Friday Finds for Writers

Treasure ChestWriting-related resources, news, and reflections to read over the weekend.

  • Making the rounds this week: how The New Yorker ended up rejecting one of its own stories.
  • On literary shindigs, author photos, and Yaddo rejections – a post by Jami Attenberg.
  • One writer shares “5 Unexpected Lessons from Inside the Iowa Writers’ Workshop.”
  • Marisa Silver, on being a “California Writer.”
  • Behind the scenes at Girl Talk, a wonderful poetry reading organized each year by Diane Lockward.
  • Have a great weekend, everyone. See you back here on Monday.

    Friday Finds for Writers

    Treasure ChestWriting-related resources, news, and reflections to read over the weekend.

  • I must admit that I agree with Susan Kushner Resnick: Nonfiction should be nonfiction (or, “what don’t you understand about the word ‘non’?”). But not everyone concurs. What do you think?
  • On the Virginia Quarterly Review blog, Bethanne Patrick discerns “the biggest danger to anyone’s writing”.
  • Another excellent post from Carol Tice, this time on “the deadly math mistake that will make your freelance business fail.” (In other news, I’ll confess that Carol’s new guest-post policy disappoints me, since I’m no longer eligible to pitch.)
  • I don’t have a regular professorial gig, but I can nonetheless commiserate with much of Cathy Day’s post, “For the Man Who Called Me for Advice About How to Get Published.”
  • Here is something that I know that I need to (re)consider: “How to Organize the Writing Samples on Your Writer Website.” Many thanks to the Renegade Writer blog for posting and urging that consideration along. (I somehow feel as though my own situation is complicated by the fact that in addition to the diversity of nonfiction that I write, I’m also a fictionist and poet. If you have examples of sites that negotiate this challenge well–including your own–please share, in comments.)
  • Have a great weekend, everyone. See you back here on Monday!

    Friday Finds for Writers

    Treasure ChestWriting-related resources, news, and reflections to read over the weekend.

  • People have been talking this week about freelancer Nate Thayer’s post, “A Day in the Life of a Freelance Journalist.” You can read an example of the discussion here. See also Jane Friedman’s take on “The State of Online Journalism Today: Controversial.”
  • Also a popular topic (at least among the folks that I follow on Twitter): Alex Nazaryan’s confession regarding a certain “bitterness” in his book reviews. Julia Keller’s piece on “The Reviewer Reviewed” has attracted far less attention (at least as far as I can tell), but for me, it’s at least equally important and instructive for those of us who write reviews and criticism in addition to our “own” writing.
  • Amen, sister! That’s my response to Writer Abroad’s “9 Things Not to Do as a Writer.”
  • In case you haven’t heard, there’s a little event for writers taking place in Boston at the moment. And in case you can’t be there in person (I’m popping in for a grand total of 23 hours starting midday tomorrow), you can always follow the Tweets!
  • Have a great weekend everyone. See you back here on Monday.

    Monday Markets for Writers

    Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • Big news from Barrelhouse: “It’s been a dream of ours since we started Barrelhouse in 2005, so we’re proud to announce that beginning with issue 12, Barrelhouse will pay contributors $50 each, along with contributor copies….We hope this marks the beginning of a new chapter for Barrelhouse and we hope you’ll join us. When the time is right, send us your best stuff (we’re open right now for fiction, nonfiction, poetry, and a special comedy issue). Come get your fifty big ones!”
  • Wesleyan Writers Conference Scholarships & Fellowships have a deadline of March 22, 2013 (received). There is no application fee; “if you are certain you will attend the Conference, however, do send the $75 deposit and registration form immediately, before completing the rest of your application. The deposit guarantees you a place at the Conference if you should not win an award.”
  • “Lake Forest College [Ill.] seeks a writer of fiction to fill a three-year visiting (non-tenure track) position in the English Department teaching courses in creative writing and developing courses in the design, production, and publication of books and journals.”
  • (more…)

    Wednesday’s Work-in-Progress: My “Well Versed” Debut

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    Two weeks ago, I attended a panel event, held at the Center for Jewish History here in Manhattan, that helped launch a new book, Holocaust Literature: A History and Guide. And last Friday, my account of that event was posted on the “Well Versed” blog of The Jewish Week, a New York-based newspaper that I subscribe to.

    It’s my debut post for Well Versed, and I hope it signals many to come–and perhaps even some bylines within the paper itself. We shall see.

    Meantime, here’s the opening of the post:

    Definitions can be tricky. Just try to find agreement on what qualifies (or not) as “Jewish literature.”
    Perhaps equally arguable: any effort to define “Holocaust literature.”

    In their new book, “Holocaust Literature: A History and Guide” (Brandeis University Press), David Roskies and Naomi Diamant propose some striking new terms.

    Intrigued? Please keep reading!

    (cross-posted on My Machberet)