Quotation of the Week: Mark Athitakis

Sometime last week, Mark Athitakis posted a series of tweets concerning the popular Xtranormal videos that have been making their way around the Internet. You’ve probably seen at least one of these creations, examples of which are “Can You Help Me Get Published?”, “So You Want to Get a PhD in the Humanities?“, and  “So You Want to Be a Historian?”. (There are more, but let’s just say that between my own academic and professional training and the resulting group of friends and colleagues I’ve acquired along the way, these three really caught my attention.)

I’ll admit: These videos, with their focus on the trials and tribulations endured within certain professions, have made me laugh. Sometimes, they’ve made me laugh a lot.

But. Still. The animation, stilted “voices,” and exaggeration have something to do with that. In real life, I have to admit that I also agree with Athitakis, whose tweets suggested a certain impatience with the “So You Want to Be” clips.

One example: “‘People need to hear my insights about how the profession they aspire to is a grind.’ Oh, grow up. Every profession has its headaches.”

Let’s leave aside, for the moment, the privilege already embedded within these professions. I’m sure that my grandparents, for example, whose work histories were far less “professional,” could never have created this sort of video, in part because they were too busy working (typically with lengthy commutes attached) to do so.

But in a larger sense, Athitakis made resonant points. Maybe it was the timing of his tweets, which came just as many of the aforementioned friends and colleagues were sighing and complaining, virtually and persistently, about all the grading they had to do (primarily within relatively small writing courses and workshops–I exempt from my impatience anyone with a full/heavy course load, and/or classes that are way too large, but some of these folks are teaching two courses/sections, with at most 15 or 16 students each). About how, even in the happy days of “winter break,” it’s so difficult to work out five times a week. Or, among the freelance set, about all the caffeine they’ve had to ingest while sitting at home, toasty in their thermal knitwear, meeting freelance deadlines.

I have to say, reading all of the griping—early in the morning before heading outside to go to an office where I’m expected to show up by nine and not leave before five, five days each week, twelve months each year—can get annoying. Reading it during lunch or late in the day is no better.  (No, just because I work for a university does not mean that my office closes down for half of December or January, or even a week during that time, or for the summer.)

Yes, I’ve been in other shoes. I know that grading can be a drag (worse: fielding student complaints about those grades). I know that it takes discipline to exercise (but oh, how much easier it was to keep to a regime when one didn’t have to hike over to the gym in the dark, freezing dawn, or the dark, freezing evening). I know that freelancing has its frustrations.

But how amazing it is to me, how many people seem to be making the same complaints, round the clock, no matter what the season.

Especially when one stops to realize this: They’re all, in fact, quite lucky! Supposedly, they’re doing what they wanted to do! What they trained to do. And, let’s face it, these professions are not exactly back-breaking or (usually) dignity-wounding.

For my part, I try to keep the complaining to a minimum. Yes, I did vent a bit about an especially crazy day at my office early last week. Yes, if you get me started in a conversation, I’ll give you a million excuses why I am not exercising much these days (mainly, I hate exercising when it isn’t daylight, and except for weekends, daylight isn’t in the cards right now for someone with my schedule living where I live).

But I know how lucky I am to have a job, to be able to deploy skills and interests productively, and to be putting food on the table in my own home.

“Every profession has its headaches.” Writers and professors hold no monopoly. Indeed. Thank you for the reminder, Mark Athitakis.

Monday Morning Markets/Jobs/Opportunities

  • WritersWeekly.com needs Success Stories. “Have a Freelance Success Story to share? We pay $40 on acceptance, non-exclusive electronic rights only. Success stories run around 300 words but we’re very flexible. Our guidelines are here: http://writersweekly.com/misc/guidelines.php.”
  • From Sage Cohen: “Would you love to take the Poetry for the People Level 1 or Level 2 class starting in January but can’t afford it? Then you qualify for The Poetry for the People Scholarship. And the time to apply is now….I’ll be accepting applications for the Poetry for the People Scholarship from Thursday, December 16 through Friday, December 31. The scholarship recipient for each class will be chosen based on the following criteria: demonstrated past effort, need, and enthusiasm as determined by Sage Cohen.” There is no entry fee, and each scholarship (one for the Level 1 class and one for Level 2) is a full scholarship. (I’ve taken both of these classes, and I can attest that they’re fabulous.)
  • A forthcoming Madonna anthology seeks submissions from women writers: “I’m looking for sharp women-authored nonfiction essay submissions for a new anthology (to be published by Soft Skull Press in winter 2012) about our favorite freaky feminist singer/artist/’Sex’-er/mother/material girl: Madonna. She’s been such a powerful, iconic cultural figure for the past 27 years (!). For women and girls in America, it’s almost impossible not have been influenced, in some way, by her media presence. I want to hear how Madonna has changed your life. Love her or hate her, you probably have an opinion. Whether you think she’s a genius marketing maven, a pioneering feminist businesswoman or little more than a very rich stripper, I want to hear your perspectives. How did her work affect your feelings, your mindset, your sexuality, your ambitions? How did seeing her videos on MTV change the way you thought about growing up female? How did your parents react when they heard you singing the lyrics to ‘Like a Virgin’ at the dinner table? What was it like the first time you saw her perform live? What about her pisses you off to no end? I don’t care if you love her or loathe her. Just own a strong point of view, and write your essay in an honest, thoughtful, engaging fashion. Having a very specific, unique, or unexpected angle is a plus!” Pays: “a small stipend ($TBD) upon publication” and two copies. Deadline: February 15, 2011. (via Susan Johnston’s UrbanMuseWriter Twitter feed)
  • From Holland Park Press (U.K.): “To celebrate the release of Arnold Jansen op de Haar’s King of Tuzla, Holland Park Press is holding a short story writing competition, because often fiction describes reality more truthfully than an item on the evening news. The task: You are asked to write a short story set in a conflict zone. The story should not contain more than one thousand words.The story can take place anywhere in the world and be set in the past or present but not in the future.” Prize: £100 and online publication. No entry fee. Deadline: December 31, 2010. (via WinningWriters.com)
  • “The Creative Writing Program of the Department of English at the University of Arizona invites applications and nominations for a tenure-eligible advanced assistant professor or tenured associate professor in creative nonfiction/environmental writing, to start August 2011.We seek an outstanding writer with significant publications and demonstrated excellence as a teacher to work with students at the graduate and undergraduate level in the creative writing program and in other English programs such as Literature or Rhetoric, Composition, and the Teaching of English, if appropriate. Publications must include at least one book from a reputable press. A secondary expertise in poetry or fiction is also welcome, but not required.”
  • “The Brief-Residency MFA Program and the Department of English & Theatre at Eastern Kentucky University seek applications from fiction writers for an entry level, tenure-track position at the rank of assistant professor in creative writing. Though we seek a fiction writer for this position, we will consider applications from writers who specialize in creative nonfiction, as long as these applicants can demonstrate the ability to teach graduate workshops in both fiction and nonfiction.”
  • Rhode Island College is looking for an Assistant Professor of English (Creative Writing-Fiction) (click “Faculty Positions”). Prefers “some college teaching experience; subfield in literary nonfiction and/or young adult creative writing” as well as “experience supervising the production of an undergraduate literary journal; willingness eventually to play a significant role in program promotion and administration.”
  • Wright State University seeks a Public Relations Writer, George Washington University (D.C.) is looking for an Electronic Communications Writer/Editor, and the Office of the Manhattan Borough President plans to hire a Speechwriter.
  • Monday Morning Markets/Jobs/Opportunities

  • Matador Abroad is looking for narrative pieces, photo essays and single photo submissions for a new series.” This series focuses on “celebrating holidays outside of your home country….Submissions are not limited to American holidays; tell us what it was like first celebrating Ramadan away from home, or how Diwali is different in London than it is in Delhi.” Pays: $25 per narrative or photo essay (single photos do not receive payment).
  • Also from Matador: an interesting piece spotlighting paying online markets for freelancers.
  • Let’s keep the travel focus going, shall we? The NYT’s Nicholas Kristof has announced the 2011 “Win a Trip with Nick Kristof” contest. This year, the competition is open to graduating students and to those over 60 (US residents only). Application deadline (essay or video submission) is January 18 (my thanks to Mr. Kristof for so kindly responding to my query about this on Twitter). No application fee.
  • “Voices of Youth (VOY) is UNICEF’s site for young people interested in learning about and taking action on issues affecting their lives. VOY is currently undergoing a redesign to update the site’s look and functionality. The new site will emphasize interactivity and dialogue, and will feature posts from youth contributors, UNICEF staff, activists, bloggers, etc….We’re looking for 2 part-time bloggers to create original content (primarily print, but video, audio, and visual pieces are welcome) for Voices of Youth.”
  • “The Arc Poetry Society [Canada] seeks applications for the part-time contract position of Editor of Arc Poetry Magazine commencing April 1, 2010. Reporting to the Board of Directors, Arc’s editor will ensure that the content of Arc Poetry Magazine is selected and presented to maintain a consistently high standard for the publication.”
  • From Johns Hopkins University (requisition #46416 if you’re redirected to the human resources home page): “This part-time faculty position at Johns Hopkins University involves academic administrative duties and the teaching of four courses per year in a thriving, two-campus graduate writing program. This year-round position offers a 12-month contract requiring part-time responsibilities in fall, spring, and summer terms. The position expects a regular presence at the program’s Washington, D.C. and Baltimore locations, although the faculty member will be based at the main Hopkins Homewood Campus. Expertise in teaching, writing, or editing is required in at least one of the program’s concentrations of Fiction, Poetry, Nonfiction, and Science-Medical Writing, or in Journalism, Professional Writing, Publishing, Editing or related fields. This faculty member will work with and report to the program’s full-time director and assistant director. The M.A. in Writing Program caters mostly to part-time adult students who take evening or Saturday courses at the Hopkins Washington, D.C. Center near Dupont Circle or the main Homewood Campus in Baltimore. The program is based in Washington but has offices, students, and faculty at both campuses. This position is effective on Jan. 3, 2011.”
  • Nicholls State University (La.) is looking for an Instructor whose “preferred experience” includes “Creative Writing, Poetry and/or Screen Writing.”
  • The Metropolitan Museum of Art (N.Y.) seeks an Editor, Boston magazine is looking for an Associate Editor (you’ll need to register/log in, free of charge, to read the announcement), and the University of Oregon School of Law invites applications for a Director of Communications position.
  • Monday Morning Markets/Jobs/Opportunities

  • Wondering what to do after finishing the MFA? It’s your lucky day! Check out this freshly updated compilation of post-MFA fellowships.
  • It’s been a week since the December issue of The Practicing Writer went out to subscribers, but it’s not too late to take advantage of the fee-free contest/opportunity listings and calls for submissions from paying literary publications that are listed there.
  • Speaking of paying literary publications: Cream City Review has announced that starting with work submitted during its current reading period, it “will be paying authors ‘semi-pro rates’.” Still pretty low, though: $3-$5/page for “fiction/comics/essays (excluding book reviews or interviews)” and $5-$10 per poem. Still, this is nice news. (via Duotrope.com)
  • As mentioned yesterday on my other blog, The Forward is looking for politics bloggers.
  • The next Workers Write! volume will be Tales from the Combat Zone “and will contain stories and poems from the soldier’s point of view (all branches welcome). We are interested in everything from command to grunt work. We will also consider war stories and peace keeping missions, as long as the job is the central theme. Drop us a line if you have a question.” Pays: $5-$50 “depending on length and rights requested.” They’ll also consider reprints. Deadline: December 1, 2011 “or until the issue is full.”
  • Got a poem about Nantucket? (No, not that “poem”!) Nantucket Directory is running a poetry contest. “Submit up to three unpublished poems about any aspect of Nantucket Island or life on Nantucket written in English.” Pays: “The winning poet will receive $250 and have his or her work published in the print and online editions of the 2011-12 Nantucket Directory.” There is no entry fee. Deadline: March 1, 2011.
  • Published Canadian authors (citizens or permanent residents): You may be intersted in applying for the Historic Joy Kogawa House residency program. The residency will run September 15, 2011-March 15, 2012 as part of a writer-in-residence program designed “to foster greater appreciation for Canadian writing with the Metro Vancouver community, offer members of the community an opportunity to interact with the resident author, and provide the space, time and resources for a Canadian author to write.” Pays: $2,500/month, plus free accommodation valued at $1,500/month, with assistance for travel expenses. No application fee. Applications must be received by midnight (PST) on December 15, 2010. NB: The Historic Joy Kogawa House has also compiled information on other opportunities for Canadian writers. (via Arc Poetry Magazine)
  • From the University of Edinburgh: “Applications are invited for a part-time (0.8) post combining the roles of Writer in Residence and Tutor in Creative Writing, based in the department of English Literature.”
  • Lifting Voices (D.C.), “a nonprofit, grassroots organization which helps young people discover and share their voices in order to grow, find joy, and accomplish change,” seeks a Writing Workshop Leader/Teacher. “The workshop leader contributes approximately 17-18 hours per week and is compensated at a rate of $1,300 per month from January 1 – June 15, with the possibility of a renewal at the end of the school year. 12 hours per week are spent teaching workshops, mainly on weekday afternoons, at locations around D.C. 2-3 hours per week are spent preparing for and following up on workshops, which may be done from home. 2 hours per week are spent preparing reports, which may be done from home. 1 hour per week is spent in a staff meeting, which is done in the Lifting Voices office. An estimated 10 to 15 hours per semester are spent assisting with special events and fundraisers, as needed.” Apply fast (by Friday, December 10).
  • Suffolk University (Mass.) is looking for a Web Writer/Editor, The Child/Mind Institute (N.Y.) seeks a Writer/Editor, and the William J. Clinton Foundation (N.Y.) invites applications for a Prospect Researcher/Writer.
  • Monday Morning Markets/Jobs/Opportunities

  • The Disabled Shop Blog is running a blogging competition: “Enter now and win the chance to become a paid blogger writing about disability and disability products AND £250 in cash.” There is no entry fee, and the deadline for submissions is December 18, 2010. NB: I discovered this contest in a list of nonfiction-focused writing competitions (some do charge fees) that Ann Goldberg mentioned on Twitter.
  • Last call for submissions: “You requested it, and we complied: Issue seven of Workers Write! will be Tales from the Courtroom and will contain stories and poems from the legal worker’s point of view (lawyers, judges, court reporters, bailiffs, and so on). Your story should be set anywhere legal work is performed, but we are not looking for stories about court cases or whodunits. Drop us a line if you have a question.” Deadline is December 1, 2010 (Wednesday). Pays: “Between $5 and $50 (depending on length and rights requested). We will consider previously published material.”
  • THE WAITING ROOM is a magazine designed to entertain, educate, bring insight and humor into waiting rooms throughout the country. Our content is unique and varied, as are our contributors. We publish original fiction, essays, humor, art, cartoons, poetry and recipes from both published and unpublished authors and artists. Quality is our only criteria.” Pays: “Payment is $20/for stories, articles or essays – $10/poem $10/art pieces or photos, plus one contributors copy.” (via AbsoluteWrite.com)
  • “We are delighted to announce that entries for the Rossica Translation Prize 2011 are now open. The Rossica Prize is the only prize awarded for the best new translation of a high-quality Russian literary work into English. Literary work must be written in Russian by any author, present or past, and published in English in 2009 and 2010. The prize is open to works published in any country. The value of the prize is £5,000 divided between the winning translator and the publisher.” No entry fee indicated. Deadline: December 31, 2010.
  • From Eckerd College (Fla.): “Assistant Professor of Creative Writing, renewable contract, to start in September, 2011, at Eckerd College in St. Petersburg, Florida. M.F.A. in Creative Writing. Teach seven courses per academic year, to include four courses in the Eckerd College Program for Experienced Learners (our adult education program) and three courses in the residential undergraduate college….We are looking for a writer of fiction and plays. Teaching responsibilities will include some combination of beginning, intermediate, and advanced fiction courses, one-act play, the short comic sketch, the full length play, etc. The ability to teach screenwriting is also welcome.”
  • From Roosevelt University (Ill.): “The Department of Literature and Languages at Roosevelt University welcomes applications for a tenure-track Assistant Professor of English and Creative Writing. The successful candidate will be a creative writer with primary specialization in Fiction and secondary specialization in either Creative Nonfiction or Poetry.”
  • The Harvard School of Public Health (Mass.) seeks a Senior Writer/Project Manager, Stanford University (Calif.) is looking for a Writer and Communications Manager, and Florida Gulf Coast University invites applications for a Staff Writer.