Friday Finds for Writers

The weekly collection of writing-related resources, news, and reflections to read over the weekend.

  • 10 smart posts for newbie freelancers, courtesy of Dollars & Deadlines.
  • Also good for newbies: useful overview piece on how & where to get your short stories published.
  • It’s feeling a lot like winter around here, so I’m grateful for these “Five Winter Reads” suggested on the Fiction Writers Review site.
  • Working on historical fiction, or another historically-infused project? You’re likely to learn something from Jeanne Sakata’s account of writing her first play, “Hold These Truths,” about the life of civil rights icon Gordon Hirabayashi.
  • By now, we all know about NaNoWriMo. Among related efforts is the November PAD (Poem-A-Day) challenge. I haven’t managed to participate regularly, but I’m grateful for the prompts.
  • Have a great weekend, everyone. Please come back Monday for the usual markets post.

    Monday Markets/Jobs/Opportunities

    Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • The month of November is an open reading period (no fees) for Black Lawrence Press, which “seeks to publish intriguing books of literature and creative non-fiction: novels, memoirs, short story collections, poetry, biographies, cultural studies, and translations from the German and French.
  • If you’re a short-story writer and a citizen of a Commonwealth country, it’s time to think about the 2013 Commonwealth Short Story Prize, “awarded for the best piece of unpublished short fiction (2000 – 5000 words). Submissions must be made by the author of the short story. Regional winners receive £1,000 and the overall winner receives £5,000.’ No entry fee. Deadline: December 4, 2012.
  • ICYMI: The November issue of The Practicing Writer is now available. As usual, it features no-fee contests/competitions and submissions calls from magazines and presses that will pay you for your work.
  • The Texas Book Festival (Austin) is looking for a Literary Programs Director, Poetry London (U.K.) seeks a Freelance Poetry Editor, and the Columbus Dispatch (Ohio) is advertising for a Features Reporter.
  • “New College of Florida announces an opening for a Writer in Residence, spring semester 2013 (February-May). The successful candidate will have: at least one published book, and significant publication in other venues as well; two years’ experience teaching creative writing, which can include instruction as a graduate student; and a strong commitment to playing an active role in the community of our residential honors college. MFA, MA, or equivalent degree preferred, but experience considered. Writers whose work engages multiethnic experience especially encouraged.” (if you need the posting #, it’s ADJ101)
  • Another big batch of teaching job announcements after the jump. (more…)

    Monday Markets/Jobs/Opportunities for Writers

    Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • “The Nieman Foundation for Journalism at Harvard is offering a new research and study opportunity: a short-term visiting fellowship for individuals to work on special projects designed to advance journalism.” No application fee. Application deadline: November 19, 2012.
  • Frequencies, “a new biannual journal of artful essays” that “challenge the current non-fiction prescription” is published by Two Dollar Radio. Essay submissions are accepted “on a rolling basis.” Send completed essays only. Pays: “We do pay cash money.” http://twodollarradio.com/frequencies-about.htm (via NewPages.com)
  • “The Elizabeth Kostova Foundation offers its sixth annual summer fiction writing seminar in the ancient town of Sozopol, Bulgaria. The seminar program consists of intensive daily fiction workshops, roundtable discussions, guest lectures and literary readings by faculty and participants. Fiction writers from Bulgaria and fiction writers from English-speaking countries, including but not limited to the U.K. and the U.S., are invited to apply. A total number of ten applicants will be selected for participation and funding.” No application fee. Application deadline is March 15, 2013, for the May 2013 seminar.
  • Coming soon–the November issue of The Practicing Writer. As usual, it will feature an array of no-fee competitions and paying call information. If you’re not yet a subscriber, join us to get your copy quickly!
  • “Considering making a career in literary translation? Already embarked on your course but feel you could do with more help and support? If so, you might be one of the talented emerging translators we’re looking for to participate in the 2013 BCLT Translator Mentoring Scheme (1 January – 30 June 2013). Launched in 2010, the scheme has already produced fourteen mentorship ‘graduates’ in languages ranging from Catalan to Polish. Several of the previous mentees have had work published as a result of contacts made and skills honed during the mentoring process. Mentors and mentees work together in a combination of face to face meetings and also through online communication such as email or Skype. Mentees should expect to commit an average of one day a week to the programme. Each mentee receives receives a bursary of £500 plus reasonable expenses.” No application fee. Apply fast (by October 31, 2012).
  • Louisville Magazine seeks a Staff Writer, the Austin American-Statesman (Texas) is looking for a Social Media Editor, and the Cystic Fibrosis Foundation (Md.) is advertising for a Writer/Editor.
  • Teaching jobs continue after the jump. (more…)

    Friday Finds for Writers

    The weekly collection of writing-related resources, news, and reflections to read over the weekend.

  • To begin: As you may have noticed, I’m something of a dash fan (even if I have to disguise the dash as a hyphen sometimes for text-only newsletters that don’t absorb the auto-corrected dash all that well). Which is all a way of saying that I loved Ben Yagoda’s “Mad Dash” column for NYTimes.com this week.
  • “How NOT to Put Together a Short-story Collection,” by Amber Sparks.
  • Joel Friedlander’s useful “Twitter for the Absolutely Terrified Newbie Author.”
  • Clear-eyed post on “the economics of self-publishing,” with a detailed case example, from Anne Trubek.
  • If you’re in the Boston area, I hope you’re going to be able to enjoy the Boston Book Festival this weekend. Wish that I could be there with you.
  • Have a great weekend, all. See you back here on Monday.

    Friday Finds for Writers

    The weekly collection of writing-related resources, news, and reflections to read over the weekend.

  • I’ll be traveling (again!) this weekend, and while I wait around airports I’m hoping to read at least some of the essays mentioned in Robert Atwan’s “The Top 10 Essays Since 1950.”
  • To help you get started publishing your stories, essays, and poems: an updated list of links.
  • “50 Freelance Tips” from The Writer magazine.
  • And, some freelance tips (or warnings) from me, courtesy of Carol Tice’s “Make a Living Writing” blog.
  • Finally: Like many, I had a visceral and horrified reaction to the news we’ve all followed from Penn State. And, like many who have already cited it this week, I am deeply impressed by Michael Bérubé’s essay on why he resigned the Paterno Family Professorship in Literature at Pennsylvania State University.
  • Have a great weekend, everyone. See you back here on Monday.