Oseh Shalom


A fabulous video of a few moments from the recent Debbie Friedman Memorial Concert at HUC-JIR (Jerusalem). I love this arrangement. It is astonishing to realize (again) how Debbie Friedman influenced so many of us in our connections to our Judaism. May she rest in peace.

Monday Markets/Jobs/Opportunities for Writers

  • “Editor Sandra McIntyre with Roseway Publishing (Nova Scotia & Manitoba) is seeking short story submissions for an upcoming anthology of political fiction. ‘Political’ is open to interpretation—stories can be about politics, whether overtly or obliquely, or political by virtue of their stance, voice, point of view, or underpinnings. Stories should be 4000 words maximum. Short graphic fiction is welcome. Payment: $100. The deadline for submissions is: June 1, 2012.” NB: Payment is presumably in Canadian dollars. (via placesforwriters.com)
  • Speaking of anthologies: Every so often I try to check in with the Chicken Soup website to find out about new titles under development. My most recent visit prompted me to submit something (again) for one of the titles under development. Maybe this time will be the charm for me. And maybe for you?
  • “Creative Nonfiction is seeking narrative blog posts to reprint in our upcoming True Crime issue.We’re looking for: true stories of petty theft, identity theft, embezzlement or first-degree murder; of jaywalking, selling (or maybe buying) drugs or assault; of crimes and punishments and unsolved mysteries. We are drawn to writing with a strong and compelling narrative; stories that reach for some universal or deeper meaning in personal experiences; and posts that can stand alone. Nominations should be 2000 words max and posted during 2011. Nominate something from your own blog, from a friend’s blog, from a stranger’s blog, and/or from a national magazine/newspaper’s blog. Nominate as many posts as you like, though we ask that you not nominate the same post multiple times. To nominate, you’ll need to know the specific URL of the post.” Pays (I obtained the following info via email): “Creative Nonfiction will pay the authors of the winning posts a modest honorarium. This usually amounts to a $50 flat fee, with an additional $10 per published page. We also do our best to promote the winning authors and drive new readers to their blogs.”
  • “The Creative Writing Program in the Department of English at the University of Arizona invites applications for a tenure-track Assistant Professor in fiction, beginning August 2012. We seek an outstanding writer with significant publications (at least one book from a reputable press) and demonstrated excellence as a teacher to work with students at the graduate and undergraduate levels.”
  • “Westfield State University’s English Department [Mass.] invites applications for a tenure-track Assistant Professor in creative non-fiction and speech. The successful candidate will contribute to our growing writing concentration and will be responsible for teaching Introduction to Speech and Creative Non-Fiction writing courses, and possibly developing upper-level offerings in speech. Ability to teach composition and core literature classes strongly preferred.”
  • Brandeis University (Mass.) is looking for an Articles Editor for Brandeis magazine, the Women’s Media Center (Washington) seeks an Online Manager, and Rivier College (N.H.) has a position available for a Writer.
  • Words of the Week: Stephen Marche

    Israel, uniquely among nations, suffers from being turned into a synecdoche–of the part being taken for the whole. The other theater companies involved in the Globe’s program–whether from China, Zimbabwe or the United States–are simply not subject to the same scrutiny of their nation’s politics. No one would think of boycotting the English theater because Britain had been involved in the bloody occupation of two countries in recent memory. That would be absurd. yet it is not absurd when it comes to Israel.

    Source: Stephen Marche, “Another Trial for Shylock,” The New York Times

    Jewish Literary Links for Shabbat

    Photo Credit: Reut Miryam Cohen
  • The New York Times divulges author Nathan Englander’s Sunday routine.
  • Speaking of Nathan Englander, not everyone will agree with Adam Kirsch’s take on his latest work, but you can’t deny that Kirsch’s conclusion is tantalizing and provocative: “Perhaps the great Jewish fiction of the near future will have to be less psychological and social than is currently the norm, and more explicitly political. And perhaps the great dividing line in contemporary Jewish life is not the one between religious and secular Jews, but between those who see themselves as members of a historical Jewish nation, and those who find such an identity archaic or delusional.”
  • JTA, “the global news service of the Jewish people,” is hiring.
  • New graduate program in Jewish cultural arts.
  • Deborah Feldman’s new memoir, Unorthodox, is making waves. Read all about it.
  • Shabbat shalom!

    Friday Find: Building Your Book-Reviewing Practice: Six Tips for Finding Titles to Pitch

    As some of you may know, WritersWeekly.com was kind enough to publish an article of mine this week. Unfortunately, some of the links included in the original article I submitted didn’t make the transition to the WritersWeekly website. I have informed the editors of the problem. Until the original links have been restored, please (re)read the article here, complete with the original (and more direct/helpful) links.

    BUILDING YOUR BOOK-REVIEWING PRACTICE: SIX TIPS FOR FINDING TITLES TO PITCH

    by Erika Dreifus

    As a frequent (and frequently paid) book reviewer, and a former teacher of courses in how to establish a book-reviewing practice, I was pleased to see a recent WritersWeekly.com article spotlighting this work. But I’d like to expand the discussion. For instance, I believe that a really good book reviewer—the kind of reviewer that editors trust and turn to—needs to display certain skills. I’m not talking only about subject matter expertise and writing chops. I’m talking about solid knowledge about books—including books that haven’t yet been published.

    Think about it. Most of the book reviews you find in the better-paying mainstream magazines and newspapers and on popular websites focus on new books. Those reviews don’t appear magically. They’re the product of a match between editor and reviewer that takes place weeks, if not months, before the book is available for purchase. Which means that one way to increase your chances of winning a paying assignment—not to mention establishing yourself as a savvy source for information—is to pitch reviews of not-yet-published titles.

    Once you become an established reviewer, complimentary advance reading copies (ARCs) are likely to come your way. Editors will begin suggesting titles for you to review and supply you with the ARCs they receive from publishers and publicists. But it isn’t easy to reach that point. And it takes time. Here are six ways for the emerging book reviewer to locate review possibilities on his or her own: (more…)