Week: Ben Fountain

The new issue of Ecotone celebrates the journal’s fifth anniversary, and it includes a wonderful interview conducted by editor Ben George with Ben Fountain. At one point, having earlier alluded to the global vision of Fountain’s short-story collection, Brief Encounters with Che Guevara, and discussed several of the stories within it, George comments:

“[Malcolm] Gladwell writes that the stories about Haiti are the strongest in your collection, that they feel as though they were ‘written from the inside looking out.’ But I think the lead story, for instance, which we mentioned earlier, feels every bit as much inside Colombia as the Haitian stories feel inside Haiti. Whereas you’ve been to Haiti about thirty times, you’ve never been to Colombia (or Sierra Leone or Myanmar). What is the difference for the fiction writer between having been there and not having been there?”

To which Fountain responds:

“It’s better to go. It would have been better if I had gone to Colombia, it would have been better if I had gone to Sierra Leone. You never know what you’re missing. You never know what you don’t know until you go. But you can’t always go. You don’t have unlimited time and unlimited money. And so you do the next best thing—you try to imagine yourself into these places. The way I did it was to read everything I could get my hands on and to talk to other people who might have information. If there were helpful movies or documentaries, I sought those out. I was just trying to soak it all up and imagine my way into it using that basic research and my own experience in similar places or similar situations. People write historical novels all the time, and in those the writer has to imagine himself or herself into a different era. I think it’s just as valid an exercise to try to do that with space, with the caveat that it’s always better to go if you can. But if you can’t, I think with diligence and a lot of work we can get close to it.”

Source: Ecotone 5.2 (spring 2010). Happily, Ecotone has posted the full interview online. Read and enjoy!

Quotation of the Day: Rebecca McClanahan

Because it can’t be said too often or too strongly:

“When we write nonfiction we relinquish our right to change what happened to suit our imagined version. The creative part of nonfiction lies elsewhere, in the way our imaginative eye views the world–selecting details, combining and recombining information, and reshaping experience….Artful arrangement of information was one of the cornerstones of the ‘new journalism’ of Wolfe and Capote, and remains an important component of creative nonfiction. Facts, information and real-life events do not have to be presented dryly, like encyclopedia entries. They can emerge wrapped in the skin of story, or shaped like prayers, lists, recipes, letters, confessionals, dialogues or diaries. When the eye of imagination is engaged, it illuminates the artful possibilities hidden within actual events. From the hard rock of fact, stone by stone the writer builds a castle.”

Source: Rebecca McClanahan, Word Painting: A Guide to Writing More Descriptively (Writer’s Digest Books, 1999)

Quotation of the Week: Thomas E. Kennedy

The thing is, anything can happen or not happen in this game. The lesson I learned somewhere along the way is that if you just keep doing what you do, at some point somebody will notice and say, Hey look at that guy, he just keeps doing that thing he does, let’s go see what it is he’s doing. And then maybe something happens. But whether it does or doesn’t, a writer finds the true joy of his art in the creation of it. That is important to be aware of. If a writer is not conscious of that fact, he or she would do well to expand their consciousness, because as much as one might hope for great rewards, in truth it is the moment of creation that is the greatest of all. No monetary award or laurel can equal that, really, which is sometimes hard to remember.

Source: Thomas E. Kennedy, interviewed by Joyce J. Townsend in The Writer’s Chronicle 42.5 (March-April 2010).

Friday Find: Promptly’s Promptfest

Think you might be able to benefit from some writing prompts this weekend? Do I have a find for you! The Writer’s Digest “Promptly” blog is in the midst of a celebratory “Promptfest,” and you can glean the benefits. This link will take you to lots and lots of prompts. Hope they help! Have a great weekend, and see you back here on Monday.

Quotation(s) of the Week: Roddy Doyle

I’ve always advised my writing friends and students to title their works-in-progress. So I was happy to see this advice for fiction-writing:

4. Do give the work a name as quickly as possible. Own it, and see it. Dickens knew Bleak House was going to be called Bleak House before he started writing it. The rest must have been easy.

8. Do change your mind. Good ideas are often murdered by better ones. I was working on a novel about a band called the Partitions. Then I decided to call them the Commitments.

Source: Roddy Doyle, quoted in Ten Rules for Writing Fiction (which you’ve probably seen mentioned elsewhere online since posting last month).

Frankly, I also find this advice extremely reassuring because I have just retitled my story collection.