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Quick deadline for this one: Two paying summer internships are available at the Nieman Journalism Lab in Cambridge, Mass. From the announcement: “We’re interested in journalism innovation and the future of the news. Our summer interns will be right in the thick of that work, reporting and writing stories on traditional news organizations, online-native startups, nonprofit outlets, technology companies, social media platforms, and all the other players influencing how we learn about our world.” Applications are due March 2.
The Australian journal Meanjin has reopened to poetry submissions only. Right now they’re taking hard-copy submissions only, but the guidelines page notes that the journal is “in the process of moving to a new digital submissions service.” Pays a “minimum” fee of $50 (Australian) for poetry.
“Instituted in the fall of 2005, the Edith Wharton Essay Prize is awarded annually for the best unpublished essay on Edith Wharton by a beginning scholar. Graduate students, independent scholars, and faculty members who have not held a tenure-track or full-time appointment for more than four years are eligible to submit their work. The winning essay will be published in The Edith Wharton Review, a peer-reviewed journal indexed in the MLA Bibliography , and the writer will receive an award of $250.” There is no entry fee. Deadline: April 30, 2012.
From WritersWeekly.com: “DigitalGrandparent.com looking for guest bloggers. Read the blog, if you have a great idea for a post that suits our style, please send to maryan at ontext dot com. $40 stipend per 600-800 words.”
“Writing About Your Mother and/or Father” is the title of an upcoming event that will be run by the American Society of Journalists and Authors (ASJA). Scheduled for March 6 at 6 p.m. (Eastern), this event will be available via live webcast free of charge.
From Newcastle University (U.K.): “The School of English Literature, Language and Linguistics wishes to appoint a part-time (0.4 FTE) lecturer with expertise and publications in Creative Writing (Prose). We are seeking applicants who will contribute to teaching across both undergraduate and taught postgraduate programmes, as well as supervise PhDs. We particularly welcome applications from candidates who can contribute to and see opportunities to develop the resources of the Newcastle Centre for the Literary Arts, a university research centre based in the School.”
It’s nearly the end of the month. You know what that means! I’m putting the finishing touches on the March issue of The Practicing Writer. It will be emailed to subscribers midweek. As always, free of charge; as always, featuring only fee-free competitions & paying gigs for poets, fictionists, and writers of creative nonfiction.
Northwestern University (Ill.) is looking for a Senior Writer, Abrams Media (New York) seeks an Editor for its “soon-to-be-launched chef-focused site,” and Living Beyond Breast Cancer (Haverford, Pa.) invites applications for a position as Writer and Website Coordinator.
On Lisa Romeo’s blog, Stephanie Vanderslice introduces her new book, Rethinking Creative Writing: Programs and Practices that Work. (We’ve got an interview with Stephanie about this book right here, too.)
A voice from the adjunct trenches.
This story of how one author found her agent on the subway (technically, the agent found her) has been making the Internet rounds.
A lovely account of how Sage Cohen’s young son reminded her of writing advice from Galway Kinnell (which happens to echo advice I recall from Arnost Lustig, who passed away one year ago this week).
I really like this interview with my fellow Last Light Studio author, Ericka Lutz, in which Ericka talks about her new novel, the experience of publishing with our small press, and her “nontraditional” routes in both writing and promotion.
I was amused (but not at all surprised) to learn that Stephen Colbert has landed a deal for his children’s book (but can we please do away with the verb “ink”?). Check this GalleyCat report for details, plus links to the two-part interview with Maurice Sendak that started it all!
The Poetry Matters 2012 poetry award “is open to anyone, anywhere who is in Middle School or older.” There is no entry fee. “Cash Prizes are given to 1st ($100), 2nd ($75), 3rd ($50) and 4th ($35) place winners. To receive the cash prize winners must have their poem read (in person or via video) at the poetry reading event.” Deadline: March 23, 2012. (via @femministas)
“The United States Forest Service offers residencies of seven to nine days from June through August to poets, fiction writers, and creative nonfiction writers, to take part in a field project in the wilderness of the Alaskan National Forest. Residents will be paired with a wilderness ranger, with whom they will camp, kayak, hike, and explore the coastal terrain of the Tongass and Chugach National Forests, while assisting with research, fieldwork, and other light ranger duties. Residents are provided with camping equipment, food, and travel to an from the field, but are responsible for their own transportation to Alaska. Residents are expected to donate one piece of creative work to the Forest Service, and to give one public presentation, such as a reading or a workshop, within six months of their residency that in some way connects a community to its public lands (the presentation does not have to take place in the community of the residency). Submit six pages of poetry or prose and a statement of purpose by April 20. There is no application fee. Visit the website for an application form complete guidelines.”
The Sustainable Arts Foundation provides Writing Awards ($6,000) and smaller “Promise Awards” to writers (of fiction, nonfiction, and poetry) who have at least one child under the age of 18. “We welcome applicants from anywhere, but will give some preference to residents of the San Francisco bay area.” The next application deadline is March 1; no application fees are indicated.
Drew University (N.J.) is looking for an MFA Program Director: “The Caspersen School of Graduate Studies is seeking a director of our low-residency MFA program in Poetry and Poetry Translation. The program is in its fourth year, has a nationally renowned faculty and graduates with a strong record of publication already. The director is responsible for the direction of the program: will teach two students per semester; lecture at the residencies and give a reading; work with admissions to recruit students; supervise program budget; provide orientation for new faculty and students; oversee faculty and students during the correspondence semesters; oversee course/faculty/student evaluations; identify guest writers/poets for readings; work with the dean’s office to set the schedule for the January. June residencies; organise the lectures/panels; oversee the senior panels; track students’ progress; work with the dean’s office to promote the program; assign faculty mentors for students and serve as a liaison with the larger university community. Curriculum development is another important part of the job. For example, our program is distinguishing itself by offering a translation component. The Director is expected to explore options for opening additional such ‘tracks’ in the program, in keeping with the strengths and resources of Drew and the program.”
Georgia College & State University seeks an Assistant Professor of English (Fiction): “Undergraduate and graduate teaching, thesis advising, and editing for graduate and undergraduate literary journals. Candidate will be expected to design and offer graduate and upper division courses in literary fiction and creative nonfiction as well as other undergraduate liberal arts courses.”
California College of the Arts is advertising for an nontenure-track Assistant/Associate Professor in Creative Nonfiction Writing. “Course load is negotiable and not to exceed four courses per academic year. Candidate will teach regularly in the undergraduate Writing and Literature Program and MFA Program in Writing. Candidate will also participate in program and college-wide service, including curricular development and assessment.”
St. Louis College of Pharmacy is looking for a Writer/Editor, Texas State University-San Marcos seeks a Publications Writer, and The New School (New York) plans to hire a Publicity Writer.
If you’re an MFA student (past or present), or you teach in a graduate program in creative writing, please consider participating in Cathy Day’s quick survey on novels in MFA programs.
And on a somewhat related note: Since I seem to be having trouble enough writing anything long-form these days, my attention was caught by John Vanderslice’s post about his new workshop, which will focus on long poems.
The latest brouhaha in the creative-nonfiction world (check follow-up posts, too).
I was over on Carol Tice’s Make a Living Writing blog, and I just kept bookmarking posts to share with you. To save some time, I’ll simply send you to the homepage. Just keep scrolling down!
Another freelance tip: Consider the lesser-known holidays.
“Editor Sandra McIntyre with Roseway Publishing (Nova Scotia & Manitoba) is seeking short story submissions for an upcoming anthology of political fiction. ‘Political’ is open to interpretation—stories can be about politics, whether overtly or obliquely, or political by virtue of their stance, voice, point of view, or underpinnings. Stories should be 4000 words maximum. Short graphic fiction is welcome. Payment: $100. The deadline for submissions is: June 1, 2012.” NB: Payment is presumably in Canadian dollars. (via placesforwriters.com)
Speaking of anthologies: Every so often I try to check in with the Chicken Soup website to find out about new titles under development. My most recent visit prompted me to submit something (again) for one of the titles under development. Maybe this time will be the charm for me. And maybe for you?
“Creative Nonfiction is seeking narrative blog posts to reprint in our upcoming True Crime issue.We’re looking for: true stories of petty theft, identity theft, embezzlement or first-degree murder; of jaywalking, selling (or maybe buying) drugs or assault; of crimes and punishments and unsolved mysteries. We are drawn to writing with a strong and compelling narrative; stories that reach for some universal or deeper meaning in personal experiences; and posts that can stand alone. Nominations should be 2000 words max and posted during 2011. Nominate something from your own blog, from a friend’s blog, from a stranger’s blog, and/or from a national magazine/newspaper’s blog. Nominate as many posts as you like, though we ask that you not nominate the same post multiple times. To nominate, you’ll need to know the specific URL of the post.” Pays (I obtained the following info via email): “Creative Nonfiction will pay the authors of the winning posts a modest honorarium. This usually amounts to a $50 flat fee, with an additional $10 per published page. We also do our best to promote the winning authors and drive new readers to their blogs.”
“The Creative Writing Program in the Department of English at the University of Arizona invites applications for a tenure-track Assistant Professor in fiction, beginning August 2012. We seek an outstanding writer with significant publications (at least one book from a reputable press) and demonstrated excellence as a teacher to work with students at the graduate and undergraduate levels.”
“Westfield State University’s English Department [Mass.] invites applications for a tenure-track Assistant Professor in creative non-fiction and speech. The successful candidate will contribute to our growing writing concentration and will be responsible for teaching Introduction to Speech and Creative Non-Fiction writing courses, and possibly developing upper-level offerings in speech. Ability to teach composition and core literature classes strongly preferred.”
Brandeis University (Mass.) is looking for an Articles Editor for Brandeis magazine, the Women’s Media Center (Washington) seeks an Online Manager, and Rivier College (N.H.) has a position available for a Writer.