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Friday Find: Building Your Book-Reviewing Practice: Six Tips for Finding Titles to Pitch

by Erika Dreifus on
3

As some of you may know, WritersWeekly.com was kind enough to publish an article of mine this week. Unfortunately, some of the links included in the original article I submitted didn’t make the transition to the WritersWeekly website. I have informed the editors of the problem. Until the original links have been restored, please (re)read the article here, complete with the original (and more direct/helpful) links.

BUILDING YOUR BOOK-REVIEWING PRACTICE: SIX TIPS FOR FINDING TITLES TO PITCH

by Erika Dreifus

As a frequent (and frequently paid) book reviewer, and a former teacher of courses in how to establish a book-reviewing practice, I was pleased to see a recent WritersWeekly.com article spotlighting this work. But I’d like to expand the discussion. For instance, I believe that a really good book reviewer—the kind of reviewer that editors trust and turn to—needs to display certain skills. I’m not talking only about subject matter expertise and writing chops. I’m talking about solid knowledge about books—including books that haven’t yet been published.

Think about it. Most of the book reviews you find in the better-paying mainstream magazines and newspapers and on popular websites focus on new books. Those reviews don’t appear magically. They’re the product of a match between editor and reviewer that takes place weeks, if not months, before the book is available for purchase. Which means that one way to increase your chances of winning a paying assignment—not to mention establishing yourself as a savvy source for information—is to pitch reviews of not-yet-published titles.

Once you become an established reviewer, complimentary advance reading copies (ARCs) are likely to come your way. Editors will begin suggesting titles for you to review and supply you with the ARCs they receive from publishers and publicists. But it isn’t easy to reach that point. And it takes time. Here are six ways for the emerging book reviewer to locate review possibilities on his or her own: (more…)

Thursday’s Work-in-Progress: Five Years In, Five Things to Appreciate About Being a #Writerwithadayjob

by Erika Dreifus on
18

This week marks a small milestone in my working life: Five years ago, I left my full-time freelancing/adjuncting practice, which had itself followed a period in which I combined an academic appointment with freelancing and adjuncting. Five years ago, I returned to a desk job in an away-from-home office, Mondays through Fridays, 9 to 5.

In other words, five years ago this week, I became what I sometimes append to my tweets: a #writerwithadayjob.

And I’ve been really lucky. I landed in an environment where I work with smart, generous people, and I tend to agree with the policies and philosophies of the organization’s leadership. As I know from previous experiences, it’s not at all nice when you aren’t in that kind of congenial environment.

But as a writer with a day job, I’m also grateful for some aspects of my job that have particularly enriched and improved the quality of my writing life. Here are five of them. (more…)

The Wednesday Web Browser for Writers

by Erika Dreifus on
Disabled

Time for the midweek melange of writing-related tidbits culled from my online wanderings:

  • B.J. Epstein reflects on Caryl Phillips and the “passionate engagement” of fiction.
  • Some lessons that I  know I still need to learn: brackets, commas, and dashes.
  • “Wendell E. Berry, noted poet, essayist, novelist, farmer, and conservationist, will deliver the 2012 Jefferson Lecture in the Humanities. The annual lecture, sponsored by the National Endowment for the Humanities (NEH), is the most prestigious honor the federal government bestows for distinguished intellectual achievement in the humanities.”
  • Especially for the teachers among us, but with relevance for all: two takes on email.
  • “Words we love too much,” courtesy of The New York Times.
  • “The Science (Not Art) of the Magazine Pitch,” by Kathryn Roethel, who has successfully pitched The New York Times Magazine, The New Yorker, and other national pubs. (via @LisaRomeo)
  • In a blog post analyzing our ability (or lack thereof) to separate writers from their writing, Celeste Ng reminds me of my own reluctance to knowingly endorse/support/devote precious reading time/money/mental energy to the works of anti-Israel writers. As I’ve recently attempted to explain here.

    • Quotation of the Week: Buzz Bissinger

    by Erika Dreifus on
    Disabled

    “I like being outspoken. I think that’s the way you should do it. I can be excessive. I know that. But more, in my mind, is always better than less as long as it is honest and from the heart, not some TMZ gotcha.”

    –Buzz Bissinger

    This quotation resonated for me. Strongly–and for reasons that are too complicated to get into here.

    I read it within the first few pages of my first subscription issue of Creative Nonfiction, which arrived recently and features Lee Gutkind’s interview with Bissinger. I’m so glad that I’ve finally subscribed!

    From My Bookshelf: AMERICAN DERVISH, by Ayad Akhtar

    by Erika Dreifus on
    6

    In a “Dear Reader” note on his website, author Ayad Akhtar writes:

    Growing up in the “heartland,” I became acutely aware that my peers didn’t know what to make of Islam. It wasn’t ignorance; they were good, smart people. They’d just never been exposed to it. Since then, exposure to Islam has grown, for all the wrong reasons.

    In writing American Dervish I wanted to share my sense of Islam in America. To render for the reader Islam’s beauty, its simplicity, and vivid spirituality. All of which I wanted to express in an American setting, in an American idiom.

    But as with so many religions, Islam’s beauty comes with troubling traditions. In writing the book, one of things I discovered was that I could not write about Islam truthfully without also exposing the fuller spectrum of my experience in Muslim-America.

    A few days ago, I finished reading American Dervish. It is an important and provocative novel, and I recommend it highly. I’m still thinking about it. In particular–and not surprisingly for a blog post appearing on My Machberet–I’m thinking of how to respond to this question in the “Reader’s Guide” section of Akhtar’s website: “What did you think of the relationship between Islam and Judaism in the novel?” (more…)