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Monday Markets for Writers

by Erika Dreifus on
2

Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • “Story|Houston, a new journal featuring narratives by emerging writers and illustrations by emerging artists,” is considering submissions for its summer issue. Considers fiction and nonfiction. Pays: $200. (via Ashland MFA News)
  • From Wordrunner eChapbooks: “Poetry, fiction and memoir by several authors will be considered for the fall 2013 e-chapbook anthology, to be published around September 25.” The theme of this e-chapbook is “jobs”: Work (or the lack of it) should be intrinsic to the narrative or poem. We are not interested in detailed job descriptions, but in how jobs impact lives and relationships.” Deadline: August 31, 2013. Pays: $10-$25 for accepted work.
  • The latest issue of The Practicing Writer (packed, as usual, with no-fee contests and paying calls) went out to subscribers this weekend. You can also find it here.
  • “The Department of English at the University of San Diego invites applications for a tenure-track assistant professor position in Creative Writing, Poetry Emphasis.”
  • Oklahoma State University is advertising for an Assistant Professor of Creative Writing. “Tenure-track position in Creative Writing-Fiction. 2-2 teaching load beginning August 2014. Appropriate terminal degree, appropriate credentials, significant national publication, and demonstrated teaching excellence required. Additional publication and teaching expertise in creative non-fiction desirable.”

    • Monday Markets for Writers

    by Erika Dreifus on
    Disabled

    Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • “The Christopher Doheny Award will recognize excellence in fiction or nonfiction on the topic of serious illness. The winner of the award must demonstrate high literary standards while exploring the impact of illness on the patient, family and friends, and others. With support from Audible, Inc., the award includes a $10,000 prize and publication and promotion of the book in print and audio editions. The award will be presented annually for either a manuscript that is still in process or a completed one.” Deadline: July 31, 2013. No entry fee indicated.
  • Writers from New York State: “Arts Services Initiative of Western New York, Inc. (ASI), on behalf of the New York State Council on the Arts in partnership with the Province of Quebec Council of Arts and Letters, is seeking proposals from qualified individuals from New York State to become artists in residence in the Province of Quebec in Fall or Winter, 2013.” Those chosen will each receive a stipend of $9,000. There is no application fee. Applications are due by noon (EST) on July 22, 2013.
  • By this time next week, subscribers will have received the July issue of The Practicing Writer. If you don’t yet subscribe to our free newsletter–which, like this blog, features ONLY no-fee competitions and ONLY paying opportunities for fictionists, poets, and writers of creative nonfiction–what are you waiting for?
  • “The Department of English at the College of the Holy Cross [Mass.] invites applications for a visiting part-time faculty position to teach one creative writing course in prose narrative (with an emphasis on both fiction and nonfiction) in fall 2013.”
  • The Loft Literary Center (Minneapolis) is looking for a Program Manager.
  • Grub Street (Boston) is also looking for a Program Manager.
  • From the Vermont Studio Center: “The VSC Writing Program Coordinator is responsible for the smooth operation of the day-to-day components of the writing program, offered as a part of the Studio Center’s artist residency program. This is a one-year, live-in, 30-hour per week staff artist position. Compensation includes room, board, studio, access to Visiting Writers, and a stipend of $150 per week. The Writing Coordinator reports to the Writing Program Director. Position available immediately.” (h/t Lene A. Gary)

    • The Grubbie Guide to Writing Contests, Conferences, and Residencies: A Recap

    by Erika Dreifus on
    2

    grubI have so much to do today (the penultimate day of my vacation). But I’m so pumped from Grub Street’s “The Muse and the Marketplace” conference that I have to spend some time sharing the experience with you.

    I don’t know how they do it, but Grub somehow makes this conference even better every year. I’ll try to write a more comprehensive (or at least, sweeping) recap for you in time for Wednesday’s “Work-in-Progress” post here on Practicing Writing. For now, I’ll just summarize the panel that I moderated yesterday: “The Grubbie Guide to Writing Contests, Conferences, and Residencies,” which featured my super-accomplished co-panelists Sheri Joseph and Douglas Trevor.

    I can do this only because the amazing Porter Anderson (@Porter_Anderson) was live-tweeting from the conference, and our panel was lucky enough to draw him in. I’ll share with you Porter’s tweets, and supply a few annotations. (Look especially for the cited handout, which I’ll embed within this post.)

    Our general approach in this session was this: We began with self-introductions, in which we talked described ways in which contests, conferences, and residencies had helped shape our own writing lives. Then we moved into some “Do’s & Don’ts,” in which we shared advice on selecting opportunities, application tips, and suggestions for making the most of opportunities won (especially residencies). And then we turned to Q&A.

    Hope that you enjoy!
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