Posts Tagged‘Literary Journals’

Home » Literary Journals » Page 123

Monday Markets for Writers

by Erika Dreifus on
2

Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • The February issue of The Practicing Writer went out to subscribers late last week. Plenty of no-fee contests and paying calls included there.
  • “The Cheryl Strayed/VIDA Memoir Scholarship will provide for one recipient the full registration fee for the Wild Mountain Memoir Retreat, March 15-17th 2013. The scholarship, provided by an anonymous donor, will be awarded to a female writer of demonstrated financial need and literary promise.” Deadline is February 14, 2013. No application fee.
  • Those of you in the NYC area: Gigi Rosenberg will be leading a free session on “Grantwriting for Artists: Perfecting Your Proposal,” on the afternoon of Thursday, February 14.
  • Canada-based Arc Poetry Magazine “is look­ing for sub­mis­sions of poetry—or prose about poetry—that takes the North as its pole star. We are look­ing for writ­ing from the North and/or about the North in its many guises. We don’t take the North as a given and encour­age sub­mis­sions that engage with and chal­lenge ideas and his­tor­ies of the North. We encour­age sub­mis­sions of diverse North­ern voices, poetry styles, and lan­guages (sub­mis­sions in Eng­lish, French, Inuit lan­guages, Dené, and Cree are wel­come; how­ever, sub­mis­sions in lan­guages other than Eng­lish should be accom­pan­ied by author-approved translations).” Check the site for more guidelines and pay rates.
  • Westminster College [Utah] invites applications for an assistant professor in Fiction Writing, the New York Public Library is looking for a Production Assistant to join its Live from the NYPL series, and The University of Baltimore’s School of Communications Design seeks a published fiction or literary non-fiction writer for a half-time contractual position.

    • Monday Markets for Writers

    by Erika Dreifus on
    Disabled

    Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • Canada-based SubTerrain plans a spring issue on the theme of “Heat”: “political, sexual, economic, environmental — whatever the topic or situation, just make sure it’s HOT!” They’ll consider fiction, commentary, poetry, essay, and memoir. Pays: $25/poem and $25/page of prose. Deadline: February 15, 2013.
  • Fellowship program for emerging NYC poets: “Emerge – Surface – Be is a natural extension of The Poetry Project’s program offerings. It formalizes the distinct yet unspoken pedagogical aspect of The Poetry Project’s programs while providing a unique opportunity to support, develop and present emerging NYC-based poets of promise. Three emerging poets will be selected by and paired with poet mentors Anselm Berrigan, Patricia Spears Jones and Edwin Torres, and over the course of nine months be given the opportunity to develop their craft and complete a project. Ideal Fellows will have a project they are working on or want to embark upon, and feel that they would benefit from guidance. Each Fellow will receive an award of $2,500.” No application fee. Deadline: February 18, 2013.
  • And another opportunity for poets in NYC: “Mid-Manhattan Library is pleased to offer a free ten-week workshop with Hermine Meinhard, The Art of Making Poems: Creation and Craft, on Tuesdays, from 4:00 – 6:30 p.m., beginning February 12th.” This workshop is open to adults 55+. Check the full description and registration instructions. Limited enrollment.
  • “The Anglican Theological Review Poetry Prize competition is open to emerging poets: that is, poets who have not yet published a full-length book of poetry or any other genre of literature. Poets whose work has appeared in chapbook form and/or in journals are eligible. Contestants should submit one unpublished poem, in any form, but not to exceed 64 lines. There is no specific theme, although writers who are familiar with the poetry published in the ATR will see a preference for work that reflects an incarnate sense of the sacred.” Deadline is March 1, 2013, and there is no entry fee. “The winner of the ATR Poetry Prize will be announced in the summer 2013 issue of the ATR, where the winning poem will appear. The poem also will be posted in the ATR website. The winning poet will receive $500.” (via Writing-world.com)
  • The next issue of The Practicing Writer will be out later this week. If you’re not already a subscriber and you’d like to receive this free, opportunity-packed resource right in your inbox, it’s never too late to join us.
  • Salem State University (Mass.) seeks a full-time, tenure-track faculty member in creative writing, the English Department of the University of Hawaii plans to fill a full-time, tenure-track position in Fiction Writing, the English and Creative Writing Department at Hamilton College [N.Y.] is looking for a Creative Writer specializing in poetry for a one-year leave replacement position at the level of Assistant Professor, and the English Department at Sweet Briar College [Va.] is advertising for “a full-time sabbatical-replacement position in Creative Writing at the assistant professor level beginning in August 2013. The position includes the possibility of renewal for a second year, also as a sabbatical replacement, and of a subsidized rental residence on campus for the successful candidate.”

    • Friday Finds for Writers

    by Erika Dreifus on
    2

    Treasure ChestThe weekly collection of writing-related resources, news, and reflections to read over the weekend.

  • For those of us with strong opinions and the urge to share them in writing (ahem): a helpful set of “10 Rules for Writing Opinion Pieces.”
  • Wise words for writers from Sharon Bially on “Marketing and the Spirit of Giving.”
  • Grant-getting tips from Jillian Keenan.
  • There is a lot of advice if you drill down through all of the links in this post on “What Writers Need to Know About Goodreads.” I, for one, can’t see myself devoting sufficient time and energy to making use of every tip. But the key take-away is this: “The key to goodreads is to become a member of the community first…and mention your writing only in context and when appropriate.”
  • And to conclude: some interesting details in this year-in-review post from Ploughshares, including data on submissions, payments, and more.

    • Have a great weekend, everyone. See you back here on Monday for the final post of 2012!

    Friday Finds for Writers

    by Erika Dreifus on
    6

    The weekly collection of writing-related resources, news, and reflections to read over the weekend.

  • You know, I usually think that my mom raised me right and that I do a decent job with thank-you notes. Alas, the first installment of The Memorious Guild’s Guide to Literary Etiquette made me realize that I still have a ways to go.
  • Also on the etiquette theme: Debbi Ridpath Ohi describes what encourages her to promote others’ work through her @inkyelbows feed–and what has the opposite effect. And Nina Badzin explains how Twitter is like “a writer’s endless holiday party“. (And while we’re talking about Twitter: If you haven’t uploaded a header photo yet, GalleyCat has some advice for you.)
  • Every so often, I like to check in with the After Deadline blog for “newsroom notes on usage and style” from The New York Times.
  • This week brought my latest “First Looks” post about new/forthcoming books for Fiction Writers Review. Go on over and see what I spotlighted this month (hint: Oprah and I have something in common).
  • “It took me something like twelve years of sending work to AGNI to finally break in,” writes Jehanne Dubrow. “The writing life is like that: a decade of sending out poems, maybe every year, maybe twice yearly, to a place that feels so right for one’s work but that keeps saying no (or maybe, no thank you). And then, one day, a yes arrives, usually in a way so quiet and understated that the acceptance feels inevitable.”

    • Have a great weekend, everyone. See you back here on Monday.

    Wednesday’s Work-in-Progress: The Potential of “Unfinished” Work

    by Erika Dreifus on
    8

    Last July, I noted some boosts in my writerly productivity. I discerned several factors in that happy development, including

    the extent to which I’ve been taking to heart [advice] from Midge Raymond’s Everyday Writing: Tips and Prompts to Fit Your Regularly Scheduled Life. As part of her counsel on ways to meet our writing goals, Midge advises: “Don’t dismiss unfinished projects.” She explains: “I’ve found many gems in long-abandoned projects….Never abandon old ideas; you never know when they’ll suddenly be relevant. Revisit all your ‘old’ stories, poems, or essays at least once a year.” (more…)