Monday Markets for Writers

Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • Black Balloon Publishing has news for novelists and short-story writers: “We’re thrilled to announce the Horatio Nelson Fiction Prize, an award for a previously completed manuscript which comes with an award of $5,000 and a Black Balloon Publishing deal. Submissions for entry will be accepted between April 1 and May 6th. Only complete, previously unpublished works of fiction of over 50,000 words will be eligible. Please submit an excerpt of up to 4,000 words in a .doc or .docx file between April 1 and May 6th.” There is no entry fee. (via GalleyCat)
  • A quick check-in with the Chicken Soup for the Soul website reveals a number of upcoming deadlines for anthologies-in-progress, including “a book for Canadians about everything winter,” a book on dating, and “a multitasking Mom’s survival guide.” Paying projects.
  • The low-residency MFA program at the University of California, Riverside, is looking for a Visiting Assistant Professor of Poetry.
  • “The Department of Rhetoric and Writing at the University of Arkansas at Little Rock invites applications for a nine month tenure-track Assistant Professor (R97278) to teach undergraduate and graduate courses in professional writing, including grant writing.”
  • Oklahoma State University, Stillwater, seeks a Visiting Assistant Professor of Creative Writing (Fiction).
  • Poets & Writers, Inc. (New York), is looking for a Development and Marketing Associate.
  • The April issue of The Practicing Writer went out to subscribers this weekend. You can also read the current issue–replete with no-fee competition listings and paying calls for submission–online.
  • Friday Finds for Writers

    Treasure ChestWriting-related resources, news, and reflections to read over the weekend.

  • She had me at hello. Here’s the first line from Rebecca Meacham’s recent guest post for the Ploughshares blog: “First, a confession: I’m lousy at prioritizing fiction writing.
  • Another thoughtful post from Cathy Day, this time on the topic of “professionalization” and creative-writing programs.
  • Lots of good stuff in this Rumpus interview with author and editor Matthew Salesses.
  • Should undergraduates attend the Association of Writers & Writing Programs (AWP) conference? Interesting reflections (and experiences) on The Missouri Review‘s blog.
  • Courtesy of The Review Review: differing views on litmag submission fees.
  • Have a great weekend. See you back here on Monday.

    Jewish Literary Links for Shabbat

    Photo Credit: Reut Miryam Cohen
    Every Friday morning My Machberet presents an assortment of links, primarily of the literary variety.

  • Rebecca Klempner presents a true Passover story that epitomizes an instance when reality seems stranger than fiction.
  • Many of us perceive Tay-Sachs disease to be a malady that strikes only Jewish families; Emily Rapp isn’t Jewish, but her son, Ronan, recently succumbed to the disease. Judy Bolton-Fasman writes about Rapp’s new memoir, which opens with Ronan’s diagnosis.
  • Canada-based author Ayelet Tsabari recently wrote a series of guest posts, my favorite of which deals with the challenges she has faced in writing about Israel.
  • Beth Kissileff profiles Shimon Adaf, most recent recipient of Israel’s prestigious Sapir Prize.
  • Latest Quiet Americans news.
  • Shabbat shalom.

    Canadian Jewish Playwriting Competition Invites Submissions

    The Cultural Arts Department of the Miles Nadal Jewish Community Centre of Toronto announces a Call for Submissions for the 2013 Canadian Jewish Playwriting Competition (CJPC).

    Since its inception in 1989 the CJPC has attracted 200+ plays from seven provinces, the US and Israel.

    The Miles Nadal JCC seeks to establish active relationships within the professional artistic community to support emerging Canadian artists and creation, to build bridges of understanding across cultures through the arts and to assume a vital role in our country’s cultural community.

    The 2012 winner was Shiksa, by Winnipeg’s Cairn Moore. Shiksa was presented as a Between Stages Reading in February 2013 at the Chutzpah! Festival in Vancouver . It was directed by Katrina Dunn (Touchstone Theatre)

    Four previous contest winners have been published or have been commercially produced: Einstein’s Gift by Vern Thiessen, Sara’s Cave by Don Molnar, Yahrzeit by Alex Poch Goldin and Haunted by Daniel Karasik.

    The winner receives a professionally acted and directed public workshop in a Miles Nadal JCC Between Stages Play Reading. The Miles Nadal JCC will publicize the workshop with a national press release sent to major print and web media publications, professional theatre organizations and Canadian Jewish arts, education and community organizations.

    Submission deadline is July 2. No entry fee indicated. Full call is available on Facebook. (h/t: Jewish Plays Project)

    Wednesday’s Work-in-Progress: Quarterly Contributions, Yom HaShoah, and Recent Reviews

    BlueCardAs I mentioned not too long ago, my book of short stories, Quiet Americans, has been out in the world for a little over two years. And at the end of every quarter, I offer a financial contribution based on recent sales to The Blue Card, an organization that supports survivors of Nazi persecution. Within the next week, Q1 for 2013 will draw to a close; if you’ve been meaning to purchase a copy of the book, now would be an especially meaningful time to do so, with Yom HaShoah (Holocaust Remembrance Day) coming up on April 7-8.

    I continue to be surprised (and deeply moved) by the reviews that readers share online after they read Quiet Americans. Most recently, on Goodreads, I’ve discovered these assessments:

    Normally I dismiss short story collections because they do not allow me to become involved in the characters and the plot. Quiet Americans was different. All the stories revolved around the individuals and families coping with life before, during, and after the Holocaust. The characters were real, multi-dimensional, and the stories moving. Like others, I look forward to reading more from this author.

    A powerful collection of short stories. While each vignette stands on its own, they all form a cohesive, striking portrait spanning several generations. Characters, like Dr. Weldmann, are faced with crucial decisions: to speak out or to stay silent. Dreifus’s narrators may vary in point of view but they never fail to draw us in quickly. The narrator of “Matrilineal Descent” breaks through that fourth wall to speak to its readers who, like the narrator, may have researched their ancestors only to find indeterminate statements “für tot erklärkt seit..” Refreshing to pick up a book by a young US writer with a gift not only for English but for other languages. I look forward to Ms. Dreifus’s next book.

    QACover

    (The penultimate line of that second review held extra meaning for me given what some of you may remember I encountered as an MFA student.)

    In any case, as another quarter closes, and another Yom HaShoah approaches, I remain infinitely grateful for the support that Quiet Americans continues to garner. Thank you all so very much!