Posts Tagged‘Literary Journals’

Home » Literary Journals » Page 124

Monday Markets/Jobs/Opportunities for Writers

by Erika Dreifus on
3

Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • Room, “Canada’s oldest journal by and about women,” is planning an issue on the theme of “Crime”: “Sin, wrongdoing, injurious acts, murder, deceit, contraband. Poison, theft, larceny, lust, fraud, family and foreclosure. It is not a CRIME to admit that we love to read it all. This is your chance to become a CRIME writer. For the first time in its 35-year history, Room will investigate CRIME in an issue of chillingly good writing about seriously bad things. We are looking for CRIME poems, non-fiction, and short stories: shameful and heroic, terrifying and grand, falsi and injuria, noir and passionnel. We are also looking for frightfully powerful art.” Pays: “We pay $50 for up to 2 pages, $60 for 3 pages, $80 for 4 pages, $100 for 5 pages, $120 for 6+ pages, and $250 for cover art. Contributors also receive two copies of the issue in which the work appears and a year’s subscription to Room.” Deadline: January 31, 2013. (via placesforwriters.com)
  • Who pays writers? is a new resource: “A place to list whether, and how much, magazines and websites pay their writers. We’ll post ’em as you report ’em. Intended to be informational, not judgmental.”
  • From WritersWeekly.com: “We’re out of features! We pay $60 for around 600 words; non-exclusive electronic rights only. Our guidelines are here: http://www.writersweekly.com/index-markets.htm.”
  • The University of Glasgow is looking for a Lecturer in Creative Writing (poetry specialty).
  • The Creative Writing Program at the University of British Columbia invites applications for two full-time, tenure-track Assistant Professor positions in the Creative Writing Program, to begin July 1, 2013. Requirements include: graduate degree (Master of Fine Arts in Creative Writing preferred, but a combination of a Masters degree in a related discipline and appropriate writing and publishing experience would be acceptable); demonstrated excellence in writing in one or more of the following forms: fiction, non-fiction, poetry, children’s writing; experience in the teaching of university-level creative writing courses preferred; experience in teaching in online settings an asset; two major publications or productions required.
  • “The MFA Program in Creative Writing at Chatham University [Penn.] seeks a dynamic individual to serve as Associate Director with special focus on the Low Residency program. Chatham’s innovative MFA program offers both a full and a low-residency option; we seek to hire an Associate Director with experience in distance learning to work with the Director to facilitate the continued growth and vibrancy of the low-residency aspect of the program and contribute to building a sense of community between the two programs.”
  • Ramapo College of New Jersey seeks an Assistant Professor of Creative Writing (“especially fiction”).
  • “The Department of English in the School of Liberal Arts and Sciences at Oklahoma City University invites applications for a nine-month tenure-track faculty position beginning Fall 2013. Teaching responsibilities include undergraduate creative writing and first-year writing courses.”

    • Friday Finds for Writers

    by Erika Dreifus on
    8

    The weekly collection of writing-related resources, news, and reflections to read over the weekend.

  • Some practical tips from GalleyCat: “5 Ways to Find an Agent for Your Book.”
  • Sad to say, if you’ve got a short-story collection to sell, it’s possible that not even the most diligent agent search may yield representation. It’s a common experience we short-story writers encounter, as Becky Tuch noted this week in “Nice Short Story Collection. But Do You Have a Novel?”
  • A litmag editor shares “5 quick & dirty submission tips that you won’t find in anyone’s submission guidelines.” (via Diane Lockward’s poetry newsletter)
  • Speaking of litmags: I’ve long recommended (and relied on, and occasionally donated to) Duotrope’s litmag database. Now, Duotrope has announced that it will begin charging for full access to/benefits from its site. Lots of chatter about this online this week. What say you? I’ll share this: I haven’t decided if I’ll subscribe myself, but I have purchased a six-month gift subscription as a birthday present for a writer friend.
  • The Writer magazine previews a slew of writing-related books slated for publication in 2013. (Could be especially useful for those of you mapping out possible book reviews for 2013.)
  • Finally, a lovely essay on writing by author Silas House. I can’t even summarize it. Please just give it a read.

    • Have a great weekend, everyone. See you back here on Monday!

    Monday Markets/Jobs/Opportunities for Writers

    by Erika Dreifus on
    Disabled

    Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • Cha: An Asian Literary Journal has announced a contest for unpublished poems about “Betrayal.” Cash prizes for top three and up to five “high commended” poems. All winning poems will be published in the journal’s March issue. No entry fee. Deadline: January 15, 2013.
  • “The editor of The Buenos Aires Reader is “wide-open to submissions from writers writing in English, whether they are expats or natives, as long as they are describing life in Latin America. Yes, that’s right — you don’t have to just write from, in or about Argentina.” Will consider fiction, non-fiction, poetry, opinion, profiles and interviews. Pays: “USD $25 via PayPal, or ARS $100 in person. Payment is made within a month of publication.” No simultaneous submissions. (via Duotrope.com)
  • From Grub Street, Inc., (Boston): “Thanks to the generous support of our donors, each quarter we offer $200 scholarships to at least five writers. Recipients may use their scholarship at any time in the year. To apply for a Winter 2013 scholarship, please email the following to rowan@grubstreet.org by December 5th at 12pm: a 5-10 page sample of your work, and a one-page letter detailing your financial need and desire to take a Grub Street class. Applicants will hear from the selection committee within one week after the deadline.”
  • Paid, part-time internship opportunity with the Jewish Book Council in New York. Apply by December 17.
  • Coming soon: the December issue of The Practicing Writer. Featuring end-of-year book recommendations and, as usual, a slew of no-cost contests and paying submission calls. Don’t miss it!
  • Guidelines are now available for the NYFA Emergency Relief Fund that I mentioned here last week. Plus, PEN American Center has simplified its Writers Fund application for victims of Hurricane Sandy (grants up to $500).
  • “The Coe College [Iowa] English Department invites applications for a tenure-track appointment in Creative Writing and literature with an emphasis on poetry to begin in August 2013.”
  • Syracuse University (N.Y.) is looking for part-time faculty to teach AAS 338: Creative Writing Workshop. “The course AAS 338: Creative Writing Workshop exposes students to techniques of craftsmanship and use of meditation to expand the visionary experience, and aesthetic sensibilities that involve African American Culture. Students gain their experience through a workshop of poetry and prose.”

    • Friday Finds for Writers

    by Erika Dreifus on
    Disabled

    The weekly collection of writing-related resources, news, and reflections to read over the weekend.

  • I was very sorry to learn of the passing of Isaiah Sheffer, whose voice has welcomed me into so many memorable “Selected Shorts” broadcasts.
  • Superb submission advice from Michelle Seaton.
  • Nina Badzin is celebrating her blog’s second birthday with a slew of prizes. (The blog is instructive and fun, and I love visiting/reading, so I recommend that you go over there even if you aren’t interested in the books, barres, or blogging consultation that Nina is offering.)
  • You’ve likely heard the news: Philip Roth is done with writing! Eitan Kensky reads Roth’s declaration more closely.
  • And ICYMI: my November “First Looks” column, posted this week, previews two new fiction releases.

    • Have a great weekend, all. See you back here on Monday.

    Monday Markets/Jobs/Opportunities for Writers

    by Erika Dreifus on
    Disabled

    Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction). (Please excuse the relative brevity of this week’s post: I’m away for a few days.)

  • Are you a college senior or recent graduate planning to begin a graduate degree program in creative writing in the fall of 2013? You may want to check out the Jack Kent Cooke Graduate Arts Award. “The award provides funding for tuition, room and board, required fees, and books.” The awards can reach “as much as $50,000 annually.” Deadline for Phase One of the application process is November 28, 2012. No application fee indicated.
  • Press 53 is currently open for submissions of poetry and short-story collections. Deadline: November 30.
  • Grub Street (Boston) is looking for a part-time Digital Consultant. “Grub Street is readying to pilot a variety of experimental online creative writing classes in 2013. We’re looking for a part-time consultant to manage and coordinate our efforts in concert with relevant staff members.”
  • “Quadrant is published ten times a year, monthly, except for larger combined issues in January-February and July-August. Each year we publish more than 200 articles, 200 poems, 70 book reviews, 20 short stories and 75 letters to the editor. Quadrant accepts unsolicited, previously unpublished articles that fit within its general profile of a journal of ideas, essays, literature, poetry and historical and political debate. Although it retains its founding bias towards cultural freedom, anti-totalitarianism and classical liberalism, its pages are open to any well-written and thoughtful contribution.” Quadrant is an Australia-based journal and “pays contributors for articles, reviews, poems and short fiction.” (via placesforwriters.com)

    • Teaching jobs continue after the jump. (more…)