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Wednesday’s Work-in-Progress: On the Teaching of Creative Nonfiction, Or “Only a Few Have a Natural Talent for Nudity”

by Erika Dreifus on
12

A few days ago, Twitter (more precisely: my Twitter pal @MikeScalise) led me to an exchange on memoir and essay, which developed into a conversation about the ways in which creative nonfiction (cnf) tends to be taught (in MFA programs and presumably elsewhere). One of the points that seemed to attract agreement concerned a troubling trend to equate cnf with memoir (particularly, if not exclusively, confessional memoir) instead of inculcating a more expansive understanding of the types of writing that can fall beneath the cnf umbrella.

The discussion reminded me of similar ideas I’d had back when I was an MFA student myself. Remember that I attended a low-residency MFA program, and I was a fiction specialist. I was therefore provided cnf instruction only within the framework of the “gateway” seminars all of us attended, regardless of selected genre.

We were assigned to write brief “response papers” in preparation for each of these seminars. Here’s what I wrote for a creative nonfiction seminar held in January 2002. (I can’t tell you what the faculty/program response was, because I never received back any of my response papers or comments on them. But that’s a topic for another post. Also, in the original, I provided footnotes to document the Jane Kramer and Adam Gopnik pieces that I discuss in the text; in this post, I’ve linked to them on The New Yorker‘s site.)

I realize that in a way, this is an odd moment for me to be reiterating a call for attention to creative nonfiction beyond the memoir. I seem to be publishing a short streak of memoiristic essays these days myself. But it has taken me a long time to arrive at this point, and I’m still not entirely comfortable with it. Plus, I’ve written plenty of non-memoiristic nonfiction along the way: review-essays, opinion pieces, history, etc.

In any case, please keep reading if you are so inclined. And please check out the discussion question at the bottom of the post. (more…)

Wednesday’s Work-in-Progress: Three Down, One to Go

by Erika Dreifus on
8
19_(25)_Pct_153_E67_jeh
The eponymous station house.

A few months ago, I wrote here about a series of linked essays that I’d been working on. Each essay in the sequence treats an element of an assault that took place in early 2009. The opening piece, “Sunday in the City,” was published in carte blanche last fall. In March, another essay appeared in Brevity.

Last week, “At the Station House,” which I see as closing out the sequence (at least for now), was published in the Summer 2013 issue of Contrary. This means that just one essay remains unpublished. Although it will be the fourth one in the sequence to meet readers, I think of it as “essay #2,” because chronologically (in terms of its own setting in time and place), it belongs between the carte blanche and Brevity pieces.

I can’t tell you the title of that last-to-be-published essay, because when I reviewed the proof for it a few weeks ago, I saw that the editor had written “TK” in the headline slot. We’ll see what happens there, and I’ll be sure to keep you posted.

Meantime, it’s a little strange to be nearing the end of my writing and publishing journey with this sequence. (There is one more idea that I’m playing with, for a possible fifth essay, but I haven’t managed to do anything with it yet–not even the beginnings of a draft–so I just may have reached the end of this particular road.)

I’m immensely grateful to all of the editors who have given these essays such wonderful homes, and to all of the readers who have responded to the writings so warmly. I never saw myself as much of a memoirist, but these deeply personal essays took my writing practice in a different direction, and it’s gratifying to have the opportunity to share them.

Monday Markets for Writers

by Erika Dreifus on
Disabled

Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • Open for submissions: “Milkweed Editions is a nonprofit literary press, publishing between fifteen and twenty books each year. Founded in 1980, we have published nearly three hundred titles and are committed to attracting and retaining outstanding writers whose work is of enduring value. Our mission is to identify, nurture and publish transformative literature, and build an engaged community around it.” Considers fiction, poetry, nonfiction, and middle grade/YA. (h/t Lené A. Gary)
  • I’m not normally an enthusiastic sharer of contests that employ public voting, but I’m making an exception to tell you about the Second Annual Work Stew Essay Contest, organized by one of my college classmates (public voting leads to the selection of finalists, but a judge chooses the winner). Here’s the prompt: “Bring us into your world. What is something about your work (past or present) that outsiders typically don’t understand? It can be something required by the job, something that happens on the job, something you feel about the job—but whatever it is, do not exceed 800 words.” Prizes: 1st place, $1,000; 2nd place, $400; 3rd place, $100. As always, be sure to read the fine print! There’s no entry fee, and the deadline is July 22, 2013.
  • From Interfictions: A Journal of Interstitial Arts: “Interstitial writing breaks rules, transgresses boundaries, and cross-pollinates the fields of literature. Working between, across, through, and around the borders of literary forms, it falls between the cracks of other movements, terms, and definitions. We are looking for work that blurs the lines between literary genres (contemporary realism, mystery, historical, fantasy, speculative fiction, westerns), as well as pieces that bridge fiction and nonfiction, prose and poetry.” Submission window closes July 31, 2013. Pays: $.05/word for fiction, $20/poem, $.03/word for nonfiction. NB: “We’re also interested in interviews with boundary-crossing artists. Please query if you know someone you’d like to interview, and let us know why you think this person’s work would interest us. We seek interviews of 2000-3000 words, and pay a flat rate of $50/interview.” (h/t @Duotrope)
  • From the American Psychoanalytic Association: “The Award for Excellence in Journalism recognizes professional reporting of outstanding merit that contributes in an exceptional way to the public understanding of psychoanalytic and psychological principles and phenomena. The $1,000 award is broadly conceived. Nominated work need not be specifically about psychoanalysis or psychotherapy per se. And, nominated work may critique or question psychoanalysis as long as it advances understanding of human relationships and/or the life of the mind.” Eligibility: The submitted work “must have been written in English, intended for the layperson, and must have been first published between July 1 and June 30 for decision the following October. The deadline for submissions is September 16, 2013.”
  • “The Department of English at the University of Wisconsin-Madison seeks a fiction writer at the rank of assistant professor (tenure-track). We welcome applications from writers with excellent records of publication, teaching, and service. Candidates with administrative and fund-raising experience, and qualifications in a secondary genre (poetry, creative non-fiction, screen writing), are preferred.”

    • Wednesday’s Work-in-Progress: The Waiting Game (Redux)

    by Erika Dreifus on
    Disabled

    waiting_roomAs I noted in a blog post last summer, in some ways, I’ve been drawn to a life–the writing-and-publishing life–for which I am temperamentally unsuited. And that’s because two of the things I have always found most challenging are these: rejection and waiting.

    In an essay, I’ve explained how rejection has become much easier with time and experience. But as I mentioned in that post last summer, the patience project is still something more of a work-in-progress. It’s not merely a matter of waiting for the acceptance/rejection decisions. I’m also filled with anticipation (and, sometimes, anxiety) when I know that a new piece has found a home and–yes, after another wait–will be meeting readers. I’m aware that this is what my dad calls a “high-quality problem.” But that doesn’t necessarily make the waiting easier! Plus, in many cases, even while waiting for publication, I know that yet another wait lies ahead: a wait for the paycheck (which I’ll admit makes me appreciate the steady salary of my day job all the more).

    Right now, I’m waiting for three accepted essays to be published and paid for (two memoir pieces, one op-ed). There’s also a book review waiting to make its appearance (part of the delay in this instance is due to a publisher delay in releasing the book in question). It’s possible that all four of these pieces will be out within the next month. But I’m not holding my breath!

    Wednesday’s Work-in-Progress: J Journal Essay (and a Giveaway!)

    by Erika Dreifus on
    15

    JJournalSpring2013coverMy contributor copies of the spring 2013 issue of J Journal: New Writing on Justice arrived last week. (My contribution, “My Life as a Bully,” is an essay describing one of the more shameful episodes from my childhood.)

    In case you’re not familiar with J Journal, here’s how it is described on its website (which is in the process of being redesigned): “J Journal: New Writing on Justice examines its subject through creative work, directly and tangentially. Housed at CUNY’s John Jay College of Criminal Justice, one of the nation’s premier criminal justice institutions, J Journal’s contributors have included established and new writers, professionals in the law enforcement field, lawyers, professors in the humanities and social sciences, and prison inmates. Unlike other CJ publications, J Journal, which comes out twice a year, is the country’s first to present its analyses of contemporary justice issues through creative, not scholarly work. The short stories, poems, and personal narratives in each volume expand reflection on the question: What is justice?”

    Since I’m a J Journal subscriber (and advisory board member) as well as a contributor, I’m awash in spring 2013 issues! And so I’m offering to mail one of my copies to one of you. Please just leave a comment below, and the random number generator will do its job one week from today (please note that I can send only to mailing addresses in the U.S.).

    Good luck to everyone who enters the giveaway! And for some other coverage of J Journal, please check out the following:

  • American Association of Law Libraries (AALL) Spectrum on J Journal
  • NewPages on J Journal
  • The Review Review on J Journal
  • Utne Reader on J Journal
  • An article of mine on themed/niche literary journals, with comments from J Journal‘s editors.

    • UPDATE: The Random Number Generator chose our giveaway winner–Commenter #1, Michelle Tackabery! Congratulations, Michelle, and thanks to EVERYONE for the interest in playing along.